Record Reviews
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  | RADEK BABORAK / ORQUESTRINA ~ CUATROCIENTAS ESTACIONES DE ASTOR PIAZZOLLA
ANIMAL MUSIC 092 (Barcode: 8594155998807) ~ CZECH REPUBLIC ~ Classical
Recorded: 2020 Released: 2021
This is an album by Czech French horn player / arranger / bandleader Radek BaborakFind albums by this artist and his OrquestrinaFind albums by this artist ensemble, which consists of French horn, bass clarinet, a string section and a rhythm section (piano, bass, drums) on all tracks (except the fifth), and additionally vibraphone on the first four tracks, and harp, bassoon and French horn quartet on the last remaining three tracks. The fifth track features a quintet of French horn, viola, cello, bass and piano. The album presents eight compositions by the Argentinean composer Astor PiazzollaFind albums by this artist, four of which are collectively known as “Cuatro Estaciones Portenas” (Eng. The Four Seasons of Buenos Aires), composed between 1965 and 1970, and additional four unconnected pieces composed between 1959 and 1982. The music was beautifully recorded at the Sono Records studio and engineered by Milan CimfeFind albums by this artist.
Piazzolla remains to me as one of the most misunderstood and misinterpreted 20th Century composers. His commonly known association with the Tango, which was hardly considered as an Art Form by Classically oriented music critics, pushed his musical vision and enormous talent into a “comfort niche” of curiosity, rather than serious musical achievement. But anybody familiar enough with Piazzolla’s music knows, that Tango was his inspiration, but it never limited his compositional skills and soaring imagination and he was able to create not only some of the most expressive and passionate, but also most sophisticated music ever.
This beautiful album is a wonderfully aesthetic attempt to transpose Piazzolla’s music into the European territory, taking it closer to “conventional” Classical approach, without losing any of its beauty, passion and uniqueness. Baborak boldly and very cleverly changes the instrumentation, taking completely away the bandoneon and replacing it by the French horn, two instruments so different and yet apparently bridgeable by an open-minded arranger. Piazzolla’s close relationship with Jazz can be also clearly heard here, although more subtly than the Classical flavor.
Baborak’s French horn performances and the brilliant idea of using a French horn quartet in the last three pieces are tremendously rewarding, adding a brass presence that is rarely heard in the Tango idiom. But of course all the musicians involved are superb instrumentalist and highly sensitive musicians.
This album is another striking example of the brilliant work done by the Czech record label Animal MusicFind albums on this label, under the imaginative direction of its owner Petr OstrouchovFind albums by this artist, who is obviously one of the most open-minded and dedicated music producers in Europe these days.
For Tango lovers this is obviously an absolute must have, offering one of the most original interpretations of Piazzolla’s music ever attempted, but every sensitive music lover should find this album highly fulfilling. The superb sound quality turns it into a euphoric listening experience. Hats off!
| | Updated: 23/04/2021Posted: 23/04/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | BYZANTIUM ~ HALF WAY DREAMING: ANTHOLOGY 1969-75
GRAPEFRUIT 082 (Barcode: 5013929188204) ~ UK ~ Progressive Rock
Recorded: 1969 - 1975 Released: 2021
This is a Box Set reissue / archival release of the entire recording legacy by the obscure British Rock / Prog group ByzantiumFind albums by this artist (and the early version of the group called OraFind albums by this artist), recorded between 1969 and 1975. It includes the only album by Ora, three albums by Byzantium and a plethora of previously unreleased studio and live material, all remastered and carefully researched / annotated in the booklet included in the Box Set.
The music is the usual delightful mixture of British Rock, which includes Psychedelia, Folk influences and Rock explorations, all brilliantly sung and played by the group members, who employed vocal harmonies / instrumental improvisations with a Jazzy flair and most of all brilliant songwriting to create music, which remains an unspoiled and unadulterated musical joy.
Byzantium are a classic example of the music scene in Britain, which exploded with talent during the Golden Decade and produced countless and continuously changing groups / group lineups creating a kaleidoscope of musical creativity, which (as a witness) was simply impossible to follow at the time. Most of those groups disappeared into the tides of time, many leaving no recorded legacy, but a huge amount of music was recorded, and absurdly is available and much easier to find today than it was at the time, thanks to the work and dedication of reissue labels, like GrapefruitFind albums on this label Records (a division of the Cherry RedFind albums on this label Records Empire), which brings them back to life.
Overall, this Box Set is a splendid opportunity to discover some obscure, but great music made five decades ago, which is still fresh, challenging and entertaining, and of course better that anything concocted today.
| | Updated: 20/08/2021Posted: 20/08/2021 | CD 5 Mini-Sleeve Box Set Remastered Bonus Tracks Recommend To A Friend |
  | CONTEMPORARY QUARTET (OLES / MAHALL / TIBERIAN / OLES) ~ PLAYS MUSIC OF BACEWICZ, KISIELEWSKI, KOMSTA, LUTOSLAWSKI, PENDERECKI
NOT TWO 744 ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2002 Released: 2002
This is an excellent album by four European Jazz musicians: German clarinetist Rudi MahallFind albums by this artist, Romanian pianist Mircea TiberianFind albums by this artist and Polish brothers: bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist (collectively known as Oles BrothersFind albums by this artist). They are collectively called Contemporary QuartetFind albums by this artist and on this album they perform nine pieces based on compositions by five Polish contemporary Classical Music composers: Krzysztof PendereckiFind albums by this artist, Stefan KisielewskiFind albums by this artist, Grazyna BacewiczFind albums by this artist, Witold LutoslawskiFind albums by this artist and Marzena KomstaFind albums by this artist. Two additional compositions are by Bartlomiej Oles.
The album beautifully emphasizes the proximity between contemporary Jazz and contemporary Classical Music, combining the written parts and improvised parts completely naturally to such extent that the listener is not able to distinguish between them. Of course the idea is to express the symbiosis between the two musical idioms, rather than show them side by side.
The majority of the music (five compositions) is by Krzysztof Penderecki, who is undoubtedly the most "revisited" contemporary Classical composer by the Polish Jazz musicians. In the liner notes Oles Brothers refer to the legendary recording back in 1971 of a concert initiated by my friend Joachim BerendtFind albums by this artist, which involved the Free Jazz Orchestra consisting of the top Free Jazz musicians of the day performing the composition "Actions" written by Penderecki, an innovating and daring concept at the time. Over time such interactions became gradually more common, as this album proves.
This is demanding music, which requires attentive listening and open-mindedness, but as usual in such cases is very rewarding. Connoisseurs of Jazz-Classical Fusion and Avant-Garde musical excursions should find this most interesting. Although recorded almost 15 years ago and somewhat forgotten, this music deserves to be re-discovered and listened to, as it obviously is absolutely ageless.
| | Updated: 12/04/2019Posted: 24/01/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | LACO DECZI / ZDENEK DVORAK ~ DUO
SUPRAPHON 5450 (Barcode: 099925545024) ~ CZECHOSLOVAKIA ~ Jazz
Recorded: 1080 - 1981 Released: 2003
This is the only album recorded by the wonderful Czechoslovak duo of trumpeter / composer Laco DecziFind albums by this artist and guitarist / composer Zdenek DvorakFind albums by this artist. This remarkably bold statement by such an unusual pairing of instruments is one of my favorite East European Jazz recordings and a superb example of how advanced and pioneering Jazz often was there.
This reissue comprises of the LP the duo recorded in 1981 (seven tracks) and an earlier EP (four tracks), all beautifully remastered and sounding just spectacular. Of all the tracks only two are standards and all the others are original by Deczi and Dvorak. The music is simply outstanding, contemplative and full of wonderful spaces and incredible soloing as well as two-way playing. Deczi has an incredible tone, rarely paralleled by others and Dvorak´s highly complex phrasing is simply astounding. Together they achieve an overall effect, which is much more impressive that the sum of its parts.
This music requires attentive listening as there is so much happening herein that it takes a very skilled listener to grasp all the details of the performance. Although basically melodic, there is a lot of freedom and unusual ventures in this music to make it fascinating from start to finish. It is quite possible that for most Jazz listeners this will be one of the most unusual and pleasantly surprising albums they ever came across.
This album is a splendid piece of Czechoslovak Jazz history and a most welcome reissue effort, which enables listeners worldwide to get familiar with this obscure treasure. A must to all East European Jazz connoisseurs!
| | | CD 1 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | BARTOSZ DWORAK ~ LIVE AT RADIO KATOWICE
PRK 0130 ~ POLAND ~ Jazz
Recorded: 2014 Released: 2014
This is the debut album by young Polish Jazz violinist Bartosz DworakFind albums by this artist recorded live with his quartet which also includes pianist Piotr MatusikFind albums by this artist, bassist Jakub DworakFind albums by this artist and drummer Szymon MadejFind albums by this artist. They perform six compositions, two of which are original compositions by Bartosz Dworak, one is by Piotr Matusik, two are by Polish Jazz composers Slawomir KulpowiczFind albums by this artist and Zbigniew SeifertFind albums by this artist and the remaining one is by Joey CalderazzoFind albums by this artist.
Bartosz Dworak is the winner of the 1st International Zbigniew Seifert Jazz Violin Competition, which took place in Poland in 2014 and is considered as one of the top young Polish Jazz violinists who continue the glorious legacy of Jazz violin in Poland established by such luminaries as Michal UrbaniakFind albums by this artist, Zbigniew Seifert, Krzesimir DebskiFind albums by this artist, Adam BaldychFind albums by this artist and others.
From the very first notes of this record it is pretty obvious that Dworak is a Polish violinist, as he has the same unmistakable "Polish sound" that characterizes his predecessors and other contemporary Jazz violinist in the country. In his case this specific sound, which floats somewhere between Slavic folksy fiddle and virtuosic lyricism is clearly identifiable. And of course there is the individualism and the virtuosity, which are obviously in their early stages but already clearly noticeable.
From the strength of the two original compositions it is immediately apparent that Dworak should concentrate on playing his own material. His interpretations of the compositions by other musicians are less impressive, except that of his band mate Piotr Matusik. The entire quartet plays smoothly and dynamically, with the rhythm section supporting the two soloists with taste and elegance. Matusik is one hell of a player and steals a significant part of the show in his favor, deserving every bit of it. I´m waiting anxiously to hear his first solo album.
Considering that this is a debut recording one can simply envy these young musicians their talents and obvious musicality. Hopefully Dworak will develop his skills as a composer and engage in more ambitious / challenging adventures when his career takes off, which will inevitably happen. In the meantime this is definitely a most impressive calling card.
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  | BARTOSZ DWORAK ~ POLISHED
HEVHETIA 0091 (Barcode: 8588005257336) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2015
This is the second album by Polish Jazz violinist / composer Bartosz DworakFind albums by this artist and his quartet, which also includes pianist Piotr MatusikFind albums by this artist, bassist Jakub DworakFind albums by this artist and drummer Szymon MadejFind albums by this artist. The quartet performs nine original compositions, four by Bartosz Dworak and five by Matusik. Several of these compositions already appeared on the quartet´s debut album, which was a live recording, and get here a more polished (tongue-on-cheek) version.
Dworak proudly joins a long list of Polish Jazz violinists, which keeps growing as the years go by, and includes such luminaries as Michal UrbaniakFind albums by this artist, Zbigniew SeifertFind albums by this artist, Krzesimir DebskiFind albums by this artist, Adam BaldychFind albums by this artist and young lions like Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist. This wonderful legacy can be of course quite overwhelming and daunting, but Dworak seems to have no inferiority complexes whatsoever and gallantly steps into their shoes, doing his own thing.
Although Dworak is the leader of this quartet, the compositional and soloing duties are split quite equally between him and Matusik, who wrote about half of the music and plays superb piano parts, both supporting the violin parts and soloing himself. The rhythm section plays along with the two soloists supporting them amicably but staying mostly in the background, which in this specific music is probably all for the best.
The music is all pretty straightforward melodic mainstream, although at some moments the quartet ventures, albeit only partly, into a less clearly defined set of parameters. Of course, as usual with Polish Jazz violinists, the music is soaked in melancholy and lyrical folkloristic undertones, which brings fond memories of the material recorded by those musicians listed in the second paragraph. All nine tunes are beautifully melodic, which surely opens this album to a very widespread range of audiences, even those beyond the Jazz idiom.
