Record Reviews

DAY IS OVER ~ DAY IS OVER SVART 051 (Barcode: 6430065585169) ~ FINLAND ~ Jazz Recorded: 1975 Released: 2018 This is a reissue of the only album by one-off Finnish-Danish Jazz quintet Day Is OverFind albums by this artist, which comprised of Finnish saxophonist Eero KoivistoinenFind albums by this artist, keyboardist Esko LinnavalliFind albums by this artist and drummer Esko RosnellFind albums by this artist and Danish trumpeter Allan BotschinskyFind albums by this artist and bassist Niels-Henning Orsted PedersenFind albums by this artist. The album presents eight original compositions, one each by Koivistoinen, Linnavalli and Orsted Pedersen and the rest by other Finnish Jazz composers. The quintet was formed during the Finnish Jazz Music Workshop, which was organized to prepare the legendary UMOFind albums by this artist Orchestra / Big Band in late 1974 and the album was recorded in February 1975 in Stockholm. Linnavalli commissioned the compositions for the album from several leading Finnish Jazz composers at the time and the musicians were exposed to the music without having time to rehearse it – the remarkable result proves the remarkable level of professionalism and talent by all the participants. Of course Orsted Pedersen was already one of the most revered and sought after bass players in Europe, playing and recording with all visiting American Jazz stars. The music is all strictly melody based modern mainstream Jazz, but it has a distinct Scandinavian touch and the compositions reflect the unique Finnish music spirit, which can be heard distinctly on the recordings originating in the 1970s. The performances are brilliant from start to finish and offer a great opportunity to hear the brilliant work by Orsted Pedersen, who firmly keeps the music swinging smoothly. Sadly the quintet disbanded as quickly as it was formed, leaving this sole album as its only recorded legacy. However, the UMO Orchestra was formed a few months after the Day Is Over adventure, and exists to this very day, producing some of the finest music out there. Overall this is a wonderful piece of Finnish (and Nordic) Jazz history, well worth being remembered and still a great piece of quality enjoyable music. Warmly recommended!

Updated: 25/03/2024Posted: 20/07/2020

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EUROPEAN JAZZ ENSEMBLE ~ 20TH ANNIVERSARY TOUR KONNEX 5078 (Barcode: 718751297425) ~ GERMANY ~ Big Band Jazz Recorded: 1996 Released: 1997 This is a live recording by the European Jazz EnsembleFind albums by this artist, a collective of European Jazz musicians run by German bassist Ali HaurandFind albums by this artist since 1976, which included in its ranks the absolute crème de la crème of instrumentalists, like German saxophonists Ernst-Ludwig PetrowskyFind albums by this artist and Gerd DudekFind albums by this artist, British saxophonist Stan SulzmannFind albums by this artist, Dutch trumpeter Jarmo HoogendijkFind albums by this artist, Danish trumpeter Allan BotschinskyFind albums by this artist, German trumpeter Thomas HebererFind albums by this artist, Dutch pianist Rob van den BroeckFind albums by this artist and British drummer Tony LevinFind albums by this artist. For the 20th anniversary Tour the nonet was expanded by nine additional musicians: American (resident in Europe) saxophonist Charlie MarianoFind albums by this artist, German pianist Joachim KuhnFind albums by this artist, Italian trumpeter Enrico RavaFind albums by this artist, German trombonist Conrad BauerFind albums by this artist, Czech flautist Jiri StivinFind albums by this artist, German trumpeter Manfred SchoofFind albums by this artist, Swiss drummer Daniel HumairFind albums by this artist, Hungarian saxophonist Tony LakatosFind albums by this artist and German clarinetist Rolf KuhnFind albums by this artist. Just reading these names should make any Jazz enthusiast dizzy, and I have had the pleasure to know all of them and attend this gig. The album presents just four lengthy tracks, featuring a long series of dazzling solos. The music is kept in the form of a typical at the time European Big Band, which took a basic melodic theme and expended it, allowing many individual solos as well as collective improvisation, which of course was but a breeze for these superb musicians, who could find themselves at any musical environment with ease and elegance, and who respected each other immensely at all time. What could have developed into a cacophonic catastrophe, turned out to be a beautiful, completely well behaved display of Modern Jazz, which inspired all the musicians and the audience alike. Sadly, such meetings of musicians of this scale are hardly possible any more, with the constantly diminishing public support for music in Europe and the decline of the appreciation of Art and Culture and a constant race after basic survival, which many of today’s musicians experience at all time. I have been lucky to live through the 1970s / 1980s / and to some extent 1990s, where public financial support enabled many musical (and other artistic) happenings, like the one captured on this album. Overall, this is a brilliant and quite unique album, which presents an all-star (although nobody felt like a star) Jazz gathering of sublime talent, which produced heavenly music, captured herein. O tempora, o mores! – those were the days and “to se ne vrati…”

