Record Reviews

GLABULATOR ~ A DAY WITHOUT HOURS NOT ON LABEL (Barcode: 5903111550004) ~ POLAND ~ Jazz Recorded: 2012 Released: 2013 This is the debut album by the experimental Polish Jazz duo GlabulatorFind albums by this artist, founded in 2005 by saxophonist Tomasz GlazikFind albums by this artist (SyfonFind albums by this artist, Sing Sing PenelopeFind albums by this artist) and drummer Jacek BuhlFind albums by this artist (SyfonFind albums by this artist and many others), two of the most respected activists on the Avant-Garde scene in the town of Bydgoszcz and its legendary club "Mozg". Following a long period of inactivity since 2007 the duo combined forces again in 2012 and recorded this album in the studio located in the same club, which includes ten original compositions / improvisations credited to the duo. The music is quite diverse, ranging from completely improvised pieces to almost danceable melodic exercises, which are nostalgic reminiscences of the Yass period. Glazik plays tenor saxophone, bass clarinet and synthesizers and creates a wide range of sounds and effects, creating often the effect of a whole ensemble. Buhl, who is one of my favorite drummers on the Polish scene, presents again his incredible musicality and virtuosic control of his array of percussive instruments. Together they create an ambience of adventure, which keeps the listens in full suspense throughout the entire album. This music beautifully combines the concept of freedom with the elements of melody and rhythm, which are the basic building blocks of music, and therefore is able to be attractive to a relatively wide range of open-minded listeners, which is usually quite difficult to achieve in the Free / Improvised Music environment. This is yet another document of the incredible vitality and versatility of the Polish Jazz scene, which seemingly knows no borders and simply explodes with both established and new talent. Listeners who have been following the careers of the duo members will find this album as another interesting step in their development. For others this is a wonderful opportunity to discover the magical world of Glabulator and take an enchanted voyage with them.

Updated: 12/04/2019Posted:

CD 1 Mini-Sleeve Recommend To A Friend

WOJCIECH JACHNA / JACEK BUHL ~ PANJABU MONOTYPE ~ POLAND ~ Jazz Recorded: 2009 Released: 2009 This is the debut album by Polish Jazz duo consisting of trumpeter Wojciech JachnaFind albums by this artist (Contemporary Noise SextetFind albums by this artist, Sing Sing PenelopeFind albums by this artist) and drummer Jacek BuhlFind albums by this artist (SyfonFind albums by this artist, GlabulatorFind albums by this artist). It presents eleven original compositions, all co-composed by the duo members. The music is beautifully innovative and embodies a new sub-genre of the thriving Polish Jazz scene, which combines the tradition of trumpet / drums duos combined and expanded here with electronic and ambient sound vistas. A somewhat similar approach to music was also adopted a few years later by the An On BastFind albums by this artist / Maciej FortunaFind albums by this artist duo, which shares many sonic similarities with this duo. This music consists of expanded melodic themes developed by the trumpet and accompanied harmonically and rhythmically by the ambient electronic background and the drum parts. This approach seems to offer a wide plane of new possibilities, with are just being discovered lately. Such recordings like this one emphasize the vitality and the constant drive of the young Polish Jazz musicians to innovate and discover new possibilities, rather than stay on the beaten track of mainstream Jazz, which is probably the most important characteristic of the entire scene. Of course Jachna and Buhl already demonstrated their creativity and pioneering spirit as members of other ensembles they played with, but their work in this duo is the most impressive in that respect. Their next album as a duo ("Niedokonczone KsiazkiFind albums with this title"), recoded a year later, brought this wonderful concept to perfection. Sadly this album is relatively quite anonymous and known mostly to a small number of Polish Jazz Avant Garde fans, which is a pity. It is definitely worth searching for and deserves an honorable place in any serious Polish Jazz collection, especially for people following new trends and bold pioneering progress.

Updated: 17/12/2018Posted:

CD 1 Mini-Sleeve Recommend To A Friend

JANUSZ ZDUNEK / 4 SYFON ~ BATERIE NOT TWO 730 ~ POLAND ~ Jazz Recorded: 2001 Released: 2001 This is the 3rd album by Polish Jazz trumpeter / composer Janusz ZdunekFind albums by this artist and his quartet called 4 SyfonFind albums by this artist, which also included saxophonist Tomasz GlazikFind albums by this artist, bassist Wladyslaw ReflingFind albums by this artist and drummer Jacek BuhlFind albums by this artist. Of the fifteen relatively short tracks on this album, six were composed by Zdunek, three by Buhl, another three (or in fact one repeated three times) by guest vocalist Krzysztof GruseFind albums by this artist, one by Refling, one is a folk tune and the remaining one is by Krzysztof KomedaFind albums by this artist, the Godfather of Polish Jazz. Although recorded after the heyday of the Polish Yass movement, which happened in the late 1990s, Zdunek continues the nonchalant, almost Punk attitude towards Jazz on this album. Based on simple, repetitive rhythm patterns, which originate mostly in Rock, the melody and the improvisation is played on top, sometimes by one instrument and sometimes by both soloists. A few tracks are pretty "free" (written, not surprisingly by Buhl, who would be drawn towards the Free Jazz movement later on in his career), but they are definitely exceptions. The group´s treatment of the Komeda tune is perhaps the most typical example of the idea behind this music; rhythmic simplicity and improvisation on top, with some Rap elements and overall atmosphere of "we do our thing and don´t give a fuck what you think about it". Strangely enough it works just fine. It´s pretty obvious that these are greatly talented musicians, trying very hard not to show it. Over a decade after it was recorded, this music definitely lost some of its initial innovative approach and edge, but most of it still sounds pretty cool today. Not for everybody, but there are enough weirdoes out there to enjoy this stuff immensely forever.

CD 1 Recommend To A Friend