In many respects this album could be considered as a debut, since the semi-formal live recording released earlier was really just a teaser of things to come. And as a debut it certainly is a very impressive effort, in every respect, which keeps the hopes for a new generation of Polish Jazz musicians in general and violinists in particular at their highest. Personally I simply can´t wait for the next album, which will be the decisive proof of maturity. In the meantime we can all enjoy this gem!
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  | BARTOSZ DWORAK ~ REFLECTION
HEVHETIA 0171 (Barcode: 8588005258401) ~ POLAND ~ Jazz
Recorded: 2018 Released: 2018
This is the third album by young and upcoming Polish Jazz violinist / composer Bartosz DworakFind albums by this artist, recorded with the same quartet that was featured on the two earlier recordings with pianist Piotr MatusikFind albums by this artist, bassist Jakub DworakFind albums by this artist and drummer Szymon MadejFind albums by this artist. The album presents seven original compositions, four by the leader, two by Matusik and one co-composed by Dworak and Matusik.
The music continues the path set by Bartosz Dworak´s earlier recordings, presenting highly melodic and very lyrical compositions, kept well within the mainstream Jazz convention, with strong Polish Folkloristic influences. The music is slightly more open this time, with a lot of breathing air, which allows the rhythm section to become fully involved in the improvisational process, and as a result enables the listener to appreciate the splendid bass parts played by Jakub Dworak and tasteful drumming by Madej. But the soloing and front position is of course reserved for Bartosz Dworak and Matusik, who take care of the melodic contents. Dworak uses the synthesized violin on a couple of tracks, which adds another variation to his sound.
The compositions by Dworak are more up tempo and have a distinct Rocky character, whereas those by Matusik are more romantically inclined which balances the overall content of the album and keeps the listener interested. All these four young musicians perform splendidly throughout, which of course is quite usual for young Polish Jazz musicians, who are well schooled and experienced, today better that ever before.
Overall the album is a very solid and well balanced effort, which offers beautiful music and superb execution from start to finish and should satisfy most Jazz enthusiasts, especially Jazz violin connoisseurs. It does not break any new ground as far as Jazz or Jazz violin is concerned, but offers a splendid listening experience, which is definitely worth investigating.
| | Updated: 27/04/2018Posted: 27/04/2018 | CD 1 Digipak Recommend To A Friend |
  | HENSON-CONANT, DEBORAH ~ BUDAPEST
LAIKA 93-039 ~ USA ~ Jazz
Jazz and harp rarely go together, but in this case the marriage really works out exceptionally well. Henson-Conant is a brilliant harpist with amazing technique and a gift to make her instrument sound as natural in the jazz environment as all the others. She also writes some amazing tunes and her delicate (occasional) vocals and a great sense of humor make her a true performer. There are some excellent musicians on this album, including Victor Bailey on bass, who adds a lot of drive and energy. Very unusual but a true musical experience!
| | | CD 1 Recommend To A Friend |
  | HENSON-CONANT, DEBORAH ~ NAKED MUSIC
LAIKA 94-051 ~ USA ~ Jazz
Playing harp in jazz is pretty unusual, but playing jazz on solo harp is bloody outrageous :). Well Deborah can afford to be outrageus since her brilliant technique and deep jazz improvisation feel make up completely for all the difficulties that exist in solo jazz recordings. She plays all original compositions here and sings some of her songs in her worm, sensual voice. This is something else!
| | | CD 1 Recommend To A Friend |
  | JAZZ CHORAL / TOMASZ SZUKALSKI ~ BORZOMSKI WAWOZ / BODY AND SOUL (POLISH JAZZ VOL. 91 DELUXE)
MUZA 1091 ~ POLAND ~ Jazz
Recorded: 1989 Released: 2006
This unusual and very interesting album by the superb Polish saxophonist / composer Tomasz SzukalskiFind albums by this artist, who sadly died this year, presents him in a double setting: first as a guest artist accompanying the Georgian vocal group Jazz ChoralFind albums by this artist and than as a leader of his quartet, which includes also pianist Artur DutkiewiczFind albums by this artist, bassist Andrzej CudzichFind albums by this artist and drummer Marek StachFind albums by this artist.
The album starts with six pieces performed by Jazz Choral; First three tracks are sung a cappella and the remaining three are performed with Szukalski and an unidentified rhythm section (piano, bass and drums). The vocal tracks are followed by three tracks performed by Szukalski and his quartet, two of which are standards and one is an original composition by the leader.
Jazz Choral were a vocal group similar to the Polish group NOVIFind albums by this artist, which existed on the local scene twenty years earlier, and several other ensembles which based their performances on perfectly matched harmonies and swinging melodies. Their performance is spotless and quite virtuosic, with a nostalgic touch. Szukalski spices their music with excellent solos, which can only be constructed by a musician of his statue.
The three tracks by Szukalski and his quartet highlight his incredible power as a player, clearly emphasizing his post-Coltrane legacy and incredible versatility. Listening to him play, now that he is gone, is truly moving to everybody familiar with the Polish Jazz scene. His premature death is a great loss!
This album was recorded during the transition period between Poland finally freed itself from the Socialist regime, and was somehow "lost" in the turmoil. This reissue brings back to life a piece of music, which should not be forgotten. Definitely worth investigation!
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | DOMINIK KISIEL EXPLORATION QUARTET ~ EXPLORATION
ALPAKA 003 (Barcode: 191924149699) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2018
This is the debut album by the young Polish Jazz pianist / composer Dominik KisielFind albums by this artist and his quartet called Exploration QuartetFind albums by this artist, which also includes saxophonist Michal Jan CiesielskiFind albums by this artist, bassist Piotr SzajrychFind albums by this artist and drummer Antoni WojnarFind albums by this artist. The album presents eight original compositions, all by Kisiel.
The music is a melody based modern Jazz, with typical Polish lyrical inclinations, and melancholic tendencies, which the young Polish Jazz generation seems to have adopted as their favorite modus operandi. The beautiful themes are all wonderfully crafted and serve as ideal vehicles for the musicians to express their improvisational abilities. Some more energetic and more open compositions are also included, to balance the low-key material, and those are equally impressive.
Both Kisiel and Ciesielski are able to articulate the melodic motifs and the improvised parts formidably, amicably supported by the rhythm section every step of the way. Together the quartet is able to create a coherent and well balanced ensemble sound, which does not reflect any lack of experience in spite of the of the musicians´ young age.
Overall this is a very impressive debut, which emphasizes both Kisiel´s compositional skills and his work as an instrumentalist, superbly supported by his quartet members. Since the album´s release was postponed for technical reasons (it was recorded in 2016) and Kisiel and the quartet also released this year (2018) a live album, with different but no less excellent material, this year is certainly a remarkable jumpstart of his future career, which is definitely worth following. Well done indeed!
| | Updated: 20/12/2018Posted: 20/12/2018 | CD 1 Digipak Recommend To A Friend |
  | DOMINIK KISIEL EXPLORATION QUARTET ~ LIVE AT RADIO KATOWICE
PRK 0137 ~ POLAND ~ Jazz
Recorded: 2018 Released: 2018
This is a live recording by young Polish Jazz pianist / composer Dominik KisielFind albums by this artist and his quartet called Exploration QuartetFind albums by this artist, which also includes saxophonist Michal Jan CiesielskiFind albums by this artist, bassist Piotr SzajrychFind albums by this artist and drummer Adam GolickiFind albums by this artist. The album presents seven original compositions, four composed by Kisiel, two by Ciesielski and one by Golicki.
The music is typical modern young Polish Jazz, based on excellent melody based compositions and superbly performed by these young musicians, who never cease to amaze how well musically advanced they are despite their young age. It is worth to mention that the material present on this album is completely different from the material included on the quartet´s debut studio album recently released on AlpakaFind albums on this label Records, which proves the prolific compositional capacity of the quartet members.
The individual performances are all excellent and the concert setting allows the musicians to stretch out and play long solos without being concerned by time limitation often present in the recording studio. As a result three of the tunes performed here last for over ten minutes in duration.
Kisiel skillfully builds up his solos gradually, with excellent usage of dynamics and harmonics, adorned with his technical skill, which is spotless. Ciesielski also stretches out wonderfully, playing with confidence and beautiful sense of lyricism, at all times supported amicably by Kisiel.
The rhythm section does an excellent job as well, with Golicki showing his maturity and experience gained over the last few years. Szajrych keeps mostly to the basics, as he seems to be the most inexperienced player in the quartet, but his performance is stable and accurate, exactly what one would expected from a solid bassist in a quartet.
Overall this is an excellent effort by the young generation of Polish Jazz players, full of great tunes and superb performances, which is a true fun to listen to and admire their talents and abilities. Definitely well done!
| | Updated: 06/10/2018Posted: 05/10/2018 | CD 1 Mini-Sleeve Recommend To A Friend |
  | KORAI OROM ~ SOUND & VISION
KORA 0005 ~ HUNGARY ~ Progressive Rock
This Hungarian Prog group is probably one of the strangest groups in existence. The members are anonymous and their albums bear no comments or sleeve notes. The music is a mixture of heavy psychedelia, world music and tribal influences. Quiate fascinating in fact, but not for everybody. Once you get hooked on this it`s very difficult to quit!
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  | ALEXIS KORNER’S BLUES INCORPORATED ~ BBC SESSIONS VOL.1 1962-1965
RHYTHM AND BLUES 097 (Barcode: 5060331753742) ~ UK ~ Blues-Rock
Recorded: 1962 - 1965 Released: 2024
This is an archival album, which presents recordings by Alexis KornerFind albums by this artist’s Blues IncorporatedFind albums by this artist, made in early 1960s by guitarist / pianist / vocalist / songwriter / bandleader Alexis Korner, the Godfather of British Blues. These recordings were made with a plethora of British Blues, Rock and Jazz musicians, reading like a who´s who of the British Blues / Blues-Rock / Rock And Roll / Jazz and early Jazz-Rock Fusion, comprising of dozens of names, which passed through Korner´s legendary group over time.
As bizarre as it might appear, Korner was a white Jewish boy, born in Paris, who arrived in the UK in 1940, escaping the Nazi persecution, and who in time almost singlehandedly reanimated the interest in the Blues on the local British scene, leading to a phenomenon called the British Blues Revival, which started by the mid-1950s and literally exploded by the mid-1960s, when it became the British Blues Boom. In retrospect this musical idiom proved to be one of the most fundamental cornerstones of British Rock, later spreading also to the European continent. Korner´s charismatic personality and influence were a decisive factor leading to the formation of such musical icons as Rolling StonesFind albums by this artist, FreeFind albums by this artist, John MayallFind albums by this artist´s BluesbreakersFind albums by this artist, CreamFind albums by this artist, ColosseumFind albums by this artist and countless others. Korner continued his career until his untimely death in 1984.
The material collects recordings from six different sessions, a total of twenty-four tracks. The collective personnel taking part in these recordings includes, alongside Korner, vocalists Cyril DaviesFind albums by this artist, Long John BaldryFind albums by this artist and Herbie GoinsFind albums by this artist, saxophonists Dick Heckstall-SmithFind albums by this artist, Graham BondFind albums by this artist, Ray WarleighFind albums by this artist, Mick PyneFind albums by this artist, Nigel StangerFind albums by this artist, Brian SmithFind albums by this artist, Alan SkidmoreFind albums by this artist and Bernie GeorgeFind albums by this artist, trombonist Chris PyneFind albums by this artist, keyboardists Dave StevensFind albums by this artist, Johnny ParkerFind albums by this artist and Brian AugerFind albums by this artist, bassists Jack BruceFind albums by this artist and Danny ThompsonFind albums by this artist, drummers Charlie WattsFind albums by this artist, Ginger BakerFind albums by this artist, Ronnie DunnFind albums by this artist and Terry CoxFind albums by this artist. It does not get any better than this, does it?