Updated: 17/04/2025Posted: 17/04/2025

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EUROPEAN JAZZ ENSEMBLE ~ MEETS THE KHAN FAMILY M.A MUSIC 807 ~ GERMANY ~ Jazz-World Fusion Recorded: 1992 Released: 1992 This is a live album by the European Jazz EnsembleFind albums by this artist, a collective of Jazz musicians led by German bassist Ali HaurandFind albums by this artist (who died in 2018), which included in its various configurations since 1976 the absolute crème de la crème of European Jazz representatives. The lineup on this album comprises, in addition to Haurand, of trumpeters Thomas HebererFind albums by this artist, Manfred SchoofFind albums by this artist and Rainer WinterschladenFind albums by this artist, saxophonists Ernst-Ludwig PetrowskyFind albums by this artist, Gerd DudekFind albums by this artist and Stan SulzmannFind albums by this artist, guitarist Philip CatherineFind albums by this artist, pianists Joachim KuhnFind albums by this artist and Rob van den BroeckFind albums by this artist, vocalist Uschi BruningFind albums by this artist and drummer Tony LevinFind albums by this artist (of the twelve musicians two are British, one Belgian and one Dutch, and the rest are Germans). On this album they invited three Indian musicians, members of the extended Khan family: Ustad Zamir Ahmed KhanFind albums by this artist on sitar, Irshad Hussain KhanFind albums by this artist on tabla and Ustad Munir KhanFind albums by this artist on sarangi. The album presents four tracks, two lasing over fifteen minutes and two over twenty minutes, one each composed by Danish trumpeter Allan BotschinskyFind albums by this artist (a former member of the ensemble), Sultzmann, Kuhn and Schoof. The music is a wonderful example of Jazz-World Fusion, with the entire ensemble and the guests offer a group improvisation based on pre-composed themes, but expanding the music way beyond the original melodies, as expected. The ensemble plays some parts in a Big Band manner, but most of the time the music involves group improvisations between the ensemble members and the guests, often flying far and away from the initial source. Since all the musicians on this album are superb instrumentalists, the level of the performances is nothing short of stunning. All the albums by this ensemble are excellent documents of the diversity and complexity of the European scene, and here they are able to create new cross-genre musical explorations. Overall, this is a very interesting and rather unique Jazz-World Music album, which presents a meeting between Big Band Jazz and Indian traditional music, which usually is performed in a much more intimate lineup. These musicians prove again that music has no stylistic borders, and gifted musicians are able to communicate within any musical environment without any obstacles. Wholeheartedly recommended!

