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2 Reviews Found. Use search to find more reviews or follow the links in the review text.

FEZ ~ FEZ
EDEL CONTENT 4029759080527 (Barcode: 4029759080527) ~ GERMANY ~ Jazz-Rock Fusion

Recorded: 1975 - 1977 Released: 2012

This is a reissue (first time on CD) of the only album by the East German Jazz-Rock Fusion quartet FezFind albums by this artist, which comprised of trombonist Conrad BauerFind albums by this artist, pianist Hannes ZerbeFind albums by this artist, bassist Christoph NiemannFind albums by this artist and drummer Peter GroningFind albums by this artist. The album presents six original compositions, four of which were composed by Bauer and two by Zerbe.

Although stylistically Fez belonged clearly to the Jazz-Rock Fusion, it was definitely one of the most unusual representatives of the genre. With trombone and acoustic piano as the lead instruments and a rocking rhythm section the group played a wonderful mixture of Rock oriented but sounding like Jazz tunes, which was completely unique and had no parallels neither in their country nor worldwide.

All four members of the group were virtuosic musicians and their interplay and cooperation was always spotless. The original music was based on excellent melodic themes which were then improvised upon at length, as appropriate for Fusion. With a bit of imagination one can "hear" this music as performed by a lead guitar and electric keyboards, but the unusual instrumentation used here turns it into a one of a kind experience.

The trombone, a much loved instrument in German Jazz (see the unprecedented work by Albert MangelsdorffFind albums by this artist and others) gets here a wonderful exposure as an all encompassing instrument, capable of bloodcurdling soloing way beyond anybody´s imagination. Bauer´s love of Free Jazz and Improvised Music can be spotted herein as well during some of the more ecstatic displays of his talents. But the three Fez members alongside Bauer also contribute some topnotch moments: Zerbe plays Funky Boogie-woogie passages, which are pure gold; Niemann plays great groves on the electric bass and Groning skillfully adds a series of polyrhythmic barrages, which add a framework to the entire proceedings.

In retrospect this music still sounds incredibly fresh and innovative, regardless of the passing time. It is still so unique that it deserves to be taught at music schools as an example of a triumph of mind over body, which Bauer keeps displaying here. The fact that it is available again is a joyful opportunity to be re-discovered by the younger generation of listeners.

Side Note: As all the East European countries under the Socialist regime, East Germany, or DDR as it was known at the time, had only one state owned and controlled Music Company, which released most of its productions on the AmigaFind albums on this label label. Among the many Amiga releases the legendary "orange J" series was dedicated to Jazz recordings, many of which were licenses from the West, but others were original productions, mostly of Jazz made in DDR. Some of these releases, like the one described above, were absolute gems.

Following the unification of Germany, the Amiga albums disappeared from the face of the earth and only in 2012 a German label reissued 15 Amiga Jazz albums on CD. They are all worth checking out!
Updated: 11/05/2016Posted: 19/03/2016CD 1 Recommend To A Friend

HANNES ZERBE ~ BLECH BAND
EDEL CONTENT 4029759080541 (Barcode: 4029759080541) ~ GERMANY ~ Jazz-Classical Fusion

Recorded: 1984 Released: 2012

This is a reissue (first time on CD) of the fascinating album by the Avant-Garde pianist / composer Hannes ZerbeFind albums by this artist and his Brass Band, an eighteen-piece brass ensemble consisting mostly of East German (DDR) players and three guests from behind the Iron Curtain: Dutch saxophonist Willem BreukerFind albums by this artist, British trumpeter Martin MayesFind albums by this artist and West German tuba player Pinguin MoschnerFind albums by this artist. Together they perform five pieces, one of which is an original composition by Zerbe, three are his arrangements of compositions by Austrian / Jewish composer Hans EislerFind albums by this artist and Russian composer Alexander MossolowFind albums by this artist and the remaining one is by German composer Paul DessauFind albums by this artist. Of course these three composers were all "approved" by the DDR regime (Eisler even composed the DDR National Anthem) and the choice is by no means incidental.

The modus operandi applied by Zerbe is to play initially a straightforward part of the composition and then let the band enters a lengthy Free Form collective improvisation part, finally returning to the composition at the closing of each piece. This adventurous and highly unique approach proves very effective and the resulting music has a powerful impact. Of course Zerbe also pays tribute to the German Brass Band tradition, which was an important element of the German musical scene for centuries.

Why such Avant-Garde music was allowed to exists and was recorded by the State label is a part of the many absurdities that existed in the Socialist countries at the time, with the Regime seeing Art in general and Jazz in particular a sort of pressure valve, which enabled the musicians to express themselves relatively freely, and using this as a tranquilizer of political unrest. As a result, some of the most advanced Avant-Garde music was created behind the Iron Curtain, with DDR and Poland leading the way.

In retrospect this is an intriguing document of the era and a piece of music which is every bit as challenging today as it was at the time it was created. For Free Jazz / Improvised Music listeners this is something none of them would like to miss!

Side Note: As all the East European countries under the Socialist regime, East Germany, or DDR as it was known at the time, had only one state owned and controlled Music Company, which released most of its productions on the AmigaFind albums on this label label. Among the many Amiga releases the legendary "orange J" series was dedicated to Jazz recordings, many of which were licenses from the West, but others were original productions, mostly of Jazz made in DDR. Some of these releases, like the one described above, were absolute gems.

Following the unification of Germany, the Amiga albums disappeared from the face of the earth and only in 2012 a German label reissued 15 Amiga Jazz albums on CD. They are all worth checking out!
Updated: 12/04/2019Posted: 13/05/2016CD 1 Recommend To A Friend

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