Overall, this album is full of magnificent music, presented in chronological order by date of recording, which is an absolute treasure chest and a historic document of the outmost importance. Although the sound quality of some of the tracks, especially the early ones, is a bit shaky, the importance of the music sets everything aside. This is an absolutely essential release to all British Blues connoisseurs!
| | Updated: 02/10/2024Posted: 01/10/2024 | CD 1 Recommend To A Friend |
  | LABORATORIUM ~ ANTHOLOGY 1971-1988
METAL MIND 001 (Barcode: 5907785028173) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1971 - 1988 Released: 2006
This Box Set compiles all the albums released by the Polish Jazz-Rock Fusion ensemble LaboratoriumFind albums by this artist, which was without a shadow of a doubt one of the best and most important Fusion outfits in Eastern Europe before the fall of the Iron Curtain. Over the years the band managed to release ten albums, an unprecedented achievement at the time, of which seven were studio recordings, two were recorded live and the last one was a compilation of previously unreleased tracks. Two of the studio albums were released on the legendary Polish Jazz Series (Volumes 49 and 58). All the ten albums were remastered for this Box Set release and expanded with a plethora of bonus tracks, which include studio outtakes, radio and live performances and mini-sleeved. The booklet includes a detail history of the band and reflections about the albums by the band´s founder / leader keyboardist / composer Janusz GrzywaczFind albums by this artist.
As all ensembles Laboratorium changed lineups over the years, but enjoyed relatively steady personnel for extended periods of time, which undoubtedly added to their success. Most of their material, which is covered by their second to sixth albums (and the compilation album), was recorded by a steady lineup, which included in addition to the leader also saxophonist / vocalist Marek StryszowskiFind albums by this artist, guitarist Pawel ScieranskiFind albums by this artist, bassist Krzysztof ScieranskiFind albums by this artist and drummer Mieczyslaw GorkaFind albums by this artist. On the later albums the lineup includes Grzywacz and Stryszowski (who are the only musicians appearing on all the ten albums) with guitarist Ryszard StylaFind albums by this artist, bassist Krzysztof OlesinskiFind albums by this artist, drummer Andrzej MrowiecFind albums by this artist and percussionist Jan PilchFind albums by this artist. The debut recording, which initially occupied only one side of an LP, features the legendary Polish violinist Zbigniew SeifertFind albums by this artist and is stylistically quite close to Free Jazz in contrast to the Fusion direction adopted later.
The band performed only original music, which of course was a courageous decision, and with a singular exception, all the music enclosed herein was composed by Laboratorium members, mostly by the leader but also by others or co-composed by the band. Over the years Grzywacz emerged as a first rate tune-weaver with an excellent ability to write great melodies and riffs, which make the music accessible, even when it becomes quite complex. The music remains intelligent and ambitious throughout, with a remarkable consistency of high-level quality. But the most important factor of Laboratorium was its ability to constantly evolve and change, which is quite evident to anybody listening to the music in the proper historic order. Grzywacz slowly moved from acoustic to electric piano and then to synthesizers, but never indulged in mindless pyrotechnics which so many of his colleague keyboardists fell victim to during that period of time. Laboratorium managed to avoid that terrible, obnoxious 1980s cheesy synthesizer sound, which is a success in itself.
Although most of the music performed by Laboratorium is instrumental, they used the human voice time and again in an instrumental capacity. These vocalese experiments are all quite interesting and present another layer of the band´s musical range. It seems that Polish Jazz is particularly fond of such experimentation since its early days and it´s definitely interesting to hear how Laboratorium handled them.
There are endless moments of musical joy inside this Box Set; virtuosic performances by the musicians, especially those by Krzysztof Scieranski, who stands easily shoulder to shoulder with such bass heroes as Jaco PastoriusFind albums by this artist, beautiful melodies, funky grooves, superb guitar and keyboards solos, in short Fusion heaven for all connoisseurs of the genre. I can´t imagine any Fusion fan anywhere on this planet not being melted away by the beauty of this music.
The Box Set is an individually numbered limited edition and if you can put your hands on a copy, don´t you dare to hesitate even for a moment – it´s worth its weight in gold!
| | Updated: 26/01/2019Posted: | CD 10 Mini-Sleeve Box Set Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | LABORATORIUM ~ MODERN PENTATHLON (POLISH JAZZ VOL.49)
MUZA 949 ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2004
Polish Jazz-Rock Fusion band LaboratoriumFind albums by this artist was one of several great Polish bands (Extra BallFind albums by this artist for example) playing in that vein during the 1970s and 1980s. Founded by keyboardist Janusz GrzywaczFind albums by this artist, the band´s founding members included also saxophonist / vocalist Marek StryszowskiFind albums by this artist and drummer Mieczyslaw GorkaFind albums by this artist. After an initial period of trying to find a musical identity, the band was joined by brothers Pawel ScieranskiFind albums by this artist on guitar and Krzysztof ScieranskiFind albums by this artist on bass (one of the greatest Polish bass players) and settled into the Fusion genre, with a musical approach and sound not far away from Weather ReportFind albums by this artist. This, their debut recording, presents them already in their full power and the recording is quite stunning in its sophistication and instrumental aptitude. The music includes the 20 minutes long suite in five parts, which gives the album its title and a few shorter pieces, all composed or co-composed by the leader. As opposed to most American Fusion at the time, which was mostly based on simplistic melodies and endless instrumental doodling, this music is atmospheric, intelligent, sophisticated, well developed and coherent, clearly well rooted in the European musical tradition. Fusion fans are well advised to try this out and explore this wonderful music, which is expanding the genre´s limitations to the max. Superb stuff!
| | | CD 1 Digipak Oversampling Remastered Recommend To A Friend |
  | LABORATOTIUM ~ QUASIMODO (POLISH JAZZ VOL.58)
POLSKIE RADIO 0532 (Barcode: 5901448115323) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1979 Released: 2005
This is the 2nd album by Polish Jazz-Rock Fusion ensemble LaboratoriumFind albums by this artist, which was one of several great Polish bands (like Extra BallFind albums by this artist for example) playing in that vein during the 1970s. Founded by keyboardist Janusz GrzywaczFind albums by this artist, the band´s founding members included also saxophonist / vocalist Marek StryszowskiFind albums by this artist and drummer Mieczyslaw GorkaFind albums by this artist. After an initial period of trying to find a musical identity, the band was joined by brothers Pawel ScieranskiFind albums by this artist on guitar and Krzysztof ScieranskiFind albums by this artist on bass (one of the greatest Polish bass players) and settled into the Fusion genre, with a musical approach and sound not far away from Weather ReportFind albums by this artist. This, their second recording, presents them in their full power and the recording is quite stunning in its sophistication and instrumental aptitude. The music includes pieces composed by all members of the group. As opposed to most American Fusion at the time, which was mostly based on simplistic melodies and endless instrumental doodling, this music is atmospheric, intelligent, sophisticated, well developed and coherent, clearly well rooted in the European musical tradition. Fusion fans are well advised to try this out and explore this wonderful music, which is expanding the genre´s limitations to the max. This music will also interest fans Prog fans, as it is close in spirit to the Canterbury genre. Superb stuff!
| | | CD 1 Digipak Oversampling Remastered Recommend To A Friend |
  | LIGHT COORPORATION ~ 64:38 RADIO FULL LIV(F)E
RER LC05 ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2013 Released: 2016
This is the fifth album by the excellent Polish ensemble Light CoorporationFind albums by this artist, led by guitarist Mariusz SobanskiFind albums by this artist. This lineup of the ensemble features also saxophonist Pawel RogozaFind albums by this artist, vibraphonist Mariusz GregorowiczFind albums by this artist, bassist Krzysztof WaskiewiczFind albums by this artist and drummer Milosz KrauzFind albums by this artist. The album was recorded live in the Polish Radio studio in Poznan, which is named Krzysztof KomedaFind albums by this artist Studio after the Godfather of Polish Jazz, who made his early recordings there. The ensemble performs seven original compositions, all composed by the leader.
The music presents reworked versions of compositions that previously appeared on the ensemble´s first and third albums and completely improvised pieces credited to all five members of the ensemble. This album definitely marks a shift towards improvised music, taking the ensemble further away from their initial Progressive Rock and Fusion image. This constant chameleonic ability to change the musical approach has been one of the greatest assets of Light Coorporation since their inception.
Although instrumentally limited only to five instruments, the ensemble creates wide and diverse sound structures. The addition of the vibraphone (Gregorowicz is the only new member of the ensemble who did not appear on any of the previous albums) changed the overall sound significantly, bringing it even closer to traditional Jazz sound. I have no idea if Sobanski was influenced by the presence of the vibraphonist Jerzy MilianFind albums by this artist as a member of the early Komeda combos, when he decided to add vibraphone to this new lineup, but whatever the reason was, it had a major influence on the overall result.
As already stated above this album emphasizes Free improvisation, which constitutes a major part of the music. However, the music is still very coherent and based on composed parts, which enables the listener to follow up the developments without getting lost within the havoc that is often projected by Improvised Music projects. Some basic riffs and electric guitar parts go back to the Fusion idiom, but everything here is more hinted than explicitly stated, which of course makes life interesting for the listener.
Overall this is another superb release by Light Coorporation, which is surely one of the most interesting, unconventional and sadly underrated ensembles active in Europe today. The album was released again on the prestigious British ReRFind albums on this label label, which consistently supports the band. I wholeheartedly recommend to open-minded listeners to investigate this album, as well as the previous releases by Light Coorporation, as they all are still completely valid and lost nothing of their original charm. Well done again!
| | Updated: 05/11/2016Posted: 05/11/2016 | CD 1 Recommend To A Friend |
  | LIGHT COORPORATION ~ ABOUT
RER LC03 ~ POLAND ~ Progressive Rock
Recorded: 2013 Released: 2013
This is the third (in three years) album by Polish Progressive Rock / Jazz-Rock Fusion ensemble Light CoorporationFind albums by this artist, founded and led by guitarist / composer Mariusz SobanskiFind albums by this artist. The ensemble is expanded to include twelve musicians, which more then doubles its size on their two earlier albums, and includes members from the earlier versions of the ensemble, like saxophonists Pawel RogozaFind albums by this artist, Michal PijewskiFind albums by this artist and Michal FetlerFind albums by this artist, violinist Robert BielakFind albums by this artist, keyboardist Marcin SzczesnyFind albums by this artist, bassist Tom StrukFind albums by this artist and drummer Milosz KrauzFind albums by this artist, as well as others who play here for the first time. They perform ten original compositions, all by Sobanski, who also arranged it. The album was again released on the prestigious British ReRFind albums on this label label, which stays faithful to its Artists.
Musically this album shows yet another step forward for the group, which keeps changing like a chameleon, and yet retains a specific sound and feel, which by now are certainly their own. There is a shift from the earlier Prog and Ambient tendencies towards more Jazzy influences, which of course are emphasized by the expanded brass section and the appropriate arrangements. There is more of typical Jazz improvisation here, although rhythmically the music is still very much Rock based. The music is dark and moody as on the earlier albums, but also Funky and swinging at the same time. It appears that the ensemble is able to re-invent itself anew on every album, which is truly impressive. One can only hope that this can be repeated in the future.
By now it is pretty obvious that Sobanski is a major force on the Polish music scene, which should not be ignored or dismissed haphazardly. He has proved not only his talents as player / composer / arranger but also as innovator and visionary, with a burning desire to create and develop further. His restlessness is a blessing and hopefully the harsh reality will not be able to block his creative powers. Having done a remarkable job third time in a row he truly deserves both recognition and support. This is the kind of music, which keeps my faith in aesthetics, intelligence and creativity in a world full of superficiality, banality and zero values.
As already stated in my reviews of the two earlier albums, the music of Light Coorporation fails every attempt of categorization, since it is so original and unconventional on one hand and so encompassing on the other. As a result there should be something for everybody herein, regardless if the listener comes from Prog, Jazz or even contemporary Classical fields. This is simply great music, and as such needs no particular encouragement to be listened to. Just grab a copy of the album and listen – satisfaction guaranteed!
| | Updated: 31/03/2018Posted: | CD 1 Recommend To A Friend |
  | LIGHT COORPORATION ~ ALIENS FROM PLANET EARTH
RER LC02 ~ POLAND ~ Progressive Rock
Recorded: 2012 Released: 2012
The recording of a second album is a pivotal moment for every ensemble; a process, which often foretells if that particular group of musicians has a lasting momentum and creative power to re-invent itself time after time and remain relevant and artistically significant in the long term. There are endless examples of one-time creative outbursts, which result in brilliant music, but only a miniscule proportion of these develop into a lasting source of inventiveness, which withstands the tides of time.
