Record Reviews
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  | STEPPENWOLF ~ EARLY STEPPENWOLF / FOR LADIES ONLY BGO 691 (Barcode: 5017261206916) ~ USA ~ Classic Rock Recorded: 1967 - 1971 Released: 2005
4th and 8th albums by US group SteppenwolfFind albums by this artist, which are in fact the earliest and the latest recordings by this band during their initial period of activity. It is quite astonishing to see how the group developed and changed in the short period of four years, with this change reflecting well the overall music scene dramatic developments during that period. Surprisingly (or perhaps not) "Early SteppenwolfFind albums with this title" was not really recorded by Steppenwolf, but by the group SparrowFind albums by this artist, which is the first outfit formed by vocalist John KayFind albums by this artist in Canada, and which eventually settled down on the West Coast and changed the name to Steppenwolf (with some minor lineup changes). Recorded live at the legendary SF "Matrix" club (owned by Jefferson AirplaneFind albums by this artist´s Marty BalinFind albums by this artist), the album is a phenomenal document of the West Coast music scene in 1967, when Rock music, heavily spiced by Psychedelic influences, was breaking all the barriers and moving forward at an incredible pace. The album includes an 21+ minutes version of "The Pusher", which is in fact a freely improvised modern music, having really very little to do with Rock per se, and being closer to Free Improvised Music or Contemporary Classical Music, with extended instrumental improvisations, sound effects, dramatic crescendos, etc. The atmosphere is not far removed form what other West Coast bands were doing at the time, with similar live recordings by the DoorsFind albums by this artist, Jefferson Airplane and Grateful DeadFind albums by this artist serving as proof. "For Ladies OnlyFind albums with this title", in complete contrast to its companion, presents a completely different musical approach, although separated by mere four years. The group was now past its commercial peak, reached with the release of their first two albums, and with a solid Blues-Rock / Hard Rock image and strong songwriting serving as their forte. For their swan song they mellowed up quite a bit, dedicating the album to the ladies in their lives and expressing a strong feminist view, quite contrary to usual chauvinistic approach of most Rock musicians. The songwriting and playing is still very strong, but it´s quite clear that the band was running out of wind and it was time to quit. Kay and various version of Steppenwolf were to appear again in the future and record more albums, but nothing ever would come close to the first eight glorious albums. A classic!
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  | STEPPENWOLF ~ STEPPENWOLF / THE SECOND BGO 450 (Barcode: 5017261204509) ~ USA ~ Classic Rock Recorded: 1968 Released: 1999
1st and 2nd albums by the classic US (of Canadian origin) band SteppenwolfFind albums by this artist, which epitomize not only the birth of American Rock, but also the atmosphere and state of mind of the young generation during the turbulent times of the Social upheaval in the late 1960s. Steppenwolf´s origins go back about a couple of years before the music included here was recorded, when Canadian singer John KayFind albums by this artist (a German immigrant) formed the band SparrowFind albums by this artist. After Sparrow disbanded Kay formed a new band, which he named Steppenwolf – a title of an influential novel by the German / Swiss author Hermann HesseFind albums by this artist (one of the most widely read authors in the late 1960s, whose mystical and philosophical ideology and love of the orient and the occult appealed to the hippie generation – yours truly included). Their debut album, which included the monster hit "Born To Be Wild", became an instant classic and was soon after immortalized, when Dennis HopperFind albums by this artist included the song in the soundtrack of his cult classic movie "Easy Rider" (one of the first US independent cinema productions created outside of the Hollywood dominated movie industry), which became a visual anthem of the era, and in turn made the song the era´s musical anthem. This mega success worked (in retrospect) against the band´s interest, as they remain conceptually linked to the phenomenal success of that one song and as a result both listeners and critics kept neglecting and diminishing their overall output, which was always excellent and surely deserved more recognition of their talent (see the pitiful entry on the band in All Music Guide). Kay was a formidable singer / songwriter and his charisma and vocal ability was as powerful and striking as the charisma of many other singers, who became legends of their time (i.e. Jim MorrisonFind albums by this artist). The band´s other members were all great instrumentalist and the guitar / organ layers of sound, which characterized their music, are classic examples of early Hard Rock at its best. Moving between Blues, Blues-Rock, Rock and Hard-Rock, those two albums truly define the musical era they represent and influenced hordes of other Rock bands to follow suit. The tunes, usually based on unforgettable riffs, are all delivered passionately and confidently, sounding as fresh today as they were when heard for the first time, and perhaps even better, as this music ages well, as does good wine. If the term "Classic Rock" has any meaning at all, it applies to this music better that to most of the stuff that is often associated with it. I can´t imagine any decent record collection, which does not include these two albums.
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