Record Reviews

OLGA BOCZAR ~ TESKNO MI, TESKNO FOR TUNE 0137 (Barcode: 5906395808496) ~ POLAND ~ Jazz-Pop Fusion Recorded: 2016 Released: 2018 This is the second album by Polish vocalist / flautist / songwriter Olga BoczarFind albums by this artist, recorded with the same quartet of Polish Jazz musicians who accompanied her on her debut album: pianist Jan SmoczynskiFind albums by this artist, guitarist Andrzej GondekFind albums by this artist, bassist Wojciech PulcynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. The album presents eight songs, four of which are Polish Folk songs and the other four are original compositions by Boczar, three of which feature her lyrics (one of them in English) and one is based on a poem by Polish poet Boleslaw LesmianFind albums by this artist. Both the Folk songs and the original compositions get a Jazzy arrangement (which remains uncredited), but are not really transformed into the Jazz idiom, remaining mostly somewhere between Pop and Folk music after all. Boczar sings both lyrics and vocalese, holding her ground skillfully and even gracefully at times, but her vocal parts are somewhat low in the mix being often overshadowed by the instrumental accompaniment. Her flute parts are only marginally featured here. All four Jazz musicians that participate in the recording are of course highly professional, but the music leaves little ground for them to show their skills except for occasional solos. Overall this is a pleasant album, easy on the ear and well put together, mostly for listeners who prefer to be entertained rather than challenged, but one that can be enjoyed by a wide spectrum of music lovers.

Updated: 19/02/2019Posted: 19/02/2019

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OLGA BOCZAR MUSIC ESSENCE ~ LITTLE INSPIRATIONS NOT ON LABEL 001 (Barcode: 5905279086005) ~ POLAND ~ Pop & Rock Recorded: 2013 - 2014 Released: 2014 This is the debut album as a leader by Polish vocalist / flautist / songwriter Olga BoczarFind albums by this artist, recorded with her ensemble called Music EssenceFind albums by this artist, with core members: keyboardist Jan SmoczynskiFind albums by this artist, guitarist Andrzej GondekFind albums by this artist, bassist Wojciech PulcynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. In addition several other musicians also participate on selected tracks, including bassist Krzysztof PacanFind albums by this artist, saxophonist Radek NowickiFind albums by this artist, trumpeter Dominik GawronskiFind albums by this artist, trombonist Michal TomaszczykFind albums by this artist and several background vocalists; altogether quite a formidable team. The album presents ten original songs all composed by Boczar and with lyrics mostly written by her as well. Only two of the songs feature lyrics in Polish and eight have English lyrics. The music was recorded in three different studios, including the Studio Tokarnia where Smoczynski also served as the sound engineer recording the rhythms section tracks. In spite of the fact that the album features some very prominent Polish Jazz musicians, it is by no means a Jazz album. Except for a few piano solos, the album presents a singer / songwriter Pop / Rock effort with slight Jazzy accents mostly present in some of the arrangements. There is of course nothing wrong with that, but promoting and marketing this album under a Jazz moniker is a conceptual mistake. The music is a collection of mostly low key melancholic melodies, which all sound a bit similar and leave no lasting impression. Everything is "nice" and "smooth", but there is no excitement, zest or attempt hit the listener between his eyes. Boczar´s voice and delivery don´t help much either, as she has a limited range and sings in the same narrow spectrum using repeatedly the same mannerisms, regardless of the text she is singing. Except for a few vocalese attempts, the rest is rather unexciting. And on top of this all these there is the problem with lyrics in English, which sound pretty inappropriate. In contrast, plainly audible, the two songs sung in Polish sound infinitely better. The instrumental work is all quite all right, but again lacks any spark. The arrangements are all rather trivial, and the potential of such mighty team of musicians seems completely wasted. Except for the already mentioned piano solos, there is no attempt to put some excitement into this music. Overall this is all professionally done, but sadly completely uninspired. This album has a potential on the Polish Pop market, if promoted properly. It might even win a Fryderyk award next year, as anything can happen there, but hopefully not in the Jazz category. And before an outcry of angry responses accusing me of ruining young people´s careers erupts again, let me emphasize that this is just my private, subjective opinion, which has absolutely no bearing on anybody´s fate.

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