This, the second album by Polish ensemble Light CoorporationFind albums by this artist, is therefore a litmus paper of sorts, by which the future of this group can be predicted, bearing in mind of course that prophesy was given the fools. The group underwent some personnel changes since the release of their stunning debut album "Rare DialectFind albums with this title" a year earlier and comprises now of leader / founder guitarist / composer Mariusz SobanskiFind albums by this artist, saxophonist Pawel RogozaFind albums by this artist, violinist Robert BielakFind albums by this artist, bassist Krzysztof WaskiewiczFind albums by this artist and drummer Milosz KrauzFind albums by this artist. Of the eight compositions present on the album (there is also a "hidden" ninth track), two are credited to the leader and the remaining six are group compositions, indicating that most of the music is improvised.
The fact that the music was recorded live in an Art Gallery, capturing the wonderful ambience of the room, is yet another indication as to the highly improvised nature of the music herein. The music itself is quite different from what we can hear on the debut album, which points out that the group is not trying to find a formula, which can then be repeated, but keeps searching, which is probably the essence of all Art. Although the music consistently defies all efforts to be neatly categorized, or even described for that matter, it is quite clear that it moves more towards ambient improvised music, in which sounds become as important as notes in traditional music, even if the sounds are produced by traditional acoustic instruments, sometimes electronically amplified and modified with the use of delay and other effects. The overall effect is completely novel and deadly effective, creating sonic tension of incredible intensity and emotional potency.
In many respects this album moves away from the direct relations with the sources of this music, like RIO, Zeuhl and Jazz, which were still very much noticeable on the debut album, clearly trying to establish a self-determined (sound-wise) identity. At times, when most music is sadly being reduced to repetitious mechanical dribble, originality and creativity, which are the underlying principles of this music, is so much more important and worthy of admiration and support. Sobanski and his cohorts might as well be "aliens from planet earth", as their music is so far removed from the dreaded mainstream so-called music as planet earth from other galaxies. In fact this might even suggest that Poland is a favorite place of residence of many other musical "aliens", judging by the incredible music scene, which produces these days more original and highly innovative music than most other places on our planet.
As to the original question about the "second album trial", the answer is one big "passed with honors". Congratulations are in order, and of course a wholehearted recommendation to every intelligent and adventurous music lover (few of those are still remaining on this planet), to grab this immediately and put it on "repeat" at once. There will be no regrets!
| | | CD 1 Recommend To A Friend |
  | LIGHT COORPORATION ~ CHAPTER IV – BEFORE THE MURMUR OF SILENCE
RER LC04 ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2014 Released: 2014
This is the fourth album by Polish Progressive Rock / Jazz-Rock Fusion ensemble Light CoorporationFind albums by this artist, led by guitarist / composer Mariusz SobanskiFind albums by this artist. The album was recorded by a septet, which also includes saxophonist Pawel RogozaFind albums by this artist, trumpeter Kuba JankowiakFind albums by this artist, pianist Witold OleszakFind albums by this artist, bassists Piotr OsesFind albums by this artist (acoustic) and Krzysztof WaskiewiczFind albums by this artist (electric) and drummer Milosz KrauzFind albums by this artist. It includes eight original compositions, all by Sobanski, which are accompanied by eight poems also written by him, printed in the album´s booklet, which remain as unsung lyrics accompanying the music. The music was recorded live in the studio, but the sound quality and dynamics are excellent.
For the fourth time in a row Sobanski and his ensemble manage to surprise me completely, which happens extremely rarely with other artists. The chameleonic ability to constantly change the lineup and the music, but at the same time create some of the most fascinating music on the Polish scene, which is exploding with talent and extremely competitive, is truly astounding. This album is definitely the most jazzy and most open of the ensemble´s releases so far, and brings fond memories of some of the Frank ZappaFind albums by this artist ambitious projects, which incorporated Rock, Jazz and contemporary Classical idioms, but also the work of some early British Jazz-Rock pioneers like Rock WorkshopFind albums by this artist. The "dirty" guitar tone and the superb brass solos, backed by a funky rhythm section are simply delightful and completely unique. There is no other group, neither in Poland nor anywhere else on this planet, which plays anything remotely similar.
There are also new elements, which appear here for the first time, such as the Improvised Music approach the ensemble clearly demonstrates, and of course the element of freedom in the improvisations, which are often quite bold and clearly reach beyond the boundaries of Prog, which initially defined the group´s orientation. Over time Light Coorporation managed to evade and steer clear of all attempts to get neatly categorized, which is one of their major fortes. The last track on the album, which lasts over seventeen minutes, is a modern symphonic poem, of rare beauty and intensity, which simply de facto defines the music.
Listening to this album is like a rollercoaster ride, which themes, rhythms, intensities, crescendos and silences chasing each other constantly. The music takes the listener by the throat and does not let go well until the last echoes of the music are all gone; a completely unique experience, which happens only once in a blue moon.
I have no idea why Light Coorporation gets such a limited feedback in Poland, but the fact that the prestigious British ReR label releases their album for the fourth consecutive time is a symbol of distinction and appreciation. Hopefully they will be able to get more recognition back at home, as they truly deserve. This is definitely one of the best and most interesting Polish albums of 2014, and another great accomplishment by Sobanski and his cohorts.
| | | CD 1 Recommend To A Friend |
  | LIGHT COORPORATION ~ RARE DIALECT
RER LC01 ~ POLAND ~ Progressive Rock
Recorded: 2010 Released: 2011
This debut album by Polish ensemble Light CoorporationFind albums by this artist is a stunning revelation of musical genius present among the new generation of European musicians. Led by guitarist / composer Mariusz SobanskiFind albums by this artist, who composed all the music, the ensemble also includes saxophonists Michal FetlerFind albums by this artist (baritone and alto) and Michal PijewskiFind albums by this artist (tenor), violinist Robert BielakFind albums by this artist, bassist Tom StrukFind albums by this artist (fretless bass) and drummer Milosz KrauzFind albums by this artist. Keyboardist Marcin SzczesnyFind albums by this artist sits in as a guest musician. The music is a completely unique brand of RIO / Avant-Garde Prog, which is deeply rooted in the beginning of the movement (Henry CowFind albums by this artist) but successfully updated to contemporary standards, both sonically and conceptually.
Superbly matched and combined acoustic sounds of the reeds and electronic distortion from the guitar and keyboards, hypnotic rhythmic patters (similar to the Zeuhl movement) and dark melodic vistas create an overwhelming effect, which is completely fresh and unparalleled. Considering the fact that these are very young individuals and this is their debut recording one must wander about the possibilities of these gifted musicians in the future. No wander the prestigious ReRFind albums on this label label released this album worldwide, especially since this kind of material suits their catalogue as a glove.
On the band´s site we can learn that their performances are usually accompanied by screening of video material, which seems highly appropriate, as this music has a very strong atmospheric / ambient content as well, which is usually ideal to be combined with visual material. But listening "only" to the music is also an immensely powerful and invigorating experience of rare magnificence and depth. I listened to the album for three consecutive times, being completely enchanted by it. I´m pretty sure the same will happen to most of the listeners. Of course such music requires repeated listening sessions to be discovered and uncovered in depth – as all great music does.
It is rather obvious that this music is well beyond being recommended – it would (literally) be a crime if any serious music lover, regardless is he´s a Prog or Jazz or RIO or Zeuhl fan if he was to miss this album! Such gems are so rare, that we must make everything in our power to make the world listen, especially since I can´t recall hearing such great music in a very long time! This is a brilliant piece of intelligent music - chapeau Mariusz & co.
| | Updated: 12/04/2019Posted: | CD 1 Gold Recommend To A Friend |
  | CHARLES LLOYD / JASON MORAN ~ HAGAR`S SONG
ECM 2311 (Barcode: 602537245505) ~ USA ~ Jazz
Recorded: 2012 Released: 2013
This is a beautiful duo album by veteran US saxophonist Charles LloydFind albums by this artist and much younger pianist Jason MoranFind albums by this artist, who plays with Lloyd since several years. The album comprises of fourteen pieces, eight of which are Jazz / Rock / Pop standards, which receive here a very special treatment and one is an original composition by Lloyd. The remaining five are also composed by Lloyd and constitute a musical suite, which gives the album its title.
Lloyd´s status as a player is beyond legendary and his latest output completely defies the limitations that age imposes on people, which is absolutely astounding. His tone, sensibility, aesthetics and virtuosity are simply stunning and being enhanced by maturity and experience give a new meaning to the term "musical perfection". Moran, one of the most important pianists to emerge on the US scene in the last decade, proves to be both a worthy partner and a faithful supporter to Lloyd´s artistry.
Lloyd´s decision to revisit some of the most iconic Jazz standards, as well as no less iconic pieces by Bob DylanFind albums by this artist or Brian WilsonFind albums by this artist (the Beach BoysFind albums by this artist) is somewhat surprising, as he is known to concentrate mostly on his original material. These Jazz standards are obviously very dear to his heart to return to them with such love and sensitivity. The non-Jazz material is a nice reminder of the period when Lloyd´s music was a part of the emerging Jazz-Rock scene in the US, one of the most exciting periods in music history.
Lloyd plays flutes on this album, which is also quite a rare occasion to be reminded how beautifully he can handle that instrument as well. The interplays and musical conversations between him and Moran are a striking example of mutual empathy, understanding and respect between musicians, regardless of their age difference.
Overall this is a superb album, full of deeply moving music from start to finish, perfectly and most sensitively performed by Master musicians and beautifully recorded. One can hardly ask for anything more as far as musical aesthetics and creativity are concerned. This is superb music in every respect and a must for any serious Jazz listener.
| | | CD 1 Slipcase Recommend To A Friend |
  | PATRICK MORAZ ~ FUTURE MEMORIES
TIME WAVE 008 (Barcode: 604388670222) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1979 Released: 2006
6th album by Moraz recorded live during a TV solo concert and based on the concept of spontaneous composition / improvisation. Moraz plays a series of lengthy composition, starting with a couple of acoustic piano pieces and then moving to electronic keyboards gradually building up the array of the instruments he uses, including percussion and gongs. It is difficult to believe that all this music is performed by one musician and recorded live, but no overdubbing whatsoever is used. Moraz seems to have a lot of fun here and the results are truly amazing. His wizardry as a player and compositional skills are evident and this is one of his strongest solo projects. Another album based on the same concept and setup was recorded four years later, called Future Memories II. No Moraz fan will want to miss this one.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | PATRICK MORAZ ~ FUTURE MEMORIES II
TIME WAVE 009 (Barcode: 604388670321) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1982 Released: 2006
7th album by Moraz, which documents his second solo show for the Swiss TV. The concept is quite similar to the previous album, with Moraz improvising on the spot and using an incredible array of keyboard instruments. No acoustic piano pieces this time, but Moraz clearly shows his masterly playing and compositional skills, sounding like a one-man orchestra. The show was recorded over the period of several days and the album includes a selection of the material recorded. A companion DVD (Future Memories 1 & 2) presents a full document of these sessions. The music was quite innovative at the time and includes many technological tricks of the trade (like voice samples), which were incorporated into the mainline of the industry only years later. For the many Patrick Moraz fans this is a must have, especially in view of the fact that this material was unavailable for many years.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | PATRICK MORAZ ~ HUMAN INTERFACE
TIME WAVE 011 (Barcode: 604388670529) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1987 Released: 2006
This is the eighth album and another solo effort with all the music composed by Patrick MorazFind albums by this artist, who also plays all the instruments. By the time this album was recorded the electronic instrumental genre was no longer the uncharted territory, with VangelisFind albums by this artist and Jean-Michel JarreFind albums by this artist presiding.
Moraz managed to maintain his individual touch both as a player and a composer, by using a more distinct classic influence than his “rivals” did in their work. Some of the compositions on this album rank amongst his strongest works and his playing is brilliant as always. The bonus tracks are also quite interesting, as they were recorded live at the Abbey Road Studio in London, where the album was mastered.