Updated: 17/08/2024Posted: 16/08/2024

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KRZYSZTOF KOMEDA ~ BALLET ETUDES BE! JAZZ 6087 (Barcode: 4251160250873) ~ POLAND ~ Jazz Recorded: 1963 Released: 2004 This is a reissue of the iconic debut album by the Godfather of Polish Jazz, pianist / composer / bandleader Krzysztof KomedaFind albums by this artist. This was not only Komeda’s full album debut release, but also the first Polish Jazz album released outside of Poland. The album was recorded in a quintet / quartet setting, with Polish saxophonist Jan Ptaszyn WroblewskiFind albums by this artist and bassist Roman DylagFind albums by this artist, Swedish drummer Rune CarlssonFind albums by this artist and Danish trumpeter Allan BotschinskyFind albums by this artist (in quintet only). It was recorded in Copenhagen on May 3rd, 1963 and released on the Danish MetronomeFind albums on this label label. The album presents three tracks, all original compositions by Komeda. The title track, originally composed for the 1962 Jazz Jamboree festival appearance, lasts for almost twenty-two minutes and was of unprecedented length and complex structure for the time. It was recorded in the quintet setting. The remaining two tracks were recorded in the quartet setting. One of them is the legendary “Crazy Girl” from the soundtrack of the “Knife in the Water” 1962 Polish film directed by Roman PolanskiFind albums by this artist. The album’s liner notes were written by Danish poet / film director Jorgen LethFind albums by this artist, who was familiar with the Polish Jazz scene. The music remains as revolutionary and prophetic as it was at the time of its recording, and lost absolutely nothing of its glory over time, which brilliantly exemplifies the fact that Jazz Music did not change radically in these sixty years, nor did it make a significant conceptual movement forward (or in any other direction). Komeda’s genius, although sadly appearing only briefly on the Jazz timeline, created enough impact to influence the shape of thigs on the Polish / European Jazz scene, which firmly lasts to this very day. This album was reissued time and again, reappearing here and there unexpectedly, often completely illegally, with diverse sound quality, questionable graphic design and proper historic background information. This specific German edition offers good sound quality and is available, albeit pricey. Nor sure about the legality… The ultimate reissue edition is still waiting to be made. Overall, this is a monumental historic document about the breakthrough of the Polish / European Jazz, searching for its identity independent from the American Jazz tradition and opening a new chapter in its history. For Polish Jazz fans / enthusiasts / connoisseurs this is a true Holy Grail. Side Note: On a personal side of this album – I was given a copy of this album, autographed by Komeda and Polanski, for my 12th Birthday in December of 1963. I already had a collection of vinyl albums, including Polish and foreign releases, and the collector’s plague was already well planted at that age. When our family was expelled from Poland in 1967, we were allowed to take only US$ 5 per person and a small crate of family possessions, which was strictly controlled by Polish custom officers. I naturally tried to take my vinyl collection with me, taking the most valuable (to me) items, including this album, but to my dismay and despair, the customs people confiscated the album, as well as all my original early Beatles albums, which I received from my aunt in London, claiming that they were illegally imported into Poland and were not allowed to leave the country. I was allowed to take only the albums manufactured in Poland, so obviously I took all the early Polish Jazz Series albums, which I had. That incident did not break my collector’s passion, which only grew with time, but it left a bitter taste on my way to Freedom. It also did not blemish my love of the Polish Culture, which I cultivated even when living abroad. Sometimes I wonder where the autographed copy of this album eventually found its home?

Updated: 05/04/2024Posted: 05/04/2024

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VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.13 POLSKIE RADIO 1663 (Barcode: 5907812246631) ~ POLAND ~ Jazz Recorded: 1963 Released: 2014 This is the thirteenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The material collected here presents a second volume of recordings made in 1963 during the sixth Jazz Jamboree festival in Warsaw. It starts with two lengthy tracks, both treatments of classic Jazz standards, by the legendary American saxophonist Johnny GriffinFind albums by this artist and his quartet. Prior to this recordings Griffin, like many of his Afro-American colleagues, moved to Europe, where Jazz was experiencing an explosive development and was considered an Art Form and racial discrimination was almost completely absent. The quartet includes fellow American pianist Kenny DrewFind albums by this artist, who settled in Europe a couple of years earlier, Dutch guitarist Wim OvergaauwFind albums by this artist and Dutch bassist Ruud JacobsFind albums by this artist. Followers of this series are of course aware of the fact that the eleventh volume already presents a double CD with material recorded by Griffin at the same festival with the same musicians. Personally I´d have preferred to have that release expanded into a triple CD set and have all the Griffin sessions together, but I´m not the series´ editor. Next come three tracks by the Danish trumpeter Allan BotschinskyFind albums by this artist and his quintet with American born saxophonist Ray PittsFind albums by this artist, who moved to Denmark in 1962, pianist Atti BjoernFind albums by this artist (name most probably miss spelt), bassist Benny NielsenFind albums by this artist and American drummer Robert Joseph (real name Robert Joseph Durham or Bobby DurhamFind albums by this artist as he was known to all – Polskie Radio should have known this, especially since I already made this comment / correction on the a.m. Griffin album – please read people! The music is all original and includes two compositions by Pitts and one by Botschinsky. It is typical bee bop, well played, especially by the leader who was a first rate trumpeter, but not extraordinary in any sense. The two tracks closing the album are the most interesting for the Polish Jazz fans and they present the Zbigniew NamyslowskiFind albums by this artist quartet with pianist Wlodek GulgowskiFind albums by this artist, bassist Tadeusz WojcikFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist, the same quartet that would record several months later in Britain the legendary album "LolaFind albums with this title", the first significant exposure of Polish Jazz behind the Iron Curtain. Both are original compositions by Namyslowski, the first would be the title track of the British LP and the second seems to be the only appearance of this composition on record. These are the initial steps of the first golden decade of Polish Jazz, and as such their documentation is priceless, as is the music. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

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