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GRIT ENSEMBLE ~ KOMEDA DECONSTRUCTED
RECART 0015 (Barcode: 5908285287145) ~ POLAND ~ Jazz

Recorded: 2014 Released: 2015

This is a debut album by young Polish Jazz septet called Grit EnsembleFind albums by this artist, led by bassist Patryk PilasiewiczFind albums by this artist, with trumpeter Kacper GrzankaFind albums by this artist, saxophonist Maciej SokolowskiFind albums by this artist, pianist Krzysztof DysFind albums by this artist (Jakub KrolikowskiFind albums by this artist on one track), vibraphonist Piotr RakowskiFind albums by this artist, guitarist Piotr ScholzFind albums by this artist and drummer Andrzej KoniecznyFind albums by this artist. As the title suggests, the music played on this album was composed entirely by the Godfather of Polish Jazz, pianist / composer Krzysztof KomedaFind albums by this artist and includes compositions which were originally written as film scores, Komeda´s most famous contribution to Polish Culture, beyond the strict Jazz milieu. The album presents nine tracks, seven of which are the ensemble´s interpretations of Komeda´s compositions and the additional two are remixes of two of the tracks.

Any attempt to deal with Komeda´s music is a priori a perilous enterprise for numerous reasons, the most obvious one being that it has been attempted previously on hundreds of albums by thousands of Polish and foreign musicians, including the best ones out there. Therefore being original and saying something innovative about the music of Komeda is almost impossible today and works only in truly exceptional cases. When combined with a pretentious album title like in this case, the album is controversial, at least to me, before listening to even one note of its music.

Sadly listening to the music justified my reservations, at least to some degree. I think I am familiar with the term "deconstruction" in the musical sense, and honestly there is not a trace of that process in the music presented on this album. In fact in most cases the original melody is stated quite straightforwardly without even much improvisation and the following free form passages seem hardly related to the themes, definitely not being deconstructions, not to mention the remixes, which simply make no sense to me at all. Nevertheless the music presented on this album has its merits and is definitely worth listening to; it simply does not fulfill what is promised on the album´s cover.

Of course the musicians involved in this project are all excellent performers, and do altogether a splendid job. Dys, who is one of the most impressive upcoming performers on the local scene, demonstrates his exceptional abilities all along, with the rest of the crew following suit. Perhaps taking on Komeda´s music was simply "a bridge too far" in this case? It takes a certain maturity, life´s experience and perspective to handle such lofty tasks.

I imagine that the same ensemble playing original compositions by its members might be able to produce a very impressive result, as there is certainly a lot of talent and passion involved. Therefore I do look forward to hear more musical projects by this ensemble in the future.
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