The album’s atmosphere is much more serene that most of his earlier works, which can be perhaps explained by natural maturing and seasoning. In any case this is a must have for all Moraz fans and a pleasant surprise to those who are unfamiliar with his works.
| | Updated: 13/04/2017Posted: | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | PATRICK MORAZ ~ OUT IN THE SUN
TIME WAVE 004 (Barcode: 604388669820) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1977 Released: 2006
2nd album by Swiss keyboards wizard shortly after he left Yes. It is remarkably consistent with the debut release (The Story Of I) in every respect: it was also recorded in Switzerland and Brazil, the lineup is almost identical and so is the multi-cultural feel. The only difference is that rather than producing a concept album Moraz composed eight individual pieces of music, which are unrelated to each other. The level of composition and the performances are splendid, as usual with Moraz, and the album is equally enjoyable. American bassist Wornell Jones replaces Jeff Berlin and plays some great funky bass lines. The great jazz bassist Isla Eckinger plays acoustic bass on one track and flute legend Herbie Mann also adds delicate touch. Great joy to see this album available again.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | PATRICK MORAZ ~ PATRICK MORAZ (III)
TIME WAVE 005 (Barcode: 604388669929) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1978 Released: 2006
3rd album by the Swiss keyboards wizard. In many respects it is a pivotal work as Moraz decides to take the center of the stage (almost) completely alone this time. With the rapid development of the electronic instruments by the end of the 1970’s Moraz employs a wide array of keyboard instruments with skill and elegance, making the use of additional musicians unnecessary. He does however continue to use the Brazilian percussion ensemble (The Percussionists of Rio de Janeiro), as he did on the two previous albums. The album revolves around the concept of dichotomy between the civilized world (represented by the electronic instruments) and the primitive world (represented by acoustic instruments), hoping for an eventual co-existence between the two worlds. The music is in many respects quite ahead of its time with sonic ideas, which would become widely accepted only two decades later. Since this album has been unavailable for many years, it is great to be able to hear this music again and the numerous fans of Patrick Moraz, who have been waiting eagerly for the reissue, will have a field day with this.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | PATRICK MORAZ ~ THE STORY OF I
TIME WAVE 003 (Barcode: 604388669721) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1975 Released: 2006
1st album by Swiss keyboards wizard Patrick MorazFind albums by this artist and then member of YesFind albums by this artist. Following the release of RelayerFind albums with this title all Yes members embarked on solo projects, this one being definitely the most significant of them all. After completion of this project Moraz returned to Yes to play some concerts with them, soon to be replaced by none other than the returning Rick WakemanFind albums by this artist. This album presents Moraz not only as a virtuoso player, but also more importantly as a serious composer. The music, which mixes elements of jazz, classical and world music, is complex and intricate and yet extremely melodic. As customary at the time the album is a concept work based on a story line written by Moraz himself. Moraz recorded the music in Switzerland and Brazil, where he used a group of local percussionists. This gives the music a distinct ethnic and trans-cultural feel. The splendid Jeff BerlinFind albums by this artist plays some great bass lines and drummer Alphonse MouzonFind albums by this artist swings mightily. In retrospect this is definitely one of the best works created among the Yes Family members and a worthy document of the era. Warmly recommended.
Visitors' Comments
Dr. Rafael Augusto Lara Palmeros
This is the first solo albumn by Swiss keyboard player Patrick Moraz with an excellent group of musicians (John McBurnie, Vivienne McAuliffe, Ray Gomez, Jeff Berlin, Alphonse Mouzon, Andy Newmark and percussionists of Rio de Janeiro). The concept albumn is based in a love story of massive tower in the jungle (¿Amazonia?). The tower lures people from all over the world to go inside it. Inside the tower people are able to experience their wildest desires and fantasies but the only rule is that people inside the tower may not fall in love with each other. However two people inside do so and decide to escape since the tower acts also as a prision which inhabitants are slaves of their own desires- The albumn consists in a suite (fourteen relatively short tracks related to the story), the music is notable for its rich use of pitch-bend controls on the synth/organ notes and its multi-layered, heavy but rhytmically agile synth and keyboard textures. ´ Impact´,´Warmer hands´,´ The storm´, ´Risk and fall´,' Dancing now´, and my favourite ´Best years of our lives' are tracks of impressive Prog- World Music- Jazz Fusion. If you are a real Prog fan, this item is absolutely essential. 5 stars.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | PATRICK MORAZ ~ TIMECODE
TIME WAVE 007 (Barcode: 604388670123) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1984 Released: 2006
5th album by Partick MorazFind albums by this artist, heavily influenced by then contemporary New Wave pop. It is the only Moraz album consisting almost completely of songs (i.e. with lyrics) rather than his mostly instrumental pieces on his earlier (and later) albums and therefore considered his most pop oriented release. Of course it much depends on one’s definition of pop, since his compositions are definitely more complex than your average pop song. In addition to John McBurnieFind albums by this artist who handles most of the vocal parts (sounding very much like Jon AndersonFind albums by this artist BTW), several guest vocalist take part as well. Bill BrufordFind albums by this artist guests on one track on electronic drums (Bill and Patrick recorded two excellent jazz oriented albums as a duo around that time). Patrick’s keyboards wizardry is omnipresent here and not to be ignored or dismissed. For his many fans this album is a nice trip down the memory lane.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | PATRICK MORAZ / BILL BRUFORD ~ FLAGS
WINTERFOLD 002 ~ SWITZERLAND ~ Jazz
Recorded: 1985
2nd album by the Patrick MorazFind albums by this artist / Bill BrufordFind albums by this artist duo. Considering the excellence of the first album they recorded together, it was really difficult to follow, but they managed to pass the test with flying colors. This album is every bit as good as its predecessor and more! Moraz uses some synthesizer on this one to expand the range, but the music is basically acoustic and serene. A gem!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | PATRICK MORAZ / BILL BRUFORD ~ IN TOKYO
WINTERFOLD 011 (Barcode: 604388731220) ~ SWITZERLAND ~ Jazz
Recorded: 1985 Released: 2009
The duo of Swiss keyboardist Patrick MorazFind albums by this artist and British drummer Bill BrufordFind albums by this artist recorded a couple of splendid studio albums in the mid-1980s, playing a unique blend of Jazz and spontaneously invented music. Although both started their international careers as members of the legendary Prog group Yes, they were strongly connected to the Jazz roots, as their recordings as a due prove beyond any doubt. This great and most welcome album presents their work captured live for the first time, which was recorded at the time but remained unreleased for a quartet of a century. Now we can finally enjoy this music thanks to the belated, but most welcome release. The numerous fans of these musicians, both separately and as a duo, will surely enjoy this album immensely. Recommended!
| | | CD 1 Recommend To A Friend |
  | PATRICK MORAZ / BILL BRUFORD ~ MUSIC FOR PIANO AND DRUMS
WINTERFOLD 001 ~ SWITZERLAND ~ Jazz
Recorded: 1983
1st album by the Patrick MorazFind albums by this artist / Bill BrufordFind albums by this artist duo. Although both musiciabs are ex-YesFind albums by this artist members, they actually never played together in the band. Another thing they have in common is of course their fascination with Jazz and improvised music, and their 2 albums shows that beyond any doubt. Although duo albums can be difficult to digest sometimes, this album is so full of excitment and beauty that no music lover should have any problem with enjoying this!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | PATRICK MORAZ / SYRINX ~ COEXISTENCE (LIBERTATE)
TIME WAVE 006 ~ SWITZERLAND ~ Progressive Rock
4th album (recorded 1979-1980) by Patrick Moraz in collaboration with the Romanian pan flute player Simion “Syrinx” Stanciu. The album was reissued in 1989 under the title of Libertate with all the royalties going to the charitable foundation "Terre des Hommes", a charity organization based in Geneva, to help the children or newly liberated Rumania in 1989. The album continues the concept of the previous release (the self-titled 3rd album) dealing with the relationship between the modern and the ancient, as expressed by the use of electronic versus acoustic instruments. Moraz continues to use the Brazilian percussion ensemble (The Percussionists of Rio de Janeiro) and adds a few assisting players, but the essence is expressed by the duets between his keyboards and the enchanting pan flute – one of the oldest instruments in human culture. Again the album is ahead of its time in many respects: the innovative sounds produced by the keyboards instruments, the extensive use of ethnic elements, etc. This beauty is definitely worth checking out, not only by Moraz fans, but also by any fan of unorthodox music.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | AIRTO MOREIRA & FLORA PURIM ~ LIVE AT JAZZFEST BREMEN 1988
MOOSICUS 1314 (Barcode: 885513131423) ~ BRAZIL ~ Jazz-World Fusion
Recorded: 1988 Released: 2021
This is an archival album by Brazilian drummer / composer / bandleader Airto MoreiraFind albums by this artist and his wife, singer / songwriter Flora PurimFind albums by this artist, recorded live with their quintet, which also included keyboardist Marcos SilvaFind albums by this artist, American saxophonist Gary MeekFind albums by this artist and bassist Robert HarrisonFind albums by this artist. The album presents ten tracks, eight of which are original compositions / songs by the quintet members and two are Brazilian standards.
Airto and Flora (separately and together) were for many years the most important representatives of Brazilian music outside of their native country and contributed immensely to the creation of the Brazilian-flavored Jazz-World Fusion, recording dozens of dazzling albums in that genre, with many of the world’s best Jazz musicians.
Airto is a brilliant drummer and percussionist and Flora is a breathtaking singer and both have been among my favorite musicians since many decades. I have had the pleasure to meet them many times of course. Therefore, any archival material released with their music is always a great joy.
This live recording catches them with an exceptionally tight quintet, which plays like clockwork, and enables everybody to show their best. Flora’s vocals are brilliant as always and the band offers great saxophone and keyboards parts and a brilliant rhythm section work, including a lengthy showcase of Airto’s solo performance.
Overall, this is a wonderful time capsule, which preserves the spirit of Brazilian Jazz-World Fusion at its best, and as such is absolutely worth being released now, despite the fact then the sound quality is somewhat muddy at times. A superb reminder of the great talent of this Royal Jazz Couple.
| | Updated: 20/03/2022Posted: 20/03/2022 | CD 1 Digipak Remastered Recommend To A Friend |
  | AIRTO MOREIRA & FLORA PURIM ~ LIVE IN BERKELEY
AIRFLOW 801097003840 (Barcode: 801097003840) ~ BRAZIL ~ Jazz-World Fusion
Recorded: 1990 Released: 2012
This is an archival live recording by the Brazilian Jazz “Royal Couple” of percussionist / drummer / vocalist / bandleader Airto MoreiraFind albums by this artist and his wife singer / songwriter Flora PurimFind albums by this artist. The music was recorded in a tight quintet format with bassist Gary BrownFind albums by this artist, keyboardist Helio AlvesFind albums by this artist and saxophonist Widor SantiagoFind albums by this artist. The album presents seven lengthy tracks, two of which are well known pieces associated with the couple’s stint in the Return To ForeverFind albums by this artist group led by Chick CoreaFind albums by this artist. The album offers exceptional sound quality, especially for a live recording.
With four Brazilian musicians on board, the music offers a brilliant Jazz-World Fusion tribute to Brazilian sources. Two of the tracks are trio performances, four others are full quintet performances with Purim on vocals and one is a solo piece by Airto.
Alves proves to be a brilliant pianist, truly shining in the over twenty minutes long rendition of “La Fiesta”, but his performances on all the tracks is nothing short of phenomenal. Another RTF piece “Light As A Feather” also gets a fourteen minutes’ treatment, which causes goosebumps to appear on every listener’s skin, probably even in case of deaf persons.
Although Airto and Flora recorded several live albums together, this is undoubtedly their absolute best, in every respect – the exceptional material, brilliant performances and sublime sound just all fall together perfectly.
Overall, this is a surprising reminder of how great Airto / Flora and their cohorts sounded live, which of course I have experienced in person many times, but never heard on records in such glorious manifestation. For the couple’s many fans, this is an absolute must have, a sublime mixture of Jazz and Brazilian music, which sound still absolutely gorgeous, now thirty-three years later.
| | Updated: 17/05/2023Posted: 17/05/2023 | CD 1 Recommend To A Friend |
  | AIRTO MOREIRA / FLORA PURIM / JOE FARRELL ~ THREE-WAY MIRROR
REFERENCE RECORDINGS 24 (Barcode: 030911102425) ~ BRAZIL ~ Jazz-World Fusion
Recorded: 1985 Released: 1987
This is an album by Brazilian drummer / percussionist / composer / bandleader Airto MoreiraFind albums by this artist, his wife vocalist Flora PurimFind albums by this artist and American saxophonist / flautist Joe FarrellFind albums by this artist, recorded with a splendid team, which includes Japanese pianist Kei AkagiFind albums by this artist, American bassists Mark EganFind albums by this artist and Randy TicoFind albums by this artist and Brazilian guitarist Jose NetoFind albums by this artist. The album presents eight tracks, seven composed by the musicians playing on the album and one is an arrangement of a composition by Milton NascimentoFind albums by this artist. This was the last recording by Farrell, who died prematurely in 1986 at the ridiculous age of forty-eight, and the album is dedicated to him. The album offers a spectacular sound quality.
