Record Reviews
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  | MARCO ENEIDI STREAMIN` 4 ~ PANTA REI
FOR TUNE 0047 (Barcode: 5902768701531) ~ USA ~ Jazz
Recorded: 2013 Released: 2014
This is the debut album by American (resident in Austria) saxophonist Marco EneidiFind albums by this artist and his Streamin` 4Find albums by this artist quartet, which also includes three Polish Free Jazz / Improvised Music musicians: saxophonist Marek PospieszalskiFind albums by this artist, bassist Ksawery WojcinskiFind albums by this artist and drummer Michal TrelaFind albums by this artist. The album, which was recorded live, presents four extended pieces, co-credited to all four participants.
As appropriate for an Improvised Music / Avant-Garde Jazz encounter, the music is highly energetic and expressive, with the participants trying to stay coherent and communicative towards each other. The double saxophone lineup allows for separate saxophone solos and a side-by-side dialog, which varies in intensity and tension from one moment to the next. The rhythm section is also allowed space to express its notions, but as usual remains in the background for most of the duration. It becomes pretty obvious that at least some of the themes used as the basis for the improvisation were annotated or rehearsed in advance, but of course, as usual in such circumstances, they are really a marginal issue in these proceedings.
As I always emphasize, this kind of music is essentially meant to be a part of a live experience and is received in a completely different way by a live listener sitting in the audience than when listening to the recorded music. With the intimacy and immediacy gone, the listener is left with just one more Improvised Music album, which fails to leave a lasting impression.
Of course these are very skilled and talented musicians and the music has its intrinsic value, but considering the vast amount of great new music becoming available on a daily basis, this gets pushed back into the low priority stack.
| | Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | ERASE ~ NEW AND OLD DREAMS
FOR TUNE 0014 ~ POLAND ~ Jazz
Recorded: 2012 Released: 2013
This is the debut album by Polish Jazz quartet EraseFind albums by this artist, which consists of saxophonist Gerard LebikFind albums by this artist, bassists Max MuchaFind albums by this artist and Jakub MielcarekFind albums by this artist and drummer Michal TrelaFind albums by this artist. The album presents a live recording at Warsaw´s Pardon To Tu club, which in the last few years managed to establish an honorary position as the home of the Avant-Garde scene in the country´s Capital. The quartet performs five completely improvised pieces attributed to all the four musicians.
The quartet presents music, which is naturally associated with the mid 1960s, when Free Jazz was at its artistic peak and musicians like Albert AylerFind albums by this artist, John ColtraneFind albums by this artist, Eric DolphyFind albums by this artist and others bravely broke the ties with Jazz conventions and stepped into uncharted territory to expand the Art Form beyond the known boundaries. However, keeping in mind that all this happened fifty years ago, playing Free Jazz today lost much of its originality, especially in view of the fact that its true pioneers are all dead by now.
On the other hand, bands like Erase are needed today to shake up the somewhat stagnant Jazz scene, which often gravitates towards the dreaded retrograde mainstream. Therefore this total and uncompromising music is a welcome wake up call in that respect. Of course Erase has a lot to say on its own account, with the drenched saxophone wall-of-sound effect and the double bass lines and intensive drumming. It is a brutal encounter, which can leave no listener indifferent.
Free Jazz is mostly an essence of a live performance and Free Jazz recordings suffer from the same problem that food suffers from, i.e. eating it is quite different than seeing pictures of it. Hearing this concert was probably a momentous experience for those lucky to be there at the time. The recording is only a secondary experience. That does not mean of course that the music is not worth being recorded, on the contrary For Tune made exactly the right decision to include it in their catalogue, simply for what it is: unadulterated explosion of musical energy, which pays tribute to the glorious past. And since nobody else is doing anything remotely similar, even more so!
I don´t know if the album´s title is a tribute to the fabulous Old And New DreamsFind albums by this artist ensemble, which by itself was a tribute to Ornette ColemanFind albums by this artist; regardless if this is intentional or not, it is certainly most appropriate.
| | Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
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