Record Reviews
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  | WOLFGANG DAUNER ~ DREAM TALK L+R 710627 (Barcode: 4003099710627) ~ GERMANY ~ Jazz Recorded: 1964 Released: 2008
This is a reissue of the debut album by legendary German pianist / composer Wolfgang DaunerFind albums by this artist, recorded in a classic piano trio setting with no less legendary bassist Eberhard WeberFind albums by this artist and American, living in Germany, Master drummer Fred BracefulFind albums by this artist. This album, which also marks a recording debut for both Weber and Braceful, presents eight tunes, five of which are original compositions by Dauner, one is by Ornette ColemanFind albums by this artist, another one is by Mal WaldronFind albums by this artist (another US compatriot living in Germany) and the remaining one is a standard.
Originally recorded in 1964, this is one of the earliest German and European Jazz recordings, which symbolize the rebirth of Jazz in Europe, taking a radical step forward from the American Jazz tradition. The great Horst LippmannFind albums by this artist, my friend and founder of the L+RFind albums on this label label (named after the concert agency he managed for many years with his friend Fritz RauFind albums by this artist), makes an interesting and quite prophetic observation on the album´s original liner notes, which compares this piano trio with the legendary Bill EvansFind albums by this artist trio with bassist Scott LaFaroFind albums by this artist; he states that Evans and LaFaro revolutionized the role of the bass in a piano trio, bringing the bass to an equal level with the piano, and Dauner made the same giant step with revolutionizing the role of the drums, bringing them in turn to an equal level with the piano and the bass, something Evans never managed to do in his trio. Of course there is so much more to this album than just the change of the status of the drums – it revolutionizes the piano trio mostly by inserting the huge amount of freedom and space, while maintaining a perfect order and logic, not to mention elegance and sophistication.
As Lippmann says in his liner notes to the vinyl reissue from 1980, this album was light years ahead of its time and was fully understood and appreciated by just a very small group of Jazz connoisseurs, open minded enough to grasp its significance at the time. Even today this music sounds not only completely up to date, but also absolutely stunning, although over five decades passed since it was first recorded.
In retrospect this is one of the most pivotal European Jazz recordings, taking the Jazz idiom a giant step forward into the unknown (at the time), without compromising the tradition and at the same time bravely and unwaveringly crossing over into the European aesthetic, which was erupting at the time on the Continent, strong enough to penetrate even beyond the Iron Curtain.
This is an absolutely essential piece of European Jazz history, which should find a highly respected place in every meaningful Jazz record collection anywhere in the world. Thank God this music is still available for us to enjoy and not buried away and forgotten as so many of its parallels. The remastered edition offers a spectacular sound quality. An absolute must have!
| Updated: 25/03/2016Posted: 24/03/2016 | CD 1 Remastered Essential Recommend To A Friend |
  | WOLFGANG DAUNER ~ FREE ACTION PROMISING MUSIC 44105 (Barcode: 602517554993) ~ GERMANY ~ Jazz Recorded: 1967 Released: 2008
German pianist / composer Wolfgang DaunerFind albums by this artist was one of the most important forefathers of European Jazz. A prolific composer, bandleader and activist, his contribution to the establishment of European Jazz and its emancipation from the restrains of the American Jazz tradition is truly immense. Dauner, who in addition to his musical activities, was also a prolific painter, always looked at music as an expression of an overall aesthetic / cultural point of view, with philosophical / social and even political undercurrents. Over the years Dauner created a most impressive body of work, encompassing many quite different styles and directions, spanning straightforward (but always unique) Jazz, Jazz-Rock Fusion, Free Jazz and Improvised Music.
In the mid-1970s Dauner formed the revolutionary United Jazz + Rock EnsembleFind albums by this artist – a multi-national group of superb European players, which brought Jazz-Rock Fusion to a level of absolute Art. He also co-founded the independent MoodFind albums on this label Records label, which for many years documented some of the most important and unconventional European music (mostly Jazz). His early recordings on the legendary MPSFind albums on this label label (as leader and sideman) are in retrospect perhaps the most important from the historical point of view, as they demonstrate the boldness, inspiration and urge to explore uncharted musical territories.
Encouraged and supported by the legendary Jazz critic and resident MPS producer Joachim BerendtFind albums by this artist, Dauner could freely express his visions, regardless how bold they might be, especially at the time. For this recording Dauner formed a septet, which included some of his regular cohorts like cellist / bassist Eberhard WeberFind albums by this artist and American (but living in Germany) drummer Fred BracefulFind albums by this artist. He added three excellent German young players: saxophonist Gerd DudekFind albums by this artist (who would later become one of the central figures of German Improvised Music and Free Jazz), bassist Jurgen KargFind albums by this artist and drummer / tabla player Mani NeumeierFind albums by this artist (later a member of the legendary Guru GuruFind albums by this artist group). As the last member of the septet Dauner selected the then little known French virtuoso violinist Jean-Luc PontyFind albums by this artist, who was of course destined to achieve worldwide recognition later on.
