Record Reviews

LESZEK HEFI WISNIOWSKI / EWA LIPSKA / GERARD KILROY ~ WORLD FAILURE REQUIEM / LYDIAN 2023/23 (Barcode: 3265584557891) ~ POLAND ~ Jazz & Poetry Recorded: 2023 Released: 2023 The concept of cross-pollination between various disciplines of Art is as ancient and Culture itself, but its potency is never exhausted. Being a lover of Jazz music and Poetry, the combination of the two fascinated me since my adolescence, when I was exposed to some of its early appearances, both in Poland in the 1960s, and later in different counties around the World. There seems to me a mighty affinity between Poets and Jazz musicians, which of course is not really that surprising, since improvising with notes or words is not all that different after all. Sadly, poetry, as opposed to music, has one limitation, of which music is free, i.e. the language barrier. As a result, often upon hearing a sublime Jazz & Poetry album, I immediately ponder on the fact that people, who do not understand a specific language, like Polish for example, are deprived of the ecstatic pleasure associated with the interplay between words and notes. Therefore, it brings me a great pleasure to see this excellent Jazz & Poetry album, which combines the exquisite poetry of Ewa LipskaFind albums by this artist with the sublime improvisations by Leszek HeFi WisniowskiFind albums by this artist, to be now available with the English translations of the poems, opening the possibility to enjoy this union of words and notes to a much wider audience. The poetry is recited by Gerard KilroyFind albums by this artist. The album is an obvious Jazz & Poetry project, but it’s minimalism and the fact that the poetry is recited rather than sung, makes it a completely unique and deeply moving piece of aesthetic wonder. This album makes me extremely happy not only because Lipska’s poetry is one of my favorite contemporary manifestation of Polish Poetry, but even more so because she remains relatively little known in her own country, despite the fact that her poetry has been translated into many languages and published outside of Poland. Sadly, this kind of “Cultural anomaly” repeats itself way to often in Poland. As if this was not enough, Wisniowski is also highly underappreciated on the Polish Jazz scene, so this album is a double vindication of sorts. Wisniowski’s improvisations fit the poetry like a glove, subdued and lethargic they emphasize the “dark” nature of the poetry, often bordering on tragic or even macabre, with the music and words intertwined with each other in a perfect way, which is truly magical. I am full of admiration for Wisniowski and Lipska for their courage and vision to instigate this project and execute it with such deep devotion and artistry. Obviously poetry and music are some of the most directly stimulating phenomena and while combined, their power of expression becomes an emotional tsunami. Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 25/02/2024Posted: 25/02/2024

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