Record Reviews
28 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | ELTON DEAN / MARK HEWINS ~ BAR TORQUE
MOONJUNE 001 ~ UK ~ Canterbury Scene
This (sax & guitar) duo goes way back to the days when both players were members of Soft HeapFind albums by this artist, a great Canterbury Jazz-Rock outfit which followed in the steps of Soft MachineFind albums by this artist. Here they present a series of long and extended improvisations, very much in the free-jazz vain. Not for everybody, but those who like this style of musical expression will enjoy this one very much.
Visitors' Comments
Christopher Brice
Recorded live at the Jazz Café 1992, London; remixed & remastered 2000; released 2001
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  | FINISTERRE ~ STORYBOOK
MOONJUNE 002 ~ ITALY ~ Progressive Rock
This live recording at Progday in 1997 presents this fantastic Italian group at their best. Considered as one of the best Neo-Prog Italian bands, this symphonic outfit comes to life with fire and passion when playing live. Amazing sound quality and a brilliant performance.
| | Updated: 21/09/2021Posted: | CD 1 Recommend To A Friend |
  | DFA ~ WORK IN PROGRESS
MOONJUNE 003 ~ ITALY ~ Progressive Rock
Recorded: 2000 Released: 2001
3rd album by the outstanding Italian band DFAFind albums by this artist, full of complex arrangements and virtuoso playing. Recorded live at Nearfest in 2000, it includes some material from their first 2 albums and lots of new tunes. Surely one of the best bands on the scene today.
| | Updated: 28/05/2021Posted: | CD 1 Digipak Recommend To A Friend |
  | SOFT MACHINE LEGACY ~ LIVE IN ZAANDAM
MOONJUNE 006 ~ UK ~ Canterbury Scene
1st album by Soft Machine LegacyFind albums by this artist recorded live in Holland in 2005. This particular group is especially interesting due to the fact that although all the four members are all ex-Soft MachineFind albums by this artist players, they actually never played together in the same version of the band. The music is nothing short of brilliant, as usual, with a strong jazzy context and both old and new compositions included. For the many fans of the band this is a true treat and an excellent example of great musicians aging well. Recommended!
Limited Edition
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  | SOFT MACHINE ~ FLOATING WORLD LIVE
MOONJUNE 007 (Barcode: 692287900724) ~ UK ~ Canterbury Scene
Recorded: 1975 Released: 2006
Live recordings by the legendary Canterbury band Soft MachineFind albums by this artist have been popping out in recent years on a regular basis, but all of these concentrate on the early days around the period between (and before) the first album and up to about 1973. Therefore this live album is especially interesting, as it dates from 1975, when the band went through a radical change with a new lineup, adding the extraordinary powers of guitarist Allan HoldsworthFind albums by this artist. The band, which also included Karl JenkinsFind albums by this artist on oboe, sax and keyboards, Mike RatledgeFind albums by this artist on keyboards, Roy BabbingtonFind albums by this artist on bass and John MarshallFind albums by this artist on drums, abandoned the material recorded on previous albums and concentrated on entirely new material, written mostly by Jenkins and Ratledge, which was about to be released on the "BundlesFind albums with this title" album. The source of the recording is the endless archive of Radio Bremen, which of course ensures superb sonic quality. Soft Machine enthusiasts need no encouragement to grab this album with sweaty hands, expecting the best, and sure enough it delivers in full. The performances are stellar, the music enchanting and although less revolutionary and Avant-Garde then the earlier period, nevertheless it is still some of the best stuff played in the 1970s, with distinct Fusion overtones and masterly touches by the musicians. The album includes extensive liner notes, where the band members reminiscence about the period and circumstances of the recording – a great read and together with the music what a piece of music history!
| | Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | ARTI & MESTIERI ~ FIRST LIVE IN JAPAN
MOONJUNE 012 (Barcode: 692287901226) ~ ITALY ~ Jazz-Rock Fusion
Recorded: 2005 Released: 2006
Italian Prog / Fusion ensemble Arti & MestieriFind albums by this artist was formed in the early 1970s and has been active on the scene continuously, releasing new albums from time to time. The band´s leader, drummer Furio ChircoFind albums by this artist, is definitely one of Fusion´s most extraordinary figures, often compared to Billy CobhamFind albums by this artist (at his prime). The keyboardist Beppe CrovellaFind albums by this artist is also an outstanding player, using an array of analog instruments. Together the band sounds like a combination of the best 1970s Fusion bands (Mahavishnu OrchestraFind albums by this artist, FlockFind albums by this artist, Return To ForeverFind albums by this artist, etc.), but with a distinct Italian touch, evident mostly in the beautiful melodic lines. This live recording captures the current lineup of the band (a septet with vocals, violin, sax, guitar, keyboards, bass and drums) performing in front of an ecstatic Japanese audience. The material includes two long mini-suites, which present the material from the band´s first two legendary albums from the 1970s: "TiltFind albums with this title" and "Giro Di Valzer Per DomaniFind albums by this artist", as well a selection of newer compositions. The band´s overall sound is purposely "retro", which of course is even more delightful. This is an absolute must, not only for the many fans of this legendary band, but for every Prog / Fusion enthusiasts. When we (often) say "they don´t make music like this any more", this album is one of the very few exceptions to the rule. Don´t even think twice!
