Record Reviews

BABOOSHKI ~ BEDZIEMY SIE KREZYLI MULTIKULTI MPF 005 (Barcode: 5903068683374) ~ POLAND ~ Jazz-World Fusion Recorded: 2019 Released: 2020 This is the third album by Polish Jazz-World Fusion ensemble BabooshkiFind albums by this artist, formed by Polish vocalist / violinist Karolina BeimcikFind albums by this artist and Ukrainian vocalist / pianist Dana VynnytskaFind albums by this artist, and including top Polish Jazz players: trombonist Michal TomaszczykFind albums by this artist, pianist Jan SmoczynskiFind albums by this artist, guitarist Rafal SarneckiFind albums by this artist, bassist Michal JarosFind albums by this artist and drummer Bogusz WekkaFind albums by this artist. A couple of guest musicians play on selected tracks. The album presents nine traditional songs of Polish / Ukrainian and Byelorussian origins, performed in the original languages, all arranged by the ensemble members. The music was recorded at the excellent Studio Tokarnia, owned by Smoczynski, and offers a splendid sound quality. Musically, the album offers a pretty faithful interpretation of the original Folkloristic material, with the Jazzy arrangements being pretty minimalist and delicate, not disturbing the authenticity of the songs, but enhancing the result and bringing it closer to contemporary listeners. The vocal duets by Beimcik and Vynnytska are the epicenter of the music, beautifully performed and cleverly synchronized, amalgamation two pretty diverse vocal traditions (Polish more Western and Ukrainian more Eastern), which complement each other splendidly. The instrumental work is also brilliant, as expected by the level of the participating musicians. Sarnecki, Smoczynski and Tomaszczyk add a few splendid soli, and Jarosz plays stunning bass parts, but overall this music is all about team work. Listeners interested in the East European vocal tradition should be absolutely delighted by this little gem, as should all Jazz-World Fusion fans, especially since this is one of the best projects on the Polish scene recorded in this sub-genre in the last years. Overall this is a beautiful piece of music, beautifully authentic, highly aesthetic and brilliantly executed from start to finish. Hats off!

Updated: 04/06/2021Posted: 04/06/2021

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KAROLINA BEIMCIK ~ ZORYA MULTIKULTI MPJ 017 (Barcode: 5907529223581) ~ POLAND ~ Jazz-World Fusion Recorded: 2018 Released: 2018 This is an ambitious debut album by Polish vocalist / violinist / composer Karolina BeimcikFind albums by this artist with her new project called "Zorya", which is her interpretation of Polish / Ukrainian Folklore of the ethnic minorities like Boykos, Lemkos and Kurpie people, who maintain their linguistic dialects and traditions. Beimcik is accompanied by four excellent Polish Jazz musicians: guitarist Rafal SarneckiFind albums by this artist, pianist Jan SmoczynskiFind albums by this artist, bassist Michal JarosFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. The album presents eight tracks (actually the album´s artwork lists eight tracks but credits refer to nine tracks, go figure), six of which are traditional tunes and two were composed by Beimcik. The music was recorded by Smoczynski at his excellent Studio Tokarnia, with excellent sonic quality as usual. In spite of the presence of the Jazz musicians, the music itself has very little to do with the essence of Jazz and is dominated by the Folkloristic themes. The Jazz influences stay mostly in the background and are more ornamentation than the actual quintessence. The basic melodies have, as expected, a strong East European disposition, being all rather melancholic and gloomy, quite similar to each other. The two original compositions, and especially the title track, are much more Jazz oriented and Beimcik performs on them nice wordless vocalese parts in addition to instrumental solos. The instrumental work by the team is all quite excellent, as appropriate from highly talented musicians of this class. Smoczynski takes most of the accompaniment on his shoulders, staying relatively in the background, Sarnecki adds tasteful guitar embellishments and the rhythm section provides a solid basis for the music, with a few exceptional bass solos by Jaros. Overall this is another example of the amalgamation between Folklore and Jazz, which seems to be more popular and successful in Poland than anywhere else in recent years. Preservation of ethnic traditions is of course an obligation of any Cultural people, and projects like this one are all important, but some or more successful musically than others. Personally I´d prefer an entire album of music as represented by the two original compositions.

Updated: 08/06/2018Posted: 08/06/2018

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