Record Reviews

JOHNNY ALMOND / MUSIC MACHINE ~ HOLLYWOOD BLUES VOCALION 8441 (Barcode: 765387844127) ~ UK ~ Jazz Recorded: 1969 Released: 2008 2nd (and last) album by British multi-instrumentalist / composer Johnny AlmondFind albums by this artist recorded under the Johnny Almond Music MachineFind albums by this artist moniker. Although recorded only a few months following the debut “Patent PendingFind albums with this title”, it is a completely different affair, as the album was recorded in the US and all the musicians except Almond come from the US West Coast. The opportunity to record this album arrived, when Almond visited the US to perform at the 1969 edition of the Newport Jazz Festival with John MayallFind albums by this artist’s BluesbreakersFind albums by this artist. Legendary producer Mike VernonFind albums by this artist came up with the idea to record an album with Almond and some local musicians. For the recording session a rhythm section was assembled, which included organist Charles KynardFind albums by this artist, legendary guitarist Joe PassFind albums by this artist, bassist Ray NeapolitanFind albums by this artist and drummers Earl PalmerFind albums by this artist / Joe HarrisFind albums by this artist. On the front line Almond was paired with one of three saxophone players: Hadley CalimanFind albums by this artist, Curtis AmyFind albums by this artist and Vi ReddFind albums by this artist. He plays several instruments (as usual) – tenor and alto saxophone, flutes, organ and vibraphone. Almond wrote most of the music on the album, with just a couple of standards used. The result is a delightful, funky, soulful session with excellent music and some remarkable solos. Almond’s playing bears a distinctive European approach, which when consolidated with the American natural bluesy sound fits just perfectly. The album is much more jazzy that the debut and perhaps less adventurous, but nevertheless and excellent document of the fine music that was happening at the time and cross-pollination of musical ideas. Most warmly recommended! Visitors' Comments Christopher  Brice I think this deserves an "essential" label - certainly an essential part of the soundtrack to my musical and general development; first a pirated reel-to-reel copy back in the early 70s; then eventually a second hand LP when I found one; and now the CD for easy access and road-trip enhancement.

CD 1 Remastered Recommend To A Friend

SONNY ROLLINS ~ FREEDOM WEAVER: THE 1959 EUROPEAN TOUR RECORDINGS RESONANCE 2065 (Barcode: 617270122860) ~ USA ~ Jazz Recorded: 1959 Released: 2024 This is an archival live album by the American Saxophone Colossus - Sonny RollinsFind albums by this artist, recorded on a trio setting during his 1959 European Tour, with bassist Henry GrimesFind albums by this artist and drummers Pete La RocaFind albums by this artist, Joe HarrisFind albums by this artist or Kenny ClarkeFind albums by this artist (all four are sadly not with us anymore). The tour spanned Sweden, Switzerland, Holland, Germany and France and the 3CD album presents twenty-six tracks, recorded at radio, concert halls and a club and the sound quality of these recordings is absolutely stunning. As usual with the ResonanceFind albums on this label label releases, the album is accompanied by extensive booklet with in-depth interviews and articles by musicians and critics and brilliant photographs. It was 1959 and Bebop was still the King of jazz, but Rollins was never playing exactly by the “rules”, so these tracks beautifully depict how cleverly and ingeniously he bends the established trends tradition and does his own thing. Especially interesting are the three tracks on CD3, which are all between fifteen and almost twenty minutes long and offer Rollins playing super-long solos of the finest possible quality. The fact that all the music was recorded in Europe, where the response to Jazz in general, and advanced forms of it in particular, were warmly embraced and appreciated, in contrast to what happened in the US at the time, is probably why the atmosphere is obviously warm and receptive. I talked to Rollins about this during my telephone conversation with him a while ago, about his recordings in Finland, and he also expressed his appreciation of the European audiences. In a short interview included on CD1 Rollins explains why he decided to play in a saxophone trio format, which was highly unusual at the time. Some of these tracks have been available in bootleg form, but this is the first time the entire 1959 European Tour is available together in exquisite sound quality and with proper care and respect. It is also remarkable that there is very little repetition as far as the compositions are concerned, although all the music was recorded within the span of nine days between March 2 and March 11, 1959. What an incredible level of creativity. Overall, this is an incredible piece of Jazz history and a sublime collection of music by one of the finest and greatest Godfathers of the genre. Regardless of how many albums by Rollins one already owns in one’s collection, this album is an absolute and essential must have!

Updated: 03/01/2025Posted: 03/01/2025

CD 3 Mini-Sleeve Remastered Essential Recommend To A Friend