Record Reviews

JERZY MACZYNSKI ~ JERRY & THE PELICAN SYSTEM (POLISH JAZZ VOL.83) WARNER MUSIC POLAND 190295475895 (Barcode: 190295475895) ~ POLAND ~ Jazz Recorded: 2019 Released: 2019 This is the debut album as a leader by young Polish Jazz saxophonist / composer Jerzy MaczynskiFind albums by this artist, recorded with his quintet which also includes trumpeter Marcin ElszkowskiFind albums by this artist, keyboardist Marcel BalinskiFind albums by this artist, bassist Franciszek PospieszalskiFind albums by this artist and drummer / flautist Wiktoria JakubowskaFind albums by this artist. Hindu violinist Apoorva KrishnaFind albums by this artist guests on one track. The album presents eight original compositions, two of which are in three parts and one in two parts – together thirteen tracks. The music was beautifully recorded at the Monochrom Studio, engineered by Ignacy GruszeckiFind albums by this artist. Maczynski is an archetypical representative of contemporary young European Jazz musician: musical education from early age, academic studies in Poland, then Odense in Denmark, then Berklee in Valencia, Spain, recordings, concerts and festivals, a biography that reflects the borderless Europe which allows its young musicians to get exposed to diverse education systems, meet musicians from many different places and cultures and develop their personal styles in a span of just a few years, something that usually took decades to achieve in the not so distant past. It is not surprising therefore to see these young musicians to show characteristics such as diversity, openness and multi-genre / multi-cultural approach to the music they create. The music on this album is exactly like that – an amalgam of influences which encompasses such radically different genres as Rock, Yass (a Polish variety of Jazz rebellion with a strong Punkish attitude), Jazz-Rock Fusion, Free Jazz and even Avant-Garde, spiced with beautifully melodic, almost Popish balladry - a multi culti heaven on earth. One can not avoid an immediate feeling of likeness to the music created by Kuba WiecekFind albums by this artist, who after all is of almost identical age and biographical background, and who is another proud representative of the young Polish Jazz generation. The musical approach that this album reflects has one imminent danger, however. The diversity, as blessed as it is, can, and in this case does, create a slight sensation of lack of musical focus. Perhaps it is the highly emotional debut album responsibility, perhaps the untamed youthfulness, but this music creates an impression that Maczynski tries to say a bit too much in the scope of one album. Strangely (or perhaps not really) the two albums by Wiecek suffer from the same slight predicament. But all things considered, this is by all means a splendid debut effort, full of potential, great promises, exciting musical ideas and superb playing by all the participants. As already stated earlier, many Jazz musicians of older generations had to wait for years to produce an album as rich in contents and talent as this one, which means that congratulation are in order. Since I am writing these words exactly on Jerzy´s birthday (completely accidentally BTW) I can only wish him many future achievements, which will surely outshine this one, surely after such an outstanding liftoff! Side Note The iconic "Polish Jazz" series of recordings, originally released between 1965 and 1989 by the Polish state owned record company Polskie NagraniaFind albums on this label, which used the MuzaFind albums on this label label as its moniker, consists of seventy six LP albums. It presents the history of Polish Jazz recordings during that period, which includes some of the most important Polish / European modern Jazz milestones and reflects the extraordinary development of Jazz music behind the Iron Curtain. It is one of the most important historic documents of Polish Music and of course Polish Culture in general. The series had an eminent logo designed by Roslaw Szaybo and the albums were numbered sequentially from Vol.1 to Vol.76 accordingly. The album's artwork was wonderfully stylish and modernist, featuring the brilliant photographs and characteristic design by the legendary Polish Artist Marek Karewicz. Stylistically the series presented all Jazz genres, from Traditional Jazz to Avant-Garde / Free Jazz, which was extraordinarily liberal considering the cultural censorship imposed by the Socialist Regime. It suffered from some inconsistency, as far as the musical quality and aesthetics were concerned, as well as the internal "politics" of the Polish Jazz scene at the time, but in retrospect it achieved a spectacular overall result, unparalleled as far as consistently documenting a national Jazz scene is concerned. After the Polskie Nagrania catalogue was bought by Warner Music PolandFind albums on this label, the new owner started a reissue process of the Polish Jazz series, carefully remastered, repackaged and including extensive liner notes, which keeps the artwork as close to the original design as possible. So far forty four volumes of the original series were reissued. In 2016 Warner Music Poland decided to continue the original series by releasing new contemporary Polish Jazz recordings under the same format and even to continue the sequential numbering starting with Vol.77 – a decision I personally consider almost sacrilegious. Some things are simply untouchable, and the "Polish Jazz" series is surely one of those things. If Warner Music Poland wants to produce Jazz albums, which is always more than welcome, they could have started a new series, under a new title, rather than exploiting the reputation of the historic series. As a result, some artist whose albums are released as part of the new series might be led to expect instant gratification, fame and stardom, just for being an artificial part of a prestigious past, which of course is as bogus as it is sad.