Moreira, Purim and Farrell were the core members of first incarnation of Chick CoreaFind albums by this artist’s group Return To ForeverFind albums by this artist, which recorded the two seminal albums in 1972 / 1973, the eponymous “Return To ForeverFind albums with this title” and “Light As A FeatherFind albums with this title”. The music on this album is a strong reminder of these two albums, and although it is criminally little known, it certainly deserves to stand in the same quality class.
The music offers a wonderful amalgam of Brazilian / Latin rhythms and melodies, with a strong Jazzy tinge, splendidly performed by the entire crew. The last track, dedicated to John Coltrane, is particularly interesting and features absolutely stunning performance by Farrell.
Overall, fans of Jazz-World Fusion with Brazilian flavoring should love this album, as all other recordings by Moreira, Purim and Farrell, together and separately. The Brazilian pair are absolute geniuses as far as mixing the Brazilian elements with Jazz is concerned.
| | Updated: 10/07/2024Posted: 10/07/2024 | CD 1 Audiophile Recommend To A Friend |
  | ORANGE THE JUICE ~ THE DRUG OF CHOICE
FOR TUNE 0031 (Barcode: 5902768701333) ~ POLAND ~ Pop & Rock
Recorded: 2012 Released: 2014
This is a live recording by Polish alternative Rock group Orange The JuiceFind albums by this artist, which appears here both in audio and video formats with almost identical contents. The band comprises of vocalist Konrad ZawadzkiFind albums by this artist, guitarist Dawid LewandowskiFind albums by this artist, saxophonist Mariusz GodzinaFind albums by this artist, keyboardist / cornetist Marcin Albert SteczkowskiFind albums by this artist, bassist Marcin JadachFind albums by this artist and drummer Jan KiedrzynskiFind albums by this artist. Guest musicians include vocalist Ida ZalewskaFind albums by this artist and an extended brass section. The album presents fourteen original songs, all but one composed by the entire group with lyrics written by Zawadzki.
As appropriate for a Polish alternative / Avant-Garde Rock ensemble, Orange The Juice stretch the borders of the genre by expanding into such extremely disassociated idioms as Death Metal and Free Jazz. Strangely enough and against all odds this bizarre amalgam works very well overall and this is definitely a challenging, but superbly executed and highly interesting piece of contemporary music.
The ensemble freely ignores all conventions and limitations, jumping within one tune from hysteric Death Metal screams, via melodic ballad into an improvised Jazz section, somehow managing to connect the dots very effectively. Of course such daring approach is only justified if it is based on real music, which of course is true in this case.
Judging by the group´s success on the local scene in the time following this live recording, which (at the time of writing these notes) is already three years old, it seems that the potential they show here was fully realized. It is recommended to lend the listener´s ear to this, now archival, recording in order to follow their development and see the roots of their music. Satisfaction guaranteed!
| | Updated: 28/10/2019Posted: | CD+DVD 2 Recommend To A Friend |
  | ORANGE TRANE ~ FUGU
SOLITON 347 (Barcode: 5901571093475) ~ POLAND ~ Jazz
Recorded: 2013 Released: 2014
This is the fourth album by the Polish Jazz ensemble Orange TraneFind albums by this artist, and the second album by its second incarnation now called Orange Trane Acoustic TrioFind albums by this artist, which consists of vibraphonist Dominik BukowskiFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and drummer Tomasz LosowskiFind albums by this artist. The album includes ten tracks, nine of which are original compositions: seven by Lemanczyk and two by Bukowski, and one is a standard.
The music of Orange Trane is a beautiful amalgam of Jazz, contemporary Classical and World Music influences, performed with incredible virtuosity and impeccable taste. Bukowski plays vibraphone, marimba and xylosynth – a synthesized version of the xylophone, Lemanczyk plays both acoustic and electric basses and Losowski plays a wide array of percussive instruments; together they create a magic atmosphere of intimate acoustic music which is full of mystery, with scents of ancient times and far away places. The whole album is like a soundtrack of an imaginary voyage, with each track enfolding a new panorama.
The intimate acoustic setting emphasizes each individual sound and the sheer virtuosity of these performances, which are truly amazing. Personally Lemanczyk, who also composed most of the music, is the most impressive performer, with breathtaking solos and superb control of his instruments, but his colleagues also stand shoulder to shoulder with him, contributing equally well. Bukowski sets the main melodic themes, using a wide array of sounds between completely acoustic and electronically generated and Losowski drives the whole affair rhythmically, but gently enough to be in sync with the rest of the music.
This is intelligent, delicate and elegant music, which is a true pleasure to listen to, and which stimulates the intellectual parts of the listener´s brain at the same time, a rare commodity these days. Although perhaps not groundbreaking, it is definitely graceful and unique, deserving to be heard by as many music connoisseurs as possible. Well done indeed!
| | | CD 1 Digipak Recommend To A Friend |
  | ORANGE TRANE ~ INTERPERSONAL LINES
SOLITON 526 (Barcode: 5901571095264) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2016
This is the fifth album by the excellent Polish Jazz ensemble Orange TraneFind albums by this artist, which consists of vibraphonist Dominik BukowskiFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and drummer Tomasz LosowskiFind albums by this artist. On this album two players are featured as guest musicians: the British saxophonist Soweto KinchFind albums by this artist and the young Polish saxophonist Jakub SkowronskiFind albums by this artist. The album presents seven pieces, five of which are original compositions (four by Lemanczyk and one by Bukowski) and two are compositions by legendary Polish Jazz figures: Zbigniew SeifertFind albums by this artist and Andrzej KurylewiczFind albums by this artist, included here as the band´s tribute to the older generation of Polish Jazz pioneers.
The band continues its musical path faithfully, playing modern Jazz at the highest possible standard, characterized by the virtuosic vibraphone parts by Bukowski, no less virtuosic bass playing by Lemanczyk, who consistently delivers superb lines as only he can and is completed by the energetic and elegant drumming by Losowski. The addition of the two saxophonists expands the overall sound of the band, but does not change dramatically the character of the music.
As usual, Lemanczyk also delivers his lovely compositions, which serve as ideal vehicles for the members of the ensemble to carry their individual statements. The collection of his compositions for Orange Trane, his solo albums and other recordings emerges as one of the most consistent bodies of Jazz compositions on the Polish scene, for which he deserves much more recognition than is actually awarded to him.
The greatest asset of Orange Trane is the consistency of their work, which does not try to show off or amaze the listeners but rather concentrates on keeping the musical excellence and deliver honest, straightforward musical message. There is a certain minimalism and introversion involved in their musical delivery, which often emphasizes the "less is more" principle.
Overall this is another great addition to the Orange Trane legacy, which over time achieved the symbol of quality, which does not disappoint. Well done gentleman, again!
| | Updated: 26/09/2016Posted: 26/09/2016 | CD 1 Digipak Recommend To A Friend |
  | ORANZADA ~ KARMA TANGO
AUDIO CAVE 2023/002 (Barcode: 5908298549599) ~ POLAND ~ Progressive Rock
Recorded: 2021 - 2022 Released: 2023
This is the fifth studio album by Polish Prog / Rock group OranzadaFind albums by this artist, which comprises of vocalist / guitarist Michal KrzysztofiakFind albums by this artist, keyboardist Maciej LabudzkiFind albums by this artist, bassist Robert DerlatkaFind albums by this artist and drummer Artur RzempoluchFind albums by this artist. A couple of additional musicians appear on selected tracks. The album presents ten songs, all co-credited collectively to the group members.
The group has a twenty years’ history behind them and this album follows a ten years gap in their recording output. The sound and general attitude is a mixture of Neo Prog and Psychedelic Rock, nor really innovative but definitely solid as far these genres are concerned.
The compositions are all quite nice, with the lyrical ballads being stronger than the Rockier songs. Some World music influences, Psychedelic vistas and nice flute parts give the album a strong retro feel going back as far as the late 1960s at times, which is fine of course. However, the album lacks any impressive instrumental soloing and the vocal parts (in English and Polish) are the weakest part of the entire affair, so much so, that the album would probably sound better entirely without the vocal parts. A strong lead vocalist (preferably female) would fit the bill perfectly.
Overall, this is a nice, sort of Prog album, with good melodic songs and pleasant retro atmosphere, but definitely not something which would knock any Prog fan off their feet. On the other hand, considering how weak contemporary Prog is these days, this album is definitely worth a spin.
| | Updated: 08/05/2023Posted: 08/05/2023 | CD 1 Digipak Recommend To A Friend |
  | FLORA PURIM ~ PERPETUAL EMOTION
NARADA 724385062520 (Barcode: 724385062520) ~ BRAZIL ~ Jazz-World Fusion
Recorded: 2000 Released: 2001
This is a wonderful album by Brazilian vocalist Flora PurimFind albums by this artist, recorded with excellent musicians: American saxophonist Gary MeekFind albums by this artist, fabulous French pianist Christian JacobFind albums by this artist, American bassist Trey HenryFind albums by this artist and her husband drummer, percussionist Airto MoreiraFind albums by this artist. Brazilian guitarist Oscar Castro-NevesFind albums by this artist guests on selected tracks. The album presents eleven tracks, a mixture of original songs by Purim, Airto and Meek, some Brazilian songs, two Jazz compositions by Chick CoreaFind albums by this artist and McCoy TynerFind albums by this artist and one standard.
The music is the usual mixture of Jazz and Brazilian spicing, which is an irresistible, intoxicating magic for every true Jazz lover. This album is closer to Jazz than most other albums Purim recorded earlier, which although excellent, were somewhat more Pop oriented. I personally fell in love with Flora’s singing since the day I heard her sing with Chick Corea in 1972.
She is accompanied by a great team of musicians, who swing beautifully, providing the ideal accompaniment to Purim’s warm, sensual voice. In many respects this is probably the purest Jazz recording in her discography and features some of her best original material.
Overall, this is a marvelous vocal Jazz album by one of my most loved singers, who never recorded a bad album in her life. Her recorded legacy offers many fabulous albums, all of which are definitely worth visiting, and she is one of the most important Jazz-World Fusion innovators.
| | Updated: 21/08/2023Posted: 21/08/2023 | CD 1 Recommend To A Friend |
  | FLORA PURIM ~ SINGS MILTON NASCIMENTO
EFA 718750636126 (Barcode: 718750636126) ~ BRAZIL ~ Jazz-World Fusion
Recorded: 2000 Released: 2002
This is a wonderful album by Brazilian vocalist Flora PurimFind albums by this artist, dedicated to her friend the legendary Brazilian singer / songwriter Milton NascimentoFind albums by this artist, one of the most important representatives both of the original Brazilian music and the Jazz-World Fusion idiom. As Purim puts it in the album´s liner notes, which tell the story of their musical encounters over the years: "This record is not a tribute to Milton, but a declaration of unconditional love". The album collects ten songs, eight of which are composed by Nascimento and two are associated with him. Purim is accompanied by a superb cast of musicians, many of which originate from Brazil, which includes keyboardist Luiz AvellarFind albums by this artist, saxophonist / flautist Widor SantiagoFind albums by this artist, guitarist Jose NetoFind albums by this artist, bassist Gary BrownFind albums by this artist, drummer (and husband) Airto MoreiraFind albums by this artist and many others. The great (and much lamented) keyboardist George DukeFind albums by this artist guests on one track and a brass section is featured on another track.
Purim sings in Portuguese (except for one song), which is greatly refreshing, as most of her albums feature her English lyrics, and her voice is absolutely unblemished by age; on the contrary she sounds invigorated and rejuvenated. The vocal and instrumental arrangements are absolutely delightful and the album is one great joy ride from start to finish. After being yanked out of the Brazilian music into the Jazz and Fusion worlds following her and her husband´s arrival in the US, Purim seems to be enjoying coming back to her roots on this album, which is felt immediately.