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  | HUGH HOPPER ~ NUMERO D`VOL
MOONJUNE 014 (Barcode: 692287901424) ~ UK ~ Canterbury Scene
Recorded: 2007 Released: 2007
Legendary ex-Soft MachineFind albums by this artist bassist Hugh HopperFind albums by this artist is definitely one of the most prolific and restless alumni of that band and his output over the year is nothing but extraordinary. Floating between Improvised Music / Free Jazz, modern Jazz and even Fusion, his dedication to move forward and explore uncharted territory is truly admirable. This new project takes Hopper into a completely new area, which combines Free Improvisation with ambient textures and steady upbeat, creating quite a fascinating and original musical experience. Although the music is completely improvised, it sounds as if pre-composed and more often than not even melodic. Hopper´s partners are saxophonist Simon PicardFind albums by this artist (member of the excellent Canterbury ensemble In CahootsFind albums by this artist led by guitarist Phil MillerFind albums by this artist), keyboardist Steve FranklinFind albums by this artist and drummer Charles HaywardFind albums by this artist. Together they create some extraordinary musical vistas, full of imagination, beauty and inspiration, which yet again prove that music has no boundaries and new possibilities are still out there. Hopper´s many fans need no encouragement to try this out, but I´d recommend this stuff to every Canterbury / Jazz fan, as it definitely covers some uncharted music ground, which is accessible to most music lovers. Fascinating!
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  | SOFT MACHINE LEGACY ~ STEAM
MOONJUNE 016 (Barcode: 692287901622) ~ UK ~ Canterbury Scene
Recorded: 2006 Released: 2007
Following the death of Soft MachineFind albums by this artist veteran member Elton DeanFind albums by this artist, the Soft Machine LegacyFind albums by this artist drafted a younger, but well established British saxophonist Theo TravisFind albums by this artist into their ranks to continue the band´s path and quest to commemorate the original Soft Machine tradition. This, their 3rd album, includes also the band veterans John EtheridgeFind albums by this artist on guitar, Hugh HopperFind albums by this artist on bass and John MarshallFind albums by this artist on drums, playing a mixture of new compositions and older Soft Machine material, freely switching between Jazz-Rock Fusion and freely improvised passages, always with gusto and incredible musicianship. Travis, although in an incredibly tough spot to follow the great Elton Dean legacy (a legacy inside a legacy so to speak) does a fabulous job and fits in as if he was always there, which is of course nothing short of a miracle. There is hardly any need to tell people how good this music is; anybody familiar with these musicians knows that their "no bullshit" attitude has been their motto for years, so just lay back and enjoy! Absolute must for every Soft Machine fan and hopefully an ear opener for the younger generation, less familiar with the veterans.
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  | HUMI ~ DUNE
MOONJUNE 019 (Barcode: 692287901929) ~ UK ~ Canterbury Scene
Recorded: 2007 - 2008 Released: 2008
HumiFind albums by this artist is a duet comprising of legendary British composer / bassist Hugh HopperFind albums by this artist and Japanese singer / keyboardist / composer Yumi Hara CawkwellFind albums by this artist. Although Hopper´s illustrious career is full of groundbreaking achievements, this is surely one of his boldest statements. Redefining the role of electric bass as a leading instrument and combining it with electronic devices, Hopper and his partner create a series of musical voyages, partly composed, partly improvised, combining Jazz, Ambient, Prog and Avant-Garde music into a cohesive whole. Although intended for serious music listeners, the music flows fluently and can be enjoyed by most open minded connoisseurs. Sadly this is one of the last recordings by Hopper and his recent demise creates a huge hole in the fabric of British Jazz / Canterbury music scene. Warmly recommended!
| | Updated: 12/04/2019Posted: | CD 1 Digipak Recommend To A Friend |
  | MAHOGANY FROG ~ DO 5
MOONJUNE 020 (Barcode: 692287902025) ~ CANADA ~ Progressive Rock
Recorded: 2006 - 2007 Released: 2008
5th album by Canadian Prog quintet Mahogany FrogFind albums by this artist, which is one of the most eclectic and successful Prog groups currently active, managing to surprise listeners which each new release. Completely beyond any generic classification, the band members use a mixture of acoustic and electronic keyboards, guitars, bass, drums and trumpets, jumping from one style to another many times within one tune. Wonderfully hectic and yet making perfect sense, this music escapes any effort to be described, but definitely deserves to be heard, pronto. I didn´t (yet) hear any of their earlier efforts, but this got my attention immediately and I enjoyed every minute of it. For people who like whacky, unpredictable music, which challenges and eschews conventions. Wholeheartedly recommended!
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  | DFA ~ 4TH
MOONJUNE 021 (Barcode: 692287902124) ~ ITALY ~ Progressive Rock
Recorded: 2008 Released: 2008
4th and long awaited (for 8 whole years) album by the great Italian Prog group DFAFind albums by this artist (Duty Free Area), which was definitely worth waiting for. DFA are a quartet with Silvio MinellaFind albums by this artist on guitars, Alberto BonomiFind albums by this artist on keyboards and flute, Luca BaldassariFind albums by this artist on bass and Alberto De GrandisFind albums by this artist on drums and the fact that they all hold regular day jobs to make a living perhaps explains why they take a while to make a new album.
Musically the album takes on exactly where the last one left us, continuing the beautifully melodic Symphonic Prog tradition, but with an up to date sound and orchestration. Some string arrangements and a vocal trio (called AndhiraFind albums by this artist) are added to expand the scope and depth of the music and the extended compositions are even more ambitious that before. After hearing the album just once, it´s obvious that this is some of the most rewarding Prog I´ve heard in a long time and it gets an immediate masterpiece status.
The instrumental work is really quite amazing, both on the up-tempo tunes and the slow ballads, with prolonged improvisations by the guitarist and keyboardist. The flute is less dominant that on the two earlier albums, but obviously the more powerful sound present on this album calls for a change in that department. Three of the six tracks run well over 10 minutes, one epic track nearing the 20 minutes mark. I can hardly imagine a more rewarding album coming out these days from any Prog group, and therefore this is definitely a must in all matters considered Prog and for me the 2008 album of the year for that genre. Don´t even hesitate for a moment!
| | Updated: 28/05/2021Posted: | CD 1 Digipak Recommend To A Friend |
  | ALEX MAGUIRE ~ BREWED IN BELGIUM
MOONJUNE 022 (Barcode: 692287902223) ~ UK ~ Canterbury Scene
Recorded: 2007 Released: 2008
British pianist / composer Alex MaguireFind albums by this artist has been associated with the Canterbury scene as the man behind the keyboards in several ensembles led by Canterbury heroes, such as Pip PyleFind albums by this artist and Phil MillerFind albums by this artist, as well as a member of the reformed Hatfield And The NorthFind albums by this artist. Extensive touring all over Europe led Alex to meet many distinguished European musicians, among them the Belgian guitarist Michel DelvilleFind albums by this artist, with whom Maguire developed a special rapport. Several years later Maguire and Delville met again, forming a sextet comprised of leading Belgian musicians, captured performing live on this album. The music played by the sextet, composed mostly by Maguire, is similar in spirit to the Canterbury scene Jazzy excursions, spiced with Fusion, Free and other delicacies. Extensive soloing, superb interplay and an atmosphere of camaraderie can be easily sensed here, resulting in some truly uplifting music produced by these musicians. A must to all Canterbury fans!
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  | SOFT MACHINE ~ DROP
MOONJUNE 023 (Barcode: 692287902322) ~ UK ~ Canterbury Scene
Recorded: 1971 Released: 2008
Australian-born drummer Phil HowardFind albums by this artist stayed with Soft MachineFind albums by this artist just for five months, but his influence on the group´s transition into free improvisation music was tremendous. He recorded just one side of an LP with the group (the first side of "FifthFind albums with this title") and played quite a few gigs in UK and Europe with the band, which included also saxophonist Elton DeanFind albums by this artist (who brought Howard into Soft Machine as a replacement for the departing Robert WyattFind albums by this artist), keyboardist Mike RatledgeFind albums by this artist and bassist Hugh HopperFind albums by this artist. The European gigs included the legendary appearance at the most prestigious European Jazz Festival at the time, the Donaueschingen Musiktage, organized by Joachim BerendtFind albums by this artist.
Howard brought into the quartet a ferocious "wall of sound" technique, which drove the quartet to unprecedented peaks of improvised music, only roughly based on themes stated at the start of every tune, very much in the same pattern as all free jazz, which flourished at the time, following the pioneering explorations of John ColtraneFind albums by this artist, Eric DolphyFind albums by this artist and many others. Alas Howard´s days in the band were numbered, as the band was waiting for his replacement, John MarshallFind albums by this artist, to finish his previous engagement with Jack BruceFind albums by this artist. Sadly, following his departure from Soft Machine, very little was heard from this immensely talented drummer, which is a great pity. He can be heard on the Elton Dean´s debut solo album "Just UsFind albums with this title" (a must if you don´t have it yet!).
The music included here, all captured live during Soft Machine German tour, which followed the festival appearance, is a premiere example of their immense quality at that time, delivering some of European Jazz mightiest moments, definitely something that can be enjoyed not only by the dedicated fan base, but also by every Modern Jazz lover the world over. This is s brilliant document, which deserves slow and careful digestion with saliva drooling from one´s mouth, sure more than once. God bless the invention of a sound recorder!
| | Updated: 01/02/2016Posted: | CD 1 Digipak Remastered Recommend To A Friend |
  | WRONG OBJECT ~ AFTER THE EXHIBITION
MOONJUNE 055 (Barcode: 692287905521) ~ BELGIUM ~ Progressive Rock
Recorded: 2013 Released: 2013
This is a "live in the studio" album by the Belgian ensemble The Wrong ObjectFind albums by this artist, a sextet founded by guitarist / composer Michel DelvilleFind albums by this artist, which also includes saxophonists Marti MeliaFind albums by this artist and Francois LourtieFind albums by this artist, keyboardist Antoine GuenetFind albums by this artist, bassist Pierre MottetFind albums by this artist and drummer Laurent DelchambreFind albums by this artist. Two guest musicians also take part in the recording: vibraphonist Benoit MoerlenFind albums by this artist (on six tracks) and vocalist Susan ClynesFind albums by this artist (on one track). The album presents eleven tracks, all originals composed by the ensemble members.
The music of Wrong Object is a fascinating amalgam of RIO, Jazz-Rock Fusion, Free Jazz explorations and a Zappaesque mayhem, which somehow makes a perfect sense to the listener. It is diverse and ranges from a melodic ballad, like the only vocal piece on this album, to multilayered improvised pieces with energetic and expressive soloing. The pieces are often quite complex, changing tempi, using odd meters and so on, but eventually the music is completely coherent and above all interesting at all times.
The heavy / rough Rock guitar sound and the more Jazzy brass sound balance each other quite perfectly. The melodic content is very dominant, even though the ensemble tries not to emphasize it openly. The level of individual performances is excellent, as is the interplay between the ensemble members.
Wrong Object is one of the few contemporary ensembles associated with the Prog scene, which manages to consistently produce interesting and intelligent music album after album, contrary to the boring and repetitive music played by most of the Prog scene protagonists. This album finds them expanding their milieu and trying new directions, as every ambitious group should, and their success to evolve and develop is quite remarkable. They proudly continue the European individualism, like their fellow countryman Universe ZeroFind albums by this artist, being among those who justify the connection between Progressive music the Prog idiom.
Overall this is a great album, which lasts for many listening sessions and always allows the listener to discover new intricacies with every encounter. Unrestrained by conventions and narrow-mindedness these musicians are able to take you places you have not visited earlier. Highly recommended!
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  | MARK WINGFIELD ~ PROOF OF LIGHT
MOONJUNE 071 (Barcode: 692287907129) ~ UK ~ Jazz-Rock Fusion
Recorded: 2014 Released: 2015
This excellent album by British guitarist / composer Mark WingfieldFind albums by this artist is another proof of his well earned position as one of the most interesting guitar players on the Isles, which he is consistently establishing since the turn of the Century. His prolific discography includes many gems and this new album proudly joins the list. Recorded in a trio setting with two Israeli (resident in UK) musicians, bassist Yaron StaviFind albums by this artist and drummer Asaf SirkisFind albums by this artist, the album presents nine original compositions, all by Wingfield.
The music is a unique variety of Fusion, with Wingfield´s whining guitar and forceful rhythm section driving the tunes firmly, but at the time subtly and intelligently. Wingfield manages to create his own guitar sound, which is phenomenally rare these days and displays a highly personal style of expression, which is full of quirky phrases and twists and turns, which keep the listener´s ears erect at all times. The compositions are all very solid, with great melody lines and intrinsic complexity, which makes it impossible to guest what comes next, which of course is highly engaging.
Although Wingfield is obviously the leader, the album is above all a trio effort. Stavi and Sirkis are both Master instrumentalists and their virtuosic support turns this album into a group effort, which is definitely more than the sum of its parts. Stavi supplies the steady bass lines, which keep the music flowing, which frees Sirkis to stretch and develop his rhythmic frenzy, so typical of his personal style. The Stavi / Sirkis rhythm section is obviously an ideal Fusion vehicle one can ask for and Wingfield definitely made the right decision taking them on board.
Overall this is an adventurous Fusion (and beyond) album featuring virtuosi performances by all the trio members, which should make every connoisseur of the genre ecstatically happy. Considering how trivial most Fusion albums released these days are, this is a rare gem indeed, definitely worthy of repeated listening sessions. Well done Gentlemen!
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  | TOHPATI ETHNOMISSION ~ MATA HATI
MOONJUNE 082 (Barcode: 692287908225) ~ INDONESIA ~ Jazz-Rock-World Fusion
Recorded: 2015 Released: 2016
This is the second album by Indonesian ensemble Tohpati EthnomissionFind albums by this artist, led by guitarist / composer TohpatiFind albums by this artist (a.k.a. Tohpati Ario HutomoFind albums by this artist) and including flautist Diki SuwarjikiFind albums by this artist, bassist Indro HardjodikoroFind albums by this artist, drummer Demas NarawangsaFind albums by this artist and percussionist Endang RamdanFind albums by this artist. On the opening track the ensemble is accompanied by the Czech Symphony OrchestraFind albums by this artist. The album presents nine original compositions, all composed and arranged by Tohpati.
The music is archetypal Jazz-Rock-World Fusion, full of beautiful melodies, exotic aroma of Far East folklore inspirations and energetic Jazzy improvisations. The rhythmic setting features odd meters and polyrhythmic passages emphasized by the drums / percussion collaboration. The expanded treatment of the individual tunes features plenty of solos and tempi changes, which keep the listener on his toes at all times.
The album presents plenty of opportunity for all the participants to show their chops, which are all quite extraordinary. Tohpati brings on the Jazzy elements, Suwarjiki represents the World Music aspects and Hardjodikoro plays superb Funky bass layers. Together with the drums / percussion the ensemble displays a kaleidoscope of musical shapes and colors, which is truly irresistible.
Although the music does not break any new ground, the album is perfect in what it represents: an amalgam of multiculti musical influences which is elegant, enjoyable and exquisitely executed. For the many guitar fans, this album delivers some of the nicest guitar solos one can wish for, which are a true joy to listen to. Well done Gentlemen!