Updated: 17/03/2020Posted: 17/03/2020

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FRANCISZEK POSPIESZALSKI ~ SECOND STEP NOT ON LABEL (Barcode: 5903771865210) ~ POLAND ~ Jazz Recorded: 2021 Released: 2021 This is the third album as a leader by young Polish Jazz bassist / composer Franciszek PospieszalskiFind albums by this artist and his second recording with his sextet, which here includes saxophonists Marek PospieszalskiFind albums by this artist and Jedrzej LagodzinskiFind albums by this artist, pianist Grzegorz TarwidFind albums by this artist, multi-instrumentalist Wiktoria JakubowskaFind albums by this artist and drummer Szymon GasiorekFind albums by this artist. Barbara PospieszalskaFind albums by this artist plays piano on one track and a string quartet plays on two tracks. The album presents eight original compositions, all by the leader. The album was recorded at the Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist. As usual with Pospieszalski, his music eschews all attempts of straightforward classification and encompasses many different influences, from contemporary Classical Music, via the Jazz tradition, Folkloristic fragrances and Avant-Garde tendencies, which altogether produce a unique amalgam, which is first and foremost his own. It is fascinating to follow the development of Pospieszalski in the last five years since the recording of his debut album and the crystallization of his stylistic tendencies, influenced undoubtedly by the years he studied music in Denmark, which is a melting point of the young European Jazz scene. The bond he forged there with Lagodzinski and Gasiorek, which resulted in the formation of the Love And Beauty SeekersFind albums by this artist trio seems to hold on, as these young people obviously share common musical vibes. In the liner notes accompanying this album Pospieszalski reflects upon the blind worship of everything “American”, in music and life habits alike, which is tragically so omnipresent among young Europeans, rather than following and developing the rich and beautiful European tradition that has so much to offer. I wholeheartedly share that point of view of course and the fact that Pospieszalski is open enough to talk about it, in addition to creating music which is deeply European in its essence, is highly commendable. Overall, this is a wonderful piece of music; bold, interesting, beautifully put together and executed, which fully justifies the hopes and belief in the young generation of Polish / European Jazz, that some of us share. There are only a few albums recorded each year that have so much to offer, and this one surely deserves to be heard by as many music lovers around the world as possible. Well done!

Updated: 07/09/2021Posted: 07/09/2021

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PAULINA PRZYBYSZ ~ INSIDES CALM COURAGE 5907426982802 (Barcode: 5907426982802) ~ POLAND ~ Jazz-Pop Fusion Recorded: 2023 Released: 2025 This is an album by Polish vocalist Paulina PrzybyszFind albums by this artist, recorded with keyboardist Marek PedziwiatrFind albums by this artist and saxophonist Olaf WegierFind albums by this artist, both members of the celebrated EABSFind albums by this artist / BlotoFind albums by this artist ensembles, vibraphonist Tymon KosmaFind albums by this artist, bassist Krzysztof BaranowskiFind albums by this artist and drummer Wiktoria JakubowskaFind albums by this artist. The album presents ten tracks, all of which are (more or less) Jazz standards. Przybysz added her own lyrics to one of the tunes and supplied “additional lyrics” to two others. The album offers an excellent sound quality. The music is excellently arranged (arrangements are uncredited) and beautifully performed by the instrumentalists, who play with superb elegance and thoughtful aptitude and understanding of the music, which stylistically fluctuates between Folk, Blues, Soul, Swing, Rap and Jazz. I can only suspect that the arrangements were done by Pedziwiatr, as the EABS / Bloto spirit is strongly present. Therefore, without much ado, the music is as good as one could ask for. The vocals, however, are a different story. All the lyrics on this album are sung in English, and Przybysz has a truly strange accent and pronunciation, which simply is difficult to swallow. A matter of taste of course. But more importantly, Przybysz is not a Jazz singer – she simply does not have the Jazz sensibility, understanding of the rhythmic complexities, etc. Therefore, singing a Jazz oriented repertoire, and more so, trying to sound like a Jazz singer, is simply wrong for her. She might have vocal qualities, but those probably work better in different environment, more Pop oriented. But that is only my very personal opinion and many listeners might probably enjoy this album without any reservations. Overall, this is an interesting attempt to present some classic Jazz oriented vocal material, which sadly does not work for me, but what do I know? Congrats to the instrumentalists and the person in charge of the arrangements, who did a truly splendid work here.

Updated: 24/05/2025Posted: 24/05/2025

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