Of course the music is also about Nascimento, who is unquestionably one of the greatest songwriters in all times. His ability to amalgamate Brazilian moods and folkloristic themes with Jazz, Rock and contemporary music in general is unparalleled. He remains a pillar of fire among his contemporaries, which many have followed suit.
Purim delivers some of her most dramatic, heartfelt vocals on this album ever, including vocalese and other vocal tricks, which are beautifully captured by the recording and production of this album, turning it instantly into one of my favorite Purim albums. The overall quality and collected talents concentrated on this album are simply staggering.
Side Note: Many thanks to my friend Odd GjelsnesFind albums by this artist who has allowed me to rummage his enormous CD warehouse for hidden treasures, of which this was just one of many. The thought that this album never landed in my lap earlier makes me very sad, as it makes me realize that there must be thousands of similar albums I have missed…
| | Updated: 09/08/2016Posted: 09/08/2016 | CD 1 Recommend To A Friend |
  | FLORA PURIM ~ THE COMPLETE WARNER RECORDINGS
WOUNDED BIRD 2985 (Barcode: 664140298521) ~ BRAZIL ~ Jazz-World Fusion
Recorded: 1977 - 1979 Released: 2023
This is a 2CD reissue of three studio albums by the legendary Brazilian Jazz vocalist / songwriter Flora PurimFind albums by this artist, released on Warner Bros.Find albums on this label Records in 1977, 1978 and 1979 respectively.
These albums were recorded while Purim was at the peak of her popularity in the US, and she flirts with some Smooth Jazz and Latin Jazz material, in addition to her usual Brazilian Jazz, but they are nevertheless still absolutely gorgeous. Some of the best US Jazz musicians at the time accompany her on these albums, including of course her husband drummer / percussionist Airto MoreiraFind albums by this artist, trumpeter Randy BreckerFind albums by this artist, bassist Jaco PastoriusFind albums by this artist, keyboardists George DukeFind albums by this artist and Herbie HancockFind albums by this artist and numerous others.
CD1 includes the album “Everyday, EverynightFind albums with this title”, from 1978. It presents eleven tracks. This edition adds two bonus tracks, which are outtakes from the album’s recording session.
CD2 includes the album “Nothing Will Be As It Was…TomorrowFind albums with this title”, from 1977, which presents eight tracks, and the album “Carry OnFind albums with this title”, from 1979, which presents ten tracks.
To this very day Purim is one of the most important Jazz vocalist of all time, a pioneer of the Brazilian Jazz wave that swept the world in the 1970s and a very gifted songwriter as well. She is one of my favorite vocalists and I am incredibly happy to have had the opportunity to meet her several times.
Overall, these are excellent vocal Jazz / Jazz-World Fusion albums, which are absolutely an essential addition to every Vocal Jazz collection and which lost absolutely nothing of their brilliance over time. The reissue is a most welcomed opportunity to grab a copy of the them. Purim’s many followers need no encouragement of course and many young Jazz vocalists can learn a lot from these recordings. Sublime stuff!
| | Updated: 21/10/2023Posted: 21/10/2023 | CD 2 Bonus Tracks Recommend To A Friend |
  | BARTOSZ SMORAGIEWICZ ~ HUSTLE & BUSTLE
ARTISTS RECORDS ~ POLAND ~ Gypsy Jazz
Recorded: 2015 Released: 2017
This is the debut album by the Polish ensemble led by clarinetist / saxophonist / composer Bartosz SmoragiewiczFind albums by this artist, which also includes violinist Marcin SkabaFind albums by this artist, guitarist Sebastian IwanowiczFind albums by this artist and bassist Piotr DomagalskiFind albums by this artist. The album presents nine original compositions, all by the leader.
The music is an updated version of early Gypsy Jazz ensembles going back to the legacy of Django ReinhardtFind albums by this artist, with uses the tango and the waltz as departure points into improvisation, all kept within the melodic and harmonic conventions set up eighty years ago. The acoustic quartet lineup is also faithful to the tradition, although clarinet and violin are not the first association fans of Gypsy Jazz would come up with. Nevertheless the music is all coherent and well weaved, with plenty of excellent melodies and vitality, which are the core of this idiom. Some other musical traditions can be also found within this music, like Hassidic and Spanish motifs
Smoragiewicz, who studied with my friend Leszek ZadloFind albums by this artist in Germany, is obviously a very proficient and talented player and his clarinet work is excellent. Skaba plays very nice violin parts and Iwanowicz, although slightly less present as a soloist, plays excellent accompaniment. Domagalski stands solidly in the background serving as the backbone of the quartet´s performances.
Although on the lighter side of the Jazz spectrum, this is overall a very enjoyable album, which at the same shows a high quality of composition and performance and keeps the Gypsy Jazz tradition alive. Definitely worth investigation!
| | Updated: 03/04/2018Posted: 03/04/2018 | CD 1 Digipak Recommend To A Friend |
  | TOMAS SYKORA ~ SONGS FOR ORCHESTRA
ANIMAL MUSIC 093 (Barcode: 8594155997213) ~ CZECH REPUBLIC ~ Pop-Classical Fusion
Recorded: 2020 Released: 2021
This is an album by Czech pianist / composer Tomas SykoraFind albums by this artist, a member of The Prague SixFind albums by this artist composers group. It presents a live concert recording of a Jazz quartet with Sykora, saxophonist David FranekFind albums by this artist, bassist Tomas LiskaFind albums by this artist and drummer Roman VichaFind albums by this artist with the Prague Radio Symphony OrchestraFind albums by this artist conducted by Stepanka BalcarovaFind albums by this artist. The music includes Jazz-Classical Fusion arrangements of three pieces: a composition by veteran Czech Jazz pianist / composer Karel RuzickaFind albums by this artist, a five-part suite composed by Sykora and a suite composed by saxophonist / composer Karel Ruzicka Jr.Find albums by this artist, the son of Ruzicka Senior, based on his compositions for the album “Grace & GratitudeFind albums with this title”, compiled and arranged by Sykora.
The music is beautifully melodic and full of Eastern European melancholy, which of course is hardly surprising. Although composed by three very different composers, the amalgam with the orchestral arrangements and the spirit driving the music manages to create a coherent, well-structured musical experience, which is aesthetically pleasing. Despite the fact that many symphonic Jazz projects end up as complete failures, this project is perfectly able to defend the very idea that such joint ventures can be both viable and rewarding.
Sykora manages to create a very delicate balance between the quartet parts and the orchestral parts, which is very tricky. The transitions between the Jazz quartet performances and the Classical orchestra ones are smooth and logical and offer a natural development. Personally I admire Balcarova, who manages to make the symphonic orchestra to sound at times much closer to a Jazz Big Band than a Classical orchestra, which is very rarely achieved – beautifully done indeed.
Even the “Grace & Gratitude” material sounds way more attractive than the original album version, which sadly lacked any originality. With the new arrangements the music feels alive and comes back to its Cultural home, where it belongs.
Overall this is a wonderful album, which manages to create a consistent bridge between Jazz and Classical Music, avoiding all the kitschy traps that often imperil such efforts. It offers beautiful music, superbly arranged and splendidly executed, which should keep all lovers of such cross-genre explorations totally satisfied.
Despite the fact that the music was recorded live, it offers wonderful sound quality and separation, as usual with Animal MusicFind albums on this label releases, which are an epitome of European elegance and grace, made the Czech way – hats off!
| | Updated: 05/08/2021Posted: 05/08/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | TOMAS SYKORA TRIO & AID KID ~ ALCHEMY
ANIMAL MUSIC 114 (Barcode: 8594211850216) ~ CZECH REPUBLIC ~ Jazz-Ambient Fusion
Recorded: 2023 Released: 2023
This is an album by the Czech Jazz pianist / composer Tomas SykoraFind albums by this artist and his trio with bassist Tomas LiskaFind albums by this artist and drummer Roman VichaFind albums by this artist, augmented by the electronics artist Aid KidFind albums by this artist (a.k.a. Ondra MikulaFind albums by this artist). The album presents nine tracks, all original compositions by Sykora.
The music is a highly exciting and innovative piece of contemporary Jazz, fused with electronics, which results in a fresh, up to date sound and feel, sometimes close to contemporary electronic Pop music, but still very much within the Jazz territory, with extensive improvisations by the leader and vigorous support by the slick rhythm section.
Sykora plays both acoustic piano and synthesizers, but the listener is surrounded by an electric perception, as a result of the electronic layers, electric bass and synthesizer parts. Yet the result manages to retain a solid melodic background and continuity, which keeps the music within a clearly harmonic environment, not crossing over to the Pop, Dance, Techno and Trance idioms.
Some Jazz purist my find this music too far removed from the Jazz tradition, but let’s keep in mind that Sykora has already proven his Jazz background beyond any doubt and this experimentation is nothing else but an attempt to discover new areas of interest, without compromising quality or aesthetic values.
Overall, this is an interesting and innovative attempt to amalgamate Jazz and electronic music, based on a set of highly melodic compositions, excellently executed by the participating musicians. Perhaps not universally appealing to the broad Jazz audiences, but highly interesting to the younger listeners, who are exposed to electronic sounds on a daily basis and should find this music familiar enough to explore it further. Definitely worth investigating!
| | Updated: 19/08/2023Posted: 19/08/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | LORA SZAFRAN ~ EWA DEMARCZYK: INSPIRACJE
POLSKIE RADIO 2444 (Barcode: 5905610871109) ~ POLAND ~ Jazz & Poetry
Recorded: 2023 Released: 2023
This is an album by veteran Polish Jazz vocalist Lora SzafranFind albums by this artist, supported by a formidable team of instrumentalists, fronted by pianist / arranger Milosz WoskoFind albums by this artist, drummer Sebastian FrankiewiczFind albums by this artist, bassist Adam KowalewskiFind albums by this artist and others. She also invited three guest: vocalist Aga ZaryanFind albums by this artist, saxophonist Henryk MiskiewiczFind albums by this artist and accordionist Jaroslaw BesterFind albums by this artist, who appear on selected tracks. The album presents ten tracks, all being songs associated with the repertoire of the Polish Diva Ewa DemarczykFind albums by this artist, six of which were composed by the legendary Zygmunt KoniecznyFind albums by this artist, two by Andrzej ZaryckiFind albums by this artist and the remaining two by others. The lyrics are mostly by renown Polish Poets, like Julian TuwimFind albums by this artist and others.
Any attempt to touch an icon / legend / idol of the class of Demarczyk is a highly risky and virtually impossible task. Although the new arrangements of these songs, which are taken more into the Jazz environment, rather than the original chanson / theatrical idiom created matchlessly by Demarczyk, the comparisons are inevitable, and sadly come out rather oddly in the ears of anybody familiar with the original.
Of course one has to give credit to the new arrangements and the excellent work by the instrumentalists involved, as well as Szafran’s vocal abilities and the throaty coloring of her voice, all of which are truly admirable. Still, the mind does not allow to separate oneself from the deeply seeded impressions and memories of the original. Some things are obviously better left alone…
Overall, this is an impressive production / arrangement / execution in every respect, but I am simply too old to let my personal memories be forgotten, which is apparently needed in order to enjoy this album, beyond appreciating the effort. Of course these songs are still absolute treasures of Polish Culture.
| | Updated: 29/12/2023Posted: 29/12/2023 | CD 1 Digipak Recommend To A Friend |
  | LORA SZAFRAN ~ LONESOME DANCER (POLISH JAZZ VOL.76)
MUZA 1076 ~ POLAND ~ Jazz
Recorded: 1989 Released: 2006
This is the excellent debut album by female Polish Jazz vocalist Lora SzafranFind albums by this artist, the best new arrival on the local scene in the 1980s in the vocal department. She was blessed with great musicality, versatility and superb vocal abilities, which are rare and precious. On this album she is accompanied by an exceptional quartet called New PresentationFind albums by this artist, consisting of the best young Polish Jazz musicians at the time: pianist / composer / leader Wojciech NiedzielaFind albums by this artist, his brother bassist Jacek NiedzielaFind albums by this artist, drummer Adam CzerwinskiFind albums by this artist and the excellent trumpeter Piotr WojtasikFind albums by this artist. Together they perform nine songs, two of which were composed by Wojciech Niedziela, two others are by other Polish composers and the rest are Jazz standards. The overall level of performance is truly excellent from start to finish and for people who love mainstream Jazz delivered with taste and virtuosity, this is a must.