Fans of Indonesian Fusion, which has been gaining a lot of international attention due to the efforts of MoonJuneFind albums on this label Records under the helm of the label´s owner Leonardo PavkovicFind albums by this artist, will also find here everything they wish for. Pavkovic surely deserves a medal for his ambassadorial efforts to bring Indonesian music to listeners all over the world. Hats off Leonardo!
| | Updated: 28/02/2017Posted: 28/02/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | WINGFIELD / REUTER / STAVI / SIRKIS ~ THE STONE HOUSE
MOONJUNE 083 (Barcode: 692287908324) ~ UK ~ Jazz-Rock Fusion
Recorded: 2016 Released: 2017
This is the debut album by a Fusion / Ambient quartet comprising of British guitarist Mark WingfieldFind albums by this artist, German guitarist Markus ReuterFind albums by this artist and Israeli (resident in UK) rhythm section: bassist Yaron StaviFind albums by this artist and drummer Asaf SirkisFind albums by this artist. The album presents six original compositions, all co-credited to the four members of the quartet.
The music is a highly developed and completely improvised Fusion effort, which allows the quartet members to freely express their individual statements during the extended musical journeys taken within each of the lengthy tracks. The music wanders on several parallel planes, created by the double guitar lead and supported amicably by the rhythm section. Long ambient passages incorporate World Music elements, which can not be exactly pinpointed, but definitely have an Eastern feel about them. Considering the fact that all the music was composed spontaneously during the recording process, the communication between the musicians is truly telepathic.
The individual performances by all quartet members are, as expected, quite amazing, both on the individual level and especially so on the ensemble level. Combining two expressive guitar players, like those present here, could have easily ended up in a chaotic race, but thankfully is skillfully avoided. The rhythm section proves to be able to carry this heavy weight front line intensity without a hitch, with a steady pulsation this particular duo is known for since years.
Overall this is a splendid effort which should make all guitar fans extremely happy, especially since many of the things heard on this album are quite unique and certainly innovative. Fusion and Prog fans might also find this music to be exactly their cup of tea, and last but not least the many Wingfield´s followers will discover both a continuation of his previous work and ventures into new territory. Well done Gentlemen!
| | Updated: 23/02/2017Posted: 23/02/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | SOFT MACHINE ~ HIDDEN DETAILS
MOONJUNE 093 (Barcode: 692287909321) ~ UK ~ Jazz-Rock Fusion
Recorded: 2017 Released: 2018
This is the 11th studio album by the iconic British group Soft MachineFind albums by this artist, recorded after a thirty-seven years’ gap since their previous studio album “Land Of CockayneFind albums with this title” from 1981. It is also their first album since the interim Soft Machine LegacyFind albums by this artist name was dropped in order to return the original name. The group comprises of SM veterans: drummer John MarshallFind albums by this artist, guitarist John EtheridgeFind albums by this artist and bassist Roy BabbingtonFind albums by this artist, with saxophonist / keyboardist Theo TravisFind albums by this artist completing the lineup. The album presents thirteen tracks, including new interpretations of older SM pieces, all composed by the group’s members. The album was recorded at the Temple Studio owned by the lamented Jon HisemanFind albums by this artist, and engineered by him.
The music is a natural / organic continuation of the Soft Machine tradition, with a somewhat updated sound and ambiance, but easily recognizable as much as likeable by the groups many fans, who cling to the fond memories. The music of SM was always completely timeless and as such does not need to search for new pastures. It lost perhaps some of its Avant-Garde tendencies, which were dominant at the early days, but gained more melodic and harmonic richness and of course the experience of half a Century of music making, which leaves a significant mark on the music.
Overall, this is a most welcome “comeback” of sorts, although there was a continuous presence of Soft Machine in one way or another during the years, mostly by the numerous reissues of their live recordings, admittedly of varying quality, as well as solo recordings by the band members and various “related” projects. This is a first rate new material, every bit as satisfying as everything the group recorded in the past, different but familiar, exactly what the many fans of the group love to hear.
| | Updated: 30/06/2024Posted: 30/06/2024 | CD 1 Digipak Recommend To A Friend |
  | SOFT MACHINE ~ LIVE AT THE BAKED POTATO
MOONJUNE 102 (Barcode: 692287910228) ~ UK ~ Jazz-Rock Fusion
Recorded: 2019 Released: 2020
This is the 2nd live album (original, not one of the myriad of archive / bootleg / etc. live releases in circulation) by the iconic British group Soft MachineFind albums by this artist, recorded after a forty-two years’ gap since their debut live album “Alive & Well: Recorded In ParisFind albums with this title” from 1978. It is also their first live album since the interim Soft Machine LegacyFind albums by this artist name was dropped in order to return the original name. The group comprises of SM veterans: drummer John MarshallFind albums by this artist, guitarist John EtheridgeFind albums by this artist and bassist Roy BabbingtonFind albums by this artist, with saxophonist / keyboardist Theo TravisFind albums by this artist completing the lineup. The album presents twelve tracks, which are mostly parallel to the tracks on the “Hidden DetailsFind albums with this title” studio album, recorded a year earlier, all originals by current or former SM members. As usual in such case, these live versions are somewhat more expanded and feature more improvisations and soloing, than the studio versions of the same tunes.
