Record Reviews

MADS LA COUR / ALMUGI ~ QUARTET WHYPLAYJAZZ 019 (Barcode: 4050486928226) ~ DENMARK ~ Jazz Recorded: 2015 Released: 2015 This is the debut album by the AlmugiFind albums by this artist quartet, led by Danish cornetist / composer Mads la CourFind albums by this artist, which also includes clarinetist Lars GreveFind albums by this artist, bassist Andreas LangFind albums by this artist and drummer Kasper Tom ChristiansenFind albums by this artist. The album presents nine original compositions, all by la Cour. Christiansen, Lang and la Cour were members of the QuartzFind albums by this artist quartet, which recorded a debut album almost a decade earlier and which was also released at the time on the excellent German WhyPlayJazzFind albums on this label label. The music is a an open form of modern Jazz, which ignores genres and conventions and freely floats between melodic passages and free improvisations, presenting the complete palette used by today´s new generation of European Jazz players, who are constantly trying to expand the Jazz idiom. These musicians are all very experienced players, having participated in numerous recordings as leaders and sidemen and played countless gigs, so there is nothing surprising about their proficiency and brilliance. Their functionality as a group is also beyond reproach, both when playing straightforward and improvising. The cornet solos are excellently structured and for some strange reason bring an association of the work by Don CherryFind albums by this artist in the early Ornette ColemanFind albums by this artist´s quartets. Of course la Cour has his own individual language and this is just a nostalgic whim on my part. He also weaves excellent melodies, which serve as vehicles for the quartet to improvise and express the individual statements. Greve is very expressive and skillfully uses the clarinet and bass clarinet to create atmospheric layers and solos, expanding the sonic scope of the music. The rhythm section is, as usual, exceptional. Lang and Christiansen are already well known for their skills and adaptability to every imaginable musical setting, and they don´t disappoint here as well. Overall this is another superb album coming out of Denmark, where Jazz is enjoying an impressive Renaissance in the last decade, which makes all connoisseurs of Scandinavian Jazz extremely happy. Very well done indeed and I am looking forward to hear more from this group in the future. Two more albums: a duo and a large ensemble recording by la Cour are also available.

Updated: 11/06/2016Posted: 11/06/2016

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QUARTZ ~ SO EIN DING MUSS ICH AUCH HABEN WHYPLAYJAZZ 002 (Barcode: 5707471006665) ~ DENMARK ~ Jazz-Rock Fusion Recorded: 2006 Released: 2007 This is the debut album by the young Danish quartet QuartzFind albums by this artist, which comprises of trumpeter Mads la CourFind albums by this artist, guitarist Frederik VedersoFind albums by this artist, bassist Andreas LangFind albums by this artist and drummer Kasper Tom ChristiansenFind albums by this artist. When this album was recorded nobody could have predicted that Vederso would soon become one of Denmark´s top Pop / Rock / Folk stars. This is also the debut recording of the Lang / Christiansen rhythm section, which in the decade following this recording was about to turn into one of the best Jazz rhythm sections in Europe. The album presents nine original compositions, all credited collectively to the quartet. The music of Quartz floats constantly somewhere between Jazz-Rock Fusion and contemporary modern Jazz. The Rocky guitar tends to pull the music towards Fusion, but the trumpet and rhythm section are obviously Jazz oriented, hence the duality. Regardless of the stylistic umbrella, this music is fresh, intelligent and full of intrinsic freedom, which allows for interesting improvisations and interplay between the band members. La Cour is a hell of a trumpet player and his solos soar high with a blood curdling intensity and speed. The rhythm section immediately presents their unique approach to providing the backbone for an ensemble, which is done with a specific twist of roles, with the bass being the rhythmic chronometer and the drums working with, against and above the expected rhythm patters, actually playing the instrument. The mutual understanding, respect and level of telepathic cooperation between these two guys are simply marvelous. There are also plenty of great tunes on this album, with some great melodies and catchy riffs, which make this music immediately accessible to most listeners. Although the music is quite sophisticated, it is also seemingly "easy on the ear", which of course is the best way to win over the listeners attention. In retrospect this is by far the most accessible album on the excellent WhyPlayJazzFind albums on this label label. This is definitely a superb debut effort and a piece of music that is certainly worth returning to from time to time.

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