The septet performs five of Dauner’s compositions, which provide a skeletal framework for group improvisations by the band members. The double bass / drums lineup allows for complex rhythmic patterns to evolve, and of course there is plenty of space for individual solo spots, but overall the music is mostly a group effort, Dauner uses “prepared piano” (i.e. differently tuned one) to achieve some novel sound approach. In retrospect this is a superb document of the birth of European Jazz, which takes the Free Jazz idiom and pushes it (here still ever so gently) into the Improvised Music realm. The music lost none of its power and inspiration over the years and for a “first time” listener should be quite an ear opener. Kudos to Promising MusicFind albums on this label for the excellent remaster and elegant packaging of the reissue. A must!
| Updated: 31/01/2016Posted: | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | WOLFGANG DAUNER ~ RISCHKAS SOUL LONG HAIR 149 (Barcode: 4035177001495) ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1969 Released: 2015
This is a reissue / remaster of an early album by German keyboardist / composer / bandleader and one of the Godfathers of modern German and European Jazz, Wolfgang DaunerFind albums by this artist. Recorded in a quintet setting, and probably the first European group to feature a double drums lineup, it included also guitarist Sigi SchwabFind albums by this artist, bassist Eberhard WeberFind albums by this artist, American (resident in Germany) drummer Fred BracefulFind albums by this artist and German drummer Roland WittichFind albums by this artist. The album presents six tracks, four of which are original compositions by Dauner, one is by Schwab, and finally one is a standard by Nat AdderleyFind albums by this artist. The album is accompanied by a bi-lingual (German / English) booklet with extensive background about the musicians and historical background.
The music, as expected, is absolutely brilliant, with a strong Fusiony tinge and Psychedelia, all this in addition to the Jazz sources. Although it lasts for just about half an hour, it offers a wonderful glimpse at the German scene at the time, which was developing with an astonishing speed and variety, expanding the American Jazz tradition into previously unvisited areas. It features the leader playing organ, electric piano and flute (an instrument he will rarely play on later recordings), and Weber playing electric bass guitar, which he also used very rarely in later days. Schwab plays some amazing guitar licks, which put his in the same league as other early Fusion guitarists, like German Volker KriegelFind albums by this artist, or American Larry CoryellFind albums by this artist, who would record with Dauner later on. The double drums offer a dense, complex rhythmic support, which creates a unique ambience.
Overall, this is a brilliant gem, which captures early European Fusion at its formative days, which is mostly completely unknown to contemporary listeners, but is truly worth its weight in gold. For Fusion enthusiasts, this is an absolute must, which shows the impetus of early days of the genre, and the contrast to its pitiful contemporary condition.
| Updated: 17/05/2025Posted: 17/05/2025 | CD 1 Remastered Recommend To A Friend |
  | WOLFGANG DAUNER / ET CETERA ~ ET CETERA LONG HAIR 071 (Barcode: 4035177000719) ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1970 Released: 2008
This is an expanded reissue / remaster of the debut album by German keyboardist / composer / bandleader and one of the Godfathers of modern German and European Jazz, Wolfgang DaunerFind albums by this artist and his quintet, called Et CeteraFind albums by this artist. It was recorded in a quintet setting with the same lineup, which recorded the album “Rischkas SoulFind albums with this title” a year earlier and included also guitarist Sigi SchwabFind albums by this artist, bassist Eberhard WeberFind albums by this artist, American (resident in Germany) drummer Fred BracefulFind albums by this artist and German drummer Roland WittichFind albums by this artist. The album was recorded in London and presents eight tracks, six of which are original compositions by Dauner and two are by Schwab. The first five tracks were released on the original album and three are previously unreleased bonus tracks from the same session. The album is accompanied by a bi-lingual (German / English) booklet with extensive background about the musicians and historical background.
Dauner / Et Cetera released the brilliant follow up album “KnirschFind albums with this title” in 1972, which featured American guitarist Larry CoryellFind albums by this artist and British drummer Jon HisemanFind albums by this artist, and which is one of Jazz-Rock Fusion absolute classics. The last album, released in 1973 yet by another lineup, was a 2LP Live recording.
The music, as expected, is absolutely brilliant, with a strong Fusiony tinge and Psychedelia, all this in addition to the Jazz and Improvised Music influences. The expanded edition lasts for just about an hour, it offers a wonderful glimpse at the German scene at the time, which was developing with an astonishing speed and variety, expanding the American Jazz tradition into previously unvisited areas. It features the leader playing organ, electric piano and flute (an instrument he will rarely play on later recordings), and Weber playing electric bass guitar, which he also used very rarely in later days. Schwab plays some amazing guitar licks, which put his in the same league as other early Fusion guitarists, like German Volker KriegelFind albums by this artist, or American Larry Coryell, who would record with Dauner later on. The double drums offer a dense, complex rhythmic support, which creates a unique ambience.
Overall, this is a brilliant gem, which captures early European Fusion at its formative days, which is mostly completely unknown to contemporary listeners, but is truly worth its weight in gold. For Fusion enthusiasts, this is an absolute must, which shows the impetus of early days of the genre, and the contrast to its pitiful contemporary condition.
| Updated: 22/05/2025Posted: 22/05/2025 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
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