Side Note: This is the last album released under the "Polish Jazz" series, and as the volume number suggests the entire series consists of 76 albums released between mid-1960s and late 1980s. Some of the best European Jazz ever recorded can be found in this exceptional collection of recordings, which is often collected by Jazz fans around the world. A giant Box Set with all the 76 albums in mini-sleeve replicas would be a "dream come true" for true lovers of Polish Jazz. Hopefully soon!
| | Updated: 26/01/2019Posted: | CD 1 Digipak Remastered Recommend To A Friend |
  | LORA SZAFRAN ~ SPIEWNIK NAHORNEGO
CONFITEOR 004 ~ POLAND ~ Jazz
Recorded: 2000 Released: 2003
Polish Jazz vocalist Lora SzafranFind albums by this artist is active on the local scene since the mid 1980s, when she graduated from the Katowice Music Academy. She sings Jazz but is also active on the mainstream Polish popular music market. This is her sixth album as a leader and it is dedicated to songs composed by the legendary Polish Jazz pianist / saxophonist / composer Wlodzimierz NahornyFind albums by this artist, who is also known as the author of popular evergreens. The album includes twelve songs composed by Nahorny, with lyrics (in Polish) by some of top Polish lyricists. Szafran is accompanied by a trio which includes Nahorny on piano with bassist Mariusz BogdanowiczFind albums by this artist and drummer Piotr BiskupskiFind albums by this artist and a string sextet, with string arrangements by Andrzej JagodzinskiFind albums by this artist and Krzysztof HerdzinFind albums by this artist.
The album is kept in the classic mainstream Jazz tradition, performed spotlessly and with flair by all participants. Nahorny´s music is timeless and remains fresh and beautiful in complete disregard of passing fads and fashions. His compositions are as good as any American standards. The intelligent lyrics are a painful remainder that song´s lyrics are supposed to tell a story in an intelligent way, as they do here in complete contrast to today´s monstrosities called songs.
Szafran sings perfectly and superbly, with her charming mannerisms and vocal tricks, which she manages to use as effectively as always. She is able to pronounce every word clearly and accurately, with feeling and obvious sentiment to the context, an art that seems to be lost completely these days. Her warm and round voice and professional finesse are irresistible. The interplay between her and the trio is always impeccable, which turns the entire recording into a musical love affair. Nahorny and the rhythm section are of course a living example of knights in shining armor.
This is an "old fashioned" album, but in spite of that often misused classification it sounds fresh and alive in spite of its delicacy, fragility and sophistication. I must be old fashioned myself, as this stuff simply melts my heart.
| | | CD 1 Digipak Recommend To A Friend |
  | LORA SZAFRAN / BOGDAN HOLOWNIA ~ WARS SZPILMAN WASOWSKI – I TAK SIE TRUDNO ROZSTAC…
POLSKIE RADIO 2177 (Barcode: 5907812247904) ~ POLAND ~ Jazz-Pop Fusion
Recorded: 2017 Released: 2018
This is a live recording by Polish Jazz vocalist Lora SzafranFind albums by this artist accompanied by a quartet led by pianist Bogdan HolowniaFind albums by this artist, which also includes trumpeter Robert MurakowskiFind albums by this artist, bassist Pawel PantaFind albums by this artist and drummer Sebastian FrankiewiczFind albums by this artist. The album presents twelve Polish evergreens (often called Polish standards), composed by three renowned Polish composers: Henryk WarsFind albums by this artist, Wladyslaw SzpilmanFind albums by this artist and Jerzy WasowskiFind albums by this artist and featuring lyrics by celebrated Polish poets and lyricists.
The music holds no surprises to the Polish listeners, as these are songs that the older generation is very much familiar with and which have been around for many years being clearly an integral part of the Polish Cultural heritage. Of course, as such, they have all been performed and recorded many times before and as a result this album offers nothing new in this respect.
Szafran and the instrumentalist are all veteran performers and professionals, so this material offers no challenge whatsoever, especially in view of the fact that it was meant as entertainment and a nostalgic revisit of this material, rather than a Jazz event. Of course the performance was first class from start to finish.
Overall this is a nice tribute to beautiful Polish songs, which offer wonderful music and intelligent, sensitive lyrics, and as such is sadly a symbol of how the values of popular music changed over time from artistry to trash.
| | Updated: 22/10/2018Posted: 22/10/2018 | CD 1 Digipak Recommend To A Friend |
  | TEMPORARY SANITY ~ LAST SUMMER
PHONOKOL 021 (Barcode: 7296134002123) ~ ISRAEL ~ Classic Rock
Recorded: 1991 Released: 1991
1st album by the excellent Israeli Rock group Temporary SanityFind albums by this artist, formed by young musicians barely out of high school at the time, which was active on the local scene in the early 1990s. The group managed to score a major hit with the album´s title song, but unfortunately never achieved the recognition it truly deserved. They disbanded, after recording their second album three years later. Fronted by the superb female vocalist Mirit LibaFind albums by this artist, the group played ambitious self-penned material, which ranks among the best Rock recorded in Israel. In retrospect twenty years later this music still sounds great and lost nothing of its quality. Wholeheartedly recommended!
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  | MATTHEW VON DORAN ~ IN THIS PRESENT MOMENT
B CAT 1001 ~ USA ~ Jazz-Rock Fusion
Debut album (recorded 2003) by California based guitarist Matthew Von Doran turns out to be one of the best guitar Jazz / Fusion albums I happened to come across in a very long time. Apart form the leader, the players on the album read like the who`s who of the US scene with Bob Mintzer, Jimmy Haslip (who also produced the album), Terri Lyne Carrington, Peter Erskin a.m.o., but the participation of such distinguished players is only the added value to the performances of Van Doran, who plays with great feeling, taste, sophistication and panache - absolutely brilliant in every respect. All the music was self-penned by the leader as well, and believe you me - there is plenty of tasty music in there. Also worth mentioning is the extremely beautiful packaging of the album - one of the best I have ever seen. I have met Matthew in January 2005 in France and struck an immediate friendship with this person - now you can all hear this outstanding piece of music.
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | ZK COLLABORATION ~ DOUBLE UNIVERSE
FPJ ~ POLAND ~ Jazz
Recorded: 2017 Released: 2018
This is the debut album by Polish Jazz quartet called ZK CollaborationFind albums by this artist, co-led by drummer Adam ZagorskiFind albums by this artist and saxophonist Maciej KadzielaFind albums by this artist, which also includes pianist Mateusz GawedaFind albums by this artist and bassist Damian KostkaFind albums by this artist. The album presents ten original compositions, five of which were composed by Zagorski (three of them are combined into a triptych), four were composed by Kadziela and one was composed by Gaweda.
The music is modern melody based Jazz and offers excellent compositions and first class performances by the quartet members. A modest use of electronic effects is employed to spice the acoustic sound of the quartet, but does not dramatically alter the overall mainstream Jazz orientation of the music as a whole. But the music does offer a unique and characteristic sound, with the busy drums and the strong bass pulsations being often up front rather than behind the soloists, which creates a somewhat heavy and eerie effect.
This music is quite different from the "usual" young Polish Jazz efforts, since it completely lacks any of the typical Polish melancholy and romanticism, which most Polish Jazz musicians employ almost involuntarily. Here the music tends more towards harsh, almost industrial motifs, which are often challenging and provocative. This creates an element of tension and unrest, which of course keeps the listener on edge as long as the music is playing.
All four members of the quartet are well seasoned musicians, which of course is evident throughout the entire album. Gaweda tends to focus the listener´s attention on himself, whenever given a chance, as his brilliant piano parts are indeed extraordinary and neck-breaking even when he is not soloing. He is balanced by the well structured and full bodied saxophone parts by Kadziela. Zagorski makes sure that the listener is aware of the fact that the drummer is the boss here, but all in all he drives the music safely and securely towards its goal, shoulder to shoulder with Kostka, who makes sure nobody misses a beat.
Overall this is an excellent debut effort, which offers highly original music and sound, different from most of what the Polish Jazz scene has to offer, excellent musicianship and first class compositions. Definitely worth being discovered and highly recommended!
| | Updated: 24/11/2018Posted: 24/11/2018 | CD 1 Digipak Recommend To A Friend |
  | ZK COLLABORATION ~ SLOW FOOD (POLISH JAZZ VOL.86)
WARNER MUSIC POLAND 190296508127 (Barcode: 190296508127) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2021 Released: 2021
This is the second album by Polish Jazz outfit ZK CollaborationFind albums by this artist co-led by drummer Adam ZagorskiFind albums by this artist and saxophonist Maciej KadzielaFind albums by this artist, this time expanded to a quintet with original pianist Mateusz GawedaFind albums by this artist and new members: guitarist Jakub MizerackiFind albums by this artist and bassist Roman ChraniukFind albums by this artist (the last two are members of the Skicki-SkiukFind albums by this artist quartet). The album was recorded at the Warsaw Jasmine Jazz Club, but not live, and presents eight original compositions, seven of which were co-composed by the two leaders and one by Marek KadzielaFind albums by this artist, Maciej’s brother.
The music is deeply soaked in Fusion and the guitar is the most dominant instrument in the proceedings, which remind the humorous “Heavy Metal Be-Bop” moniker almost perfectly. The compositions are all solid, but contrary to the statement in the liner notes, are completely mainstream oriented and bring nothing new to the table. The recording suffers from a murky / muddy sound, which makes listening to the album an effort and requires the volume knob to be turned down. The balance between the instruments is also heavily influenced, with the saxophone and piano often disappearing in the mix. Of course one can assume all this was done purposely and was the choice of the musicians.
The members of the group are all experienced and talented musicians of course and there are many potentially enjoyable moments on this album, like the baritone saxophone parts and the more relaxed guitar soli, but this album sounds like something recorded in the 1970s, which might have worked well than, but sound rather outdated today.
Overall, this is a rather mundane effort, which does not exploit the tremendous potential these musicians have to offer, and which suffers from some bad decisions involving the recording process. A pity but not a tragedy ;)
Side Note
The iconic "Polish Jazz" series of recordings, originally released between 1965 and 1989 by the Polish state owned record company Polskie NagraniaFind albums on this label, which used the MuzaFind albums on this label label as its moniker, consists of seventy six LP albums. It presents the history of Polish Jazz recordings during that period, which includes some of the most important Polish / European modern Jazz milestones and reflects the extraordinary development of Jazz music behind the Iron Curtain. It is one of the most important historic documents of Polish Music and of course Polish Culture in general.
The series had an eminent logo designed by Roslaw Szaybo and the albums were numbered sequentially from Vol.1 to Vol.76 accordingly. The album's artwork was wonderfully stylish and modernist, featuring the brilliant photographs and characteristic design by the legendary Polish Artist Marek Karewicz.
Stylistically the series presented all Jazz genres, from Traditional Jazz to Avant-Garde / Free Jazz, which was extraordinarily liberal considering the cultural censorship imposed by the Socialist Regime. It suffered from some inconsistency, as far as the musical quality and aesthetics were concerned, as well as the internal "politics" of the Polish Jazz scene at the time, but in retrospect it achieved a spectacular overall result, unparalleled as far as consistently documenting a national Jazz scene is concerned.
After the Polskie Nagrania catalogue was bought by Warner Music PolandFind albums on this label, the new owner started a reissue process of the Polish Jazz series, carefully remastered, repackaged and including extensive liner notes, which keeps the artwork as close to the original design as possible. So far forty four volumes of the original series were reissued.
In 2016 Warner Music Poland decided to continue the original series by releasing new contemporary Polish Jazz recordings under the same format and even to continue the sequential numbering starting with Vol.77 – a decision I personally consider almost sacrilegious. Some things are simply untouchable, and the "Polish Jazz" series is surely one of those things. If Warner Music Poland wants to produce Jazz albums, which is always more than welcome, they could have started a new series, under a new title, rather than exploiting the reputation of the historic series.
As a result, some artist whose albums are released as part of the new series might be led to expect instant gratification, fame and stardom, just for being an artificial part of a prestigious past, which of course is as bogus as it is sad.
| | Updated: 06/01/2022Posted: 06/01/2022 | CD 1 Digipak Recommend To A Friend |
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