The music is a natural / organic continuation of the Soft Machine tradition, with a somewhat updated sound and ambiance, but easily recognizable as much as likeable by the groups many fans, who cling to the fond memories. The music of SM was always completely timeless and as such does not need to search for new pastures. It lost perhaps some of its Avant-Garde tendencies, which were dominant at the early days, but gained more melodic and harmonic richness and of course the experience of half a Century of music making, which leaves a significant mark on the music.
Overall, this is a most welcome “comeback” of sorts, although there was a continuous presence of Soft Machine in one way or another during the years, mostly by the numerous reissues of their live recordings, admittedly of varying quality, as well as solo recordings by the band members and various “related” projects. The musicianship is absolutely first rate, proving that age is almost meaningless, as far as these brilliant performers are concerned.
| | Updated: 06/07/2024Posted: 06/07/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | REUTER / MOTZER / GROHOWSKI ~ SHAPESHIFTERS
MOONJUNE 103 (Barcode: 692287910327) ~ GERMANY ~ Avant-Garde Jazz-Rock Fusion
Recorded: 2019 Released: 2020
This is an album by a trio comprising of German touch guitarist Markus ReuterFind albums by this artist and American guitarist Tim MotzerFind albums by this artist and drummer Kenny GrohowskiFind albums by this artist. The album presents four "instant compositions" recorded live and credited to all three members of the trio.
The music is exactly what one might expect from three free spirited musicians, who engage into a conversation, which has no pre-conceived subject matter, other than the collected musical experience each of these musicians brings with him into the melting pot. The four instantly created pieces of music are a snapshot of the event, which enable the listener to probe the musical universe created at the spur of the moment and make from it whatever his mind is capable to encompass.
Considering the fact that these musicians have a "past" connected to what for lack of a better definition can be labeled as Rock, the resulting music is a form of Free Rock, quite similar in concept to the modus operandi of Free Jazz, at the time it was first encountered in the 1960s. The existence of contemporary technology, electronics and the entire paraphernalia at hand expands of course the possibilities that were available to John ColtraneFind albums by this artist while playing his saxophone, or Jimi HendrixFind albums by this artist playing his guitar for that matter, but the process of "letting go" of the methodical "playing" and shifting the process of creating sound into the spiritual / metaphysical plane is in fact similar.
This music is first and foremost associative, or more exactly extrovertly associative, since all brain activity is a priori associative, and so is the process of listening to this music. Nobody can be teleported back within the space-time continuum back into the venue where this music was recorded in order to experience the music at first hand, so the only option left is let one´s brain to react to whatever enters via the ears and create one´s own "music", which is what happens anyway while listening to music, but this time without the availability of familiar patterns we already associated with music earlier on.
This music is obviously not for a wide audience. Playing and recording this kind of sonic creations has serious intrinsic limitations as far as communication with audiences is concerned. Sometimes this kind of music can work live but only very rarely it is able to be "frozen" in recorded form and preserve its ability to communicate while reproduced at the listener´s home. There is no way to measure the rate of success of such endeavors, but it certainly is limited. Therefore I can only state that this particular shapeshifting attempt works splendidly in my case, but how other will react I have no clue. Kudos to the shapeshifters for the courage and open-mindedness!
| | Updated: 28/09/2020Posted: 28/09/2020 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MARKUS REUTER / OCULUS ~ NOTHING IS SACRED
MOONJUNE 105 (Barcode: 692287910525) ~ GERMANY ~ Avant-Garde Jazz-Rock Fusion
Recorded: 2019 Released: 2020
This is an album by German touch guitarist / composer Markus ReuterFind albums by this artist, recorded with a group of musicians associated with the MoonJuneFind albums on this label label and the producer Leonardo PavkovicFind albums by this artist as well as his cohorts from other projects like Stick MenFind albums by this artist: Israeli drummer Asaf SirkisFind albums by this artist, Italian bassist Fabio TrentiniFind albums by this artist, British violinist David CrossFind albums by this artist and guitarist Mark WingfieldFind albums by this artist and American Ambient composer / keyboardist Robert RichFind albums by this artist, collectively known as OculusFind albums by this artist. The music was recorded at the usual "crime location", i.e. Spanish studio La Casa Murada, by Reuter, Sirkis, Trentini and Cross and later overdubbed by Wingfield and Rich. The album presents five extended pieces, all more than ten minutes in duration, which are not credited and assumed to be co-credited to the participating musicians.
The music, although mostly improvised, is based on strictly pre-designed structures created by Reuter, which the musicians had to follow in order to create a coherent development of the music. However, for the listener the music offers a flux, which can be individually interpreted, and the listener´s perception is in fact a crucial ingredient in the music itself.
Ambient vistas, supported by leading bass lines and rhythmic structures created by the drums take the listener on a journey, which can only be enjoyed under a total submission to the music, without involving intellectual analytic processes.
The music manages successfully to avoid genre limitations and attempts to be categorized. Each listener can find whatever he sees fit in this music, from Avant-Garde electronic music, via Improvised Jazz and Rock Music or Fusion and Progressive Rock. It is an excellent example of contemporary music, which basically ridicules genre classification, which music criticism suffers from constantly, and proposes an opportunity to accept it for what it is: simply music.
Of course there are plenty of superb individual statements by all the participants, and again each listener will probably enjoy certain aspects of the music that others might overlook, but this is exactly the point. Like all great Art, music is completely individual (not subjective, as is often wrongly stated). The beauty of Humanity is all in our individualism, which makes us what we really are, of which the perception of music is just one facet.
This music, as I have repeatedly stated, comes with a price tag ;) It is not for a casual listener nor can it be enjoyed without a considerable emotional effort, which if often way too much to ask from people these days. Oh well, c´est la vie!
| | Updated: 24/09/2020Posted: 24/09/2020 | CD 1 Mini-Sleeve Recommend To A Friend |
  | SOFT WORKS ~ ABRACADABRA IN OSAKA
MOONJUNE 112 (Barcode: 692287911225) ~ UK ~ Jazz-Rock Fusion
Recorded: 2003 Released: 2021
This is an archival album documenting a live concert by the short-lived British quartet Soft WorksFind albums by this artist, comprising of ex-Soft MachineFind albums by this artist members: saxophonist Elton DeanFind albums by this artist (who also plays Fender Rhodes here), guitarist Allan HoldsworthFind albums by this artist, bassist Hugh HopperFind albums by this artist and drummer John MarshallFind albums by this artist. The music was captured during the group’s tour in Japan in 2003. The 2CD album presents eleven tracks, some of which were originally composed for the group’s only studio album “AbracadabraFind albums with this title”, and others which belong to the classic Soft Machine repertoire.
With tracks running on average over the ten-minutes mark, the music is everything the listener familiar with Soft Machine stuff might expect, i.e. long instrumental jams, featuring extensive improvisations by Dean and Holdsworth, superbly supported by the rhythm section. As a result, the music constantly swings like a pendulum between Jazz (Dean) and Fusion (Holdsworth), with the rhythm section swinging on its own right.
Probably the most impressive are the solo parts played by Holdsworth, who obviously feels unconstrained by any time limit obligations and psychological pressures, and simply pours his heart out, producing some of the best guitar oriented Fusion moments ever. I always thought that Holdsworth was one of the tragic figures on the guitar arena in many respects. He was simply too talented for his own good, never actually managing to create the music he really wanted to, from the earliest days of his career and to the very end of his life. His studio recordings are all very far from what he really had to say and as a member of group efforts he simply never found a team that could march his stratospheric imagination, which always soared to the stars. This album probably captures some of his best playing ever, like what I remember when he used to play in dinky pubs around London, completely relaxed sitting a couple of feet away from his audience.
Although there is a lot of open space in this music, with pretty wild improvisation around, the music stays well organized for the duration, and eschews the Free Jazz idiom, which might have disrupted the connection with the audience. Complex and challenging – yes, but never chaotic, would be the best description of these proceedings.
Overall this is a wonderful document of this particular chapter in the long Soft Machine family tree history, which is of course fascinating and absolutely worthy of exploring. Thanks to Leonardo PavkovicFind albums by this artist, the one-man musical army who made it all possible at the time as a tour organizer and now as the owner of the MoonJuneFind albums on this label label, which released this music on record. Pavkovic tells the story behind the music in the album’s booklet, but the story of his collected activities can fill a huge volume, hopefully to be properly written. Proud to be your Friend, Amigo!
| | Updated: 25/04/2021Posted: 25/04/2021 | CD 2 Mini-Sleeve Recommend To A Friend |
  | ASAF SIRKIS ~ SOLAR FLASH
MOONJUNE 117 (Barcode: 692287911720) ~ ISRAEL ~ Jazz-Rock Fusion
Recorded: 2018 Released: 2021
This is an album by Israeli drummer / composer Asaf SirkisFind albums by this artist recorded with a great trio including also British keyboardist (and a drummer himself) Maestro Gary HusbandFind albums by this artist and bassist Kevin GlasgowFind albums by this artist. Polish vocalist Sylwia BialasFind albums by this artist guests on three tracks as does British guitarist Mark WingfieldFind albums by this artist. The album presents eight original compositions, all by Sirkis.
I have had the pleasure of knowing Sirkis since his first steps as a musician and his first recordings were on my JazzisFind albums on this label label in the early 1990s and I enjoyed his success as one of the busiest drummers on the European Jazz scene over time. His impressive recorded legacy, both as a leader and sideman, recently mostly associated with the MoonJuneFind albums on this label label, is the best testimony of his great talent.
The music on this album is probably his finest achievement as a composer so far. Most of the compositions are deeply lyrical and melancholic, resembling the music that characterizes Polish Jazz, and his examination of his Polish roots (that we both share) in the three-part “Polish Suite” present on this album, is definitely a deeply moving experience, with his wife’s vocalese emphasizing the East European influence.
The instrumental performances are of course stellar, with Husband’s great sensitivity and Wingfield’s virtuosity combined into an irresistible flow of melodic magic. Sirkis keeps his drumming parts to a minimum, as highly appropriate for this deeply emotional music, which is a sign of his great taste and modesty.
Overall, this is a monster album, full of great music and hair-raising performances by some of the best musicians around, which should keep all true music lovers around the globe perfectly happy. Although rooted in the Jazz-Rock Fusion idiom, it is so diverse and open-minded, that straightforward labeling does not apply to it at all. Hats off, my friend!
| | Updated: 16/09/2021Posted: 16/09/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | SOFT MACHINE ~ OTHER DOORS
MOONJUNE 130 (Barcode: 692287913021) ~ UK ~ Jazz-Rock Fusion
Recorded: 2022 Released: 2023
This is the 3rd album by the iconic British Jazz / Fusion band Soft MachineFind albums by this artist, following their return to the original moniker in 2015, after dropping the “Legacy” suffix. It follows the 2018 studio album “Hidden DetailsFind albums with this title” and the 2020 live album “Live At The Baked PotatoFind albums with this title”. The lineup includes guitarist John EtheridgeFind albums by this artist, saxophonist / flautist / keyboardist Theo TravisFind albums by this artist, bassist Fred Thelonious BakerFind albums by this artist and drummer John MarshallFind albums by this artist. Bassist Roy BabbingtonFind albums by this artist, who retired from the band by the end of 2021 and was replaced by Baker, guests on two tracks. It is the last album featuring Marshall, who died in 2023 a few months after this album was released and was replaced by Israeli drummer Asaf SirkisFind albums by this artist. The album presents thirteen tracks, a mixture of old and new compositions, seven of which were composed or co-composed by Travis and four composed or co-composed by Etheridge.
The music is the usual wonderful amalgam of Jazz and Fusion, based on beautiful melodic themes and brilliantly performed by these exceptional veteran musicians. Despite the fact that there is no attempt to innovate or revolutionize anything, which was the modus operandi of Soft Machine in their early days, the music played here is a synthesis of decades of experience and an attempt to keep the flame ablaze, without looking back.
Overall, this is an amazing piece of music, which should be a lighthouse of inspiration to the dozens of young Fusion bands, who sadly are not getting a right whiff of things. One can depend on these musicians to get it perfectly right, and to inspire and amaze the listener by their talents and acquired experience, continuing the six decades of well earned respect with pride.
| | Updated: 08/06/2024Posted: 08/06/2024 | CD 1 Digipak Recommend To A Friend |
  | STICK MEN / DAVID CROSS ~ PANAMERICA – LIVE IN LATIN AMERICA
STICK MAN 1911 (Barcode: 4260139121502) ~ USA ~ Progressive Rock
Recorded: 2018 Released: 2019
This monumental Box Set presents recordings by the "Progressive Rock" trio Stick MenFind albums by this artist (American Chapman Stick player Tony LevinFind albums by this artist and drummer Pat MastelottoFind albums by this artist and German touch guitarist Markus ReuterFind albums by this artist), expanded for the occasion to a quartet with the addition of the British violinist David CrossFind albums by this artist (all four associated to some extent with the legendary King CrimsonFind albums by this artist of course), captured during the quartet´s Latin America tour in 2018 (sixteen concerts in ten countries).
The Box Set consists of no less than five CDs, three of which present selections illustrating different aspects of the music created by the quartet, appropriately sub-titled "Improvs", "Suites" and "Soundscapes", and the remaining two present one of the concerts in its entirety.
Although usually classified as Progressive Rock, the music of Stick Men and Cross has very little to do with what can be considered as classic Prog defined in the late 1960s / early 1970s. Over time is has become much closer affiliated with Avant-Garde Rock, Jazz, Ambient, Electronic and even contemporary Classical Music than Prog, so anybody expecting to hear something like the classic Prog stuff will be completely disenchanted. These musicians refused to stand still and perpetuate stale formulas (as most so called contemporary Prog bands do), moving ahead and embracing the possibilities opened up by new instruments, sound technology and the expansion of musical horizons and creating a completely new and original universe of musical expression.
Rather than based on the conventional musical approach of melody, harmony and rhythm, this music is all about atmosphere, soundscapes, flux and associations, which are invoked in the listener´s brain while listening to this music. There are no rules and no limitations, other than the possibilities embedded in the instruments played. The music is mostly spontaneously improvised, like in the Jazz Improvised Music idiom, but distinctly different as a result of the Rock roots obviously present herein.
However, this music comes with a price tag ;) It is definitely no for the weak hearted or for the superficial listeners. The two minutes long average attention span of today´s listeners won´t cut it in this case. This music develops slowly, sometimes painfully so, building up complex structures and convoluted relations, demanding unscrupulous concentration. Don’t try to play this music while driving!
Overall this Box Set is a marvelous document not only of the actual tour and the music played while it lasted, but more importantly a document capturing the development of the Stick Men phenomenon and the process of the development of contemporary music in general.
Beautifully conceived, performed, recorded, edited, packaged, photographed and finally released, this is a true gem and a must to all searching music lovers!
Thanks to my buddy Leonardo PavkovicFind albums by this artist, the head of MoonJuneFind albums on this label Records, the person behind much of the ambitious music still created made these days, against all odds, for sending me this musical treat. I am much obliged Sir!
| | Updated: 24/09/2020Posted: 19/09/2020 | CD 5 Mini-Sleeve Slipcase Box Set Recommend